The classic portrait shot places a flattering view of the subject against a blurred background. This is very easy to achieve with the right lens and all the models below will do the trick.

The key behind a blurred background is having a lens with a large aperture, indicated by a small f-number. The best portrait lenses have an f-number of 2.8 or smaller, and the lower this figure, the more blurred you can make your background. Lenses with smaller f-numbers also gather more light which makes them ideal for taking photos in dim conditions without resorting to flashes or increasing the camera’s ISO sensitivity. See my Portrait Tutorial for more details.

The flattering view is achieved with a lens sporting a slightly magnified view, which typically means having an equivalent focal length of between 70 and 135mm. Shorter focal lengths can give unflattering results with single-person portraits, although are ideal for group shots, while longer ones force the photographer further from the subject, although this may be preferred for discreet, candid shots. Longer focal lengths also accentuate the blurred background effect. A zoom lens which includes both wide angle and short telephoto will be ideal for events like weddings where you need to capture groups and single person shots.

Almost every photographer will benefit from having a good portrait / low-light lens in their collection and for many it’ll be the second lens they’ll buy. Large aperture lenses can be expensive, but there are a few exceptional bargains. Here are the models I recommend.

Best Nikon Portrait Lenses

Sigma 105mm f1.4 Art review

With the 105mm f1.4 ART, Sigma has produced one of their finest lenses in their acclaimed Art line: it's extra sharp and has the most beautiful Bokeh I've ever seen. Plus it's the only f1.4 105mm lens you can get for your Canon DSLR or Sony mirrorless camera. It might be on the large and very heavy side and has no optical stabilization but its optical performance makes the new Sigma replace the Nikon 105mm f1.4E as the reference large aperture 105mm lens. Thus the Sigma 105mm f1.4 Art easily earns a Highly Recommended.

Check prices on the Sigma 105mm f1.4 Art at Amazon, B&H, Adorama, or Wex. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Thanks!

Sigma 135mm f1.8 Art review

The Sigma 135mm f1.8 Art is a bright mid-length telephoto lens available in mounts for Canon, Nikon and Sigma DSLRs with full-frame sensors and can also be used with Sony E-Mount bodies using Sigma's MC-11 mount converter. I think this lens is Sigma's best yet in their Art line: extra sharp, with only minor color aberrations and a beautiful bokeh. In addition it's the only f1.8 135mm lens you can get for your Canon or Nikon DSLR. It might be on the large and heavy side, has no image stabilization, and it definitively is not cheap but all-in-all the Sigma 135mm f1.8 Art earns a Highly Recommended.

Check prices on the Sigma 135mm f1.8 ART at Amazon, B&H, Adorama, or Wex. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Thanks!

Sigma 85mm f1.4 Art review

The new Sigma 85/1.4 Art finally brings Sigma's 85mm prime up to the performance one can expect from a modern lens designed with 36+ MP sensors in mind: It offers the best performing FF/FX-corners and the softest Bokeh of any 85mm lens I know. Plus it is astonishingly resilient against strong contra-light. And although it is not the sharpest in the center, has a little more longitudinal CAs than others, and is a huge and heavy beast of a lens I'd award Sigma's new 85/1.4 Art a Highly Recommended. But this is under the caveat that the AF-issues are singular problems with my copy of the lens.

Check prices on the Sigma 85mm f1.4 Art at Amazon, B&H, Adorama, or Wex. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Thanks!

Nikon 105mm f1.4E review

Nikon has taken on-board the feedback it received on its 58/1.4 lens: not only did they produce an f1.4 lens at a unique focal length of 105mm which has a 20% better reach over a 85mm lens and gets you better background isolation but they also endowed it with very good image quality to boot: Easy to focus, sharp across the full-frame sensor, and with only little CA. You can easily use this lens wide open and get sharp and contrasty shots right into the corners of a high resolution full-frame sensor. As such its optical performance is almost up there with the Zeiss Otus and it delivers a better Bokeh. It is a bit on the fat and costly side but all-in-all the Nikon 105mm f1.4E earns a Highly Recommended.

Check prices on the Nikon 105mm f1.4E at Amazon, B&H, Adorama, or Park Cameras. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Thanks!

Tamron 85mm f1.8 VC review

The Tamron 85mm f1.8 VC is a unique lens, combining very good optical performance with image stabilisation at a reasonable price. In fact it was the first stabilised large aperture 85mm prime for Canon and Nikon users, and while Canon has since released its brighter EF 85mm f1.4L IS USM with stabilisation, the Tamron is half the price. Its autofocus is reliable (after some tweaking) and the package is not too large or heavy to become intimidating. As an overall package it earns a Highly Recommended.

Check prices on the Tamron SP 85mm f1.8 at Amazon, B&H, Adorama, or Wex. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Thanks!

Nikon 24-70mm f2.8E VR review

Having the most effective image stabilization and the best image quality across the FX-sensor in its class earns this lens a Highly Recommended. Be aware though that this performance comes at a price: literally and in an increase in size and weight. Good points: Good to very good quality across the full-frame area; weather sealing; quiet and fast AF operation; very good image stabilization. Bad points: Stronger vignetting and distortions than predecessor; large and heavy; very high price.

Check prices on the Nikon 24-70mm f2.8 E at Amazon, B&H, Adorama, or Park Cameras. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Thanks!

Nikon 85mm f1.8G review

The Nikon 85/1.8G is a very good lens and represents excellent value for money. It’s the cheapest 85mm large aperture lens with AF across all Nikon bodies that you can buy and it delivers an image quality that is actually better in some respects than its larger (and 3-4 times pricier) sibling – the Nikon AF-S 85/1.4G. Contrast and sharpness is very good even wide open over the FX image-circle and resistance to color aberrations is also better than with the other 85mm lenses from Nikon. Overall it is a worthy successor to the AF 85/1.8D (which I really wouldn’t recommend buying any more). So it’ll come as no surprise to learn the Nikon AF-S 85mm f/1.8G easily earns our Highly Recommended award.
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