Fujifilm's XF 18-55mm f2.8-4 is a general-purpose zoom for its X-mount mirrorless cameras, upon which it delivers a flexible 27-84mm equivalent range with a brighter than average aperture. The balance of features makes it one of the classiest kit zooms around. Check out my sample images!
The Canon EF 24-105mm f3.5-5.6 IS STM is a general-purpose 4.4x zoom designed for full-frame DSLRs. It's Canon's third 24-105mm, but the first with STM motors for smooth and quiet focusing in live view and movies. With great quality at half the price of the L version, it's a bargain!
Fujifilm's XF 10-24mm f4 is an ultra-wide zoom for its X-mount cameras. Delivering a 15-36mm equivalent range, it's ideal for expansive landscapes, large architecture, or simply big group shots when you can't step back any further. My review-so-far!
Sony's FE 85mm f1.8 is a short telephoto lens for Sony mirrorless cameras. Costing one third of the FE 85mm f1.4 G Master, it represents a fairly light and relatively affordable option for anyone wanting to shoot portraits, street or details. Check out my sample images!
Canon's EF-S 18-135mm IS USM is a general-purpose zoom for cropped-sensor DSLRs It sports a flexible 7.5x / 29-216mm range taking you from wide to tele - ideal for travel and general use - and a new AF system that's fast for action but smooth and quiet for movies. Check out my samples!
Sony's FE 28mm f2 is a compact and affordable wide-angle for Sony mirrorless cameras. The size and weight make it a perfect companion for Sony's smaller bodies, while a pair of optional adapters transform it into a 21mm ultra-wide or 16mm Fisheye. Check out my sample images!
Sony's FE 55mm f1.8 ZA is a prime lens for Alpha mirrorless cameras that delivers close to standard coverage on full-frame bodies. It was one of the first lenses available for the FE mount, but remains a popular premium option. Check out my sample images!
The Canon EF-S 10-18mm IS STM is a compact and light-weight ultra-wide zoom for Canon's cropped-frame DSLRs with APSC sensors. It's smaller and more affordable than the EF-S 10-22mm USM, bringing ultra-wide photography to a wider audience. Check out my review-so-far!
The Sony FE 35mm f1.4 ZA is a standard wide prime lens for Sony's mirrorless cameras. It's one of many 35mm lenses now available for the full-frame mirrorless Alphas, but it's the brightest model with autofocus, and a superb performer. Check out my sample images.
The Sony FE 90mm f2.8 Macro G OSS is a medium telephoto for Sony's mirrorless cameras. It's the first Sony Macro corrected for its full-frame bodies, upon which it'll deliver 1:1 / 1x magnification from a distance of 28cm. A sharp performer, check out my sample images in my review-so-far.
The Nikon AF-P 70-300mm f4.5-5.6E is a stabilized 4.3x telephoto zoom corrected for use on full-frame Nikon DSLRs. It's the successor to Nikon's popular but 11 year old AF-S 70–300mm 4.5–5.6G. Thomas finds out how it compares to this and other rivals in his review!
The Sony FE 70-200mm f2.8 G Master is a pro telephoto zoom for Alpha mirrorless cameras. One of the first G Master lenses, it delivers high resolution details with attractive rendering of blurred areas. I've compiled a wide variety of sample images in my review-so-far!
The Sony E PZ 18-105mm f4G OSS is a general-purpose 5.8x motorized zoom for Sony's cropped-frame / APSC mirrorless cameras, including the A5000, A6000 and original NEX ranges, where it delivers a 27-158mm equivalent range. Check out my sample images from a trip to Thailand!
The XF 23mm f2 is a wide lens for Fujifilm's mirrorless X-Series. Delivering a 35mm equivalent field-of-view, it's an ideal general-purpose lens and perfect for street shooters. Find out how it compares to the XF 23mm f1.4 in my in-depth review!
The Sigma 24-70mm f2.8 OS Art is a standard zoom for full-frame DSLRs, available in Canon, Nikon and Sigma mounts. It upgrades its decade-old predecessor with ART-level optics and stabilisation. Find out if it's a worthy addition to the ART series in Thomas's review!
The XF 50mm f2 is a short telephoto prime lens for Fujifilm's mirrorless X-series. Delivering a 75mm equivalent field-of-view, it's perfect for portraits with blurred backgrounds or tighter urban and landscape views. I've been comparing it against the XF 56mm f1.2 so find out which is best for you in my review!
The Nikon 8-15mm f3.5-4.5E ED is the first Fisheye zoom for Nikon DSLRs, delivering a 180 degree field-of-view to both cropped and full-frame bodies, while also offering a full circular Fisheye image to full-frame. Find out how it performs in Thomas's in-depth review!
The Leica DG 8-18mm f2.8-4 is an ultra wide zoom for Micro Four Thirds. Mounted on a Panasonic or Olympus mirrorless body, it delivers coverage of 16-36mm, providing a flexible range from modest to ultra-wide. Find out why it's become my favourite MFT wide lens in my review!
The Nikon 28mm f1.4E is a medium wide lens corrected for full-frame DSLRs. It fills a gap between the existing 24mm f1.4 and 35mm f1.4 lenses in the Nikon lineup, and features high-end optics, tough build quality and a price to match. Find out why Thomas reckons it's worth the price in his review!
The Sony FE 100-400mm f4.5-5.6 G Master is a telephoto zoom for its full-frame mirrorless cameras. It delivers the longest reach of Sony's e-mount lenses and boasts high performance for subjects near and far. I've been using the FE 100-400mm at a variety of events on Alpha A9 and A7r Mark II bodies. Check out my experiences and images so…
Sony's FE 12-24mm f4G is an ultra-wide zoom for its full-frame mirrorless cameras. It delivers the widest coverage in the e-mount lineup to date, and exploits the short sensor to mount distance of mirrorless to achieve a smaller and lighter barrel than rivals for DSLRs. I've been shooting with it, so check out my sample images!
Sony's FE 16-35mm f2.8 G Master is a wide zoom for its full-frame mirrorless cameras. The fifth G Master lens, it completes a 'trinity' of f2.8 models, joining the FE 24-70mm f2.8 and FE 70-200mm f2.8. It aims for high resolution and attractive bokeh, while maintaining quality at all distances. I've been shooting with it, so check out my samples!
The Sigma 100-400mm f5-6.3 OS is one of the smallest, lightest and most affordable long telephoto zooms around. Corrected for full-frame bodies, it's available in Canon, Nikon and Sigma DSLR mounts and works on Sony mirrorless with the MC-11 adapter. In his in-depth review, Thomas finds out how it compares against rivals that are generally more expensive.
The Sigma 135mm f1.8 ART is a mid-length telephoto lens with a bright aperture, available in Canon, Nikon or Sigma mounts. It's corrected for full-frame DSLRs and works on Sony's mirrorless bodies with an adapter. Find out why Thomas reckons it's Sigma's best ART lens to date in his in-depth review - one of the first published!