The Sony FE 90mm f2.8 Macro G OSS is a medium telephoto for Sony's mirrorless cameras. It's the first Sony Macro corrected for its full-frame bodies, upon which it'll deliver 1:1 / 1x magnification from a distance of 28cm. A sharp performer, check out my sample images in my review-so-far.
The Nikon AF-P 70-300mm f4.5-5.6E is a stabilized 4.3x telephoto zoom corrected for use on full-frame Nikon DSLRs. It's the successor to Nikon's popular but 11 year old AF-S 70–300mm 4.5–5.6G. Thomas finds out how it compares to this and other rivals in his review!
The Sony FE 70-200mm f2.8 G Master is a pro telephoto zoom for Alpha mirrorless cameras. One of the first G Master lenses, it delivers high resolution details with attractive rendering of blurred areas. I've compiled a wide variety of sample images in my review-so-far!
The Sony E PZ 18-105mm f4G OSS is a general-purpose 5.8x motorized zoom for Sony's cropped-frame / APSC mirrorless cameras, including the A5000, A6000 and original NEX ranges, where it delivers a 27-158mm equivalent range. Check out my sample images from a trip to Thailand!
The XF 23mm f2 is a wide lens for Fujifilm's mirrorless X-Series. Delivering a 35mm equivalent field-of-view, it's an ideal general-purpose lens and perfect for street shooters. Find out how it compares to the XF 23mm f1.4 in my in-depth review!
The Sigma 24-70mm f2.8 OS Art is a standard zoom for full-frame DSLRs, available in Canon, Nikon and Sigma mounts. It upgrades its decade-old predecessor with ART-level optics and stabilisation. Find out if it's a worthy addition to the ART series in Thomas's review!
The XF 50mm f2 is a short telephoto prime lens for Fujifilm's mirrorless X-series. Delivering a 75mm equivalent field-of-view, it's perfect for portraits with blurred backgrounds or tighter urban and landscape views. I've been comparing it against the XF 56mm f1.2 so find out which is best for you in my review!
The Nikon 8-15mm f3.5-4.5E ED is the first Fisheye zoom for Nikon DSLRs, delivering a 180 degree field-of-view to both cropped and full-frame bodies, while also offering a full circular Fisheye image to full-frame. Find out how it performs in Thomas's in-depth review!
The Leica DG 8-18mm f2.8-4 is an ultra wide zoom for Micro Four Thirds. Mounted on a Panasonic or Olympus mirrorless body, it delivers coverage of 16-36mm, providing a flexible range from modest to ultra-wide. Find out why it's become my favourite MFT wide lens in my review!
The Nikon 28mm f1.4E is a medium wide lens corrected for full-frame DSLRs. It fills a gap between the existing 24mm f1.4 and 35mm f1.4 lenses in the Nikon lineup, and features high-end optics, tough build quality and a price to match. Find out why Thomas reckons it's worth the price in his review!
The Sony FE 100-400mm f4.5-5.6 G Master is a telephoto zoom for its full-frame mirrorless cameras. It delivers the longest reach of Sony's e-mount lenses and boasts high performance for subjects near and far. I've been using the FE 100-400mm at a variety of events on Alpha A9 and A7r Mark II bodies. Check out my experiences and images so…
Sony's FE 12-24mm f4G is an ultra-wide zoom for its full-frame mirrorless cameras. It delivers the widest coverage in the e-mount lineup to date, and exploits the short sensor to mount distance of mirrorless to achieve a smaller and lighter barrel than rivals for DSLRs. I've been shooting with it, so check out my sample images!
Sony's FE 16-35mm f2.8 G Master is a wide zoom for its full-frame mirrorless cameras. The fifth G Master lens, it completes a 'trinity' of f2.8 models, joining the FE 24-70mm f2.8 and FE 70-200mm f2.8. It aims for high resolution and attractive bokeh, while maintaining quality at all distances. I've been shooting with it, so check out my samples!
The Sigma 100-400mm f5-6.3 OS is one of the smallest, lightest and most affordable long telephoto zooms around. Corrected for full-frame bodies, it's available in Canon, Nikon and Sigma DSLR mounts and works on Sony mirrorless with the MC-11 adapter. In his in-depth review, Thomas finds out how it compares against rivals that are generally more expensive.
The Sigma 135mm f1.8 ART is a mid-length telephoto lens with a bright aperture, available in Canon, Nikon or Sigma mounts. It's corrected for full-frame DSLRs and works on Sony's mirrorless bodies with an adapter. Find out why Thomas reckons it's Sigma's best ART lens to date in his in-depth review - one of the first published!
The new Sigma Art AF 12-24/4.0 DG HSM is a worthy successor to Sigma's AF 12-24mm 4.5-5.6 II DG HSM model from 2011. Optical performance is very good and other aspects of the lens are also improved: The focal ratio is now a constant f4.0, AF is faster, and you get compatibility with Sigma's USB dock to fine tune various characteristics of AF…
With their second generation telephoto zooms Tamron also offers two new 1.4x and 2x teleconverters (dubbed TC-X14 and TC-X20) which are specifically designed to work with the SP 70-200/2.8 VC G2 and the SP 150-600/5.0-6.3 VC G2. I had the chance to extensively test the Tamron SP 70-200/2.8 VC G2 (model A025) with the TC-X14 and TC-X20. They let this zoom-lens reach…
Tamron's SP 70-200mm f2.8 Di VC USD G2 is a 2.9x telephoto full-frame zoom available in Canon and Nikon DSLR mounts. It's the second generation (A025) model with closer focusing, improved AF and stabilisation, and compatibility with Tamron's USB "TAP-in" console. In his review-in-progress, Thomas finds out if it's worth spending the extra.
The Canon EF 11-24mm f4L USM is a high-end ultra-wide zoom lens designed for Canon's full-frame EOS DSLRs. It's the World's widest rectilinear zoom lens, boasting minimal geometric distortion despite the extreme coverage. Ideal for shooting large buildings inside and out, expansive landscapes or simply very large group shots, find out how it performs in my Canon 11-24mm review!
Canon's EF 50mm f1.8 STM is a low-priced standard prime lens for the EOS range of DSLRs. It's the long-awaited replacement for the EF 50mm f1.8 II, Canon's most successful lens, yet one that's 24 years old. The latest version promises smoother out-of-focus effects and a closer focusing distance. Find out why it's a no-brainer in my Canon EF 50mm…
The Sigma 85mm f1.5 Art is a short telephoto prime lens designed for full-frame bodies and available in Canon EF, Nikon and Sigma mounts. It's a highly anticipated update to the previous 85mm f1.4 from Sigma and anyone following the Art series won't be disappointed as Thomas declares it the best 85mm f1.4 with autofocus he's tested!
The 70-200mm f2.8E is Nikon's latest version of the classic, bright, telephoto zoom. Nikon's done a complete optical redesign to improve performance. They've also made some external changes, swapping the focus and zoom rings and adding extra function buttons to the lens. Find out if it's worth the extra in our Nikon 70-200mm f2.8E review!
The Tamron SP 150-600/5-6.3Di VC USD G2 (A022) is a nice upgrade of Tamron's original 150-600/5-6.3 (A011) super-telephoto zoom. It has improved optics and weather sealing, effective image stabilization, and solid build. But its price tag puts it at the top of comparable 150-600mm zooms right there with the Sigma's 150-600mm "Sports" and even above Nikon's 200-500/5.6E VR. So the question…
The Leica DG Vario-Elmar 100-400mm f4-6.3 is a super telephoto zoom for Micro Four Thirds. On an Olympus or Panasonic body, it delivers an equivalent range of 200-800mm: the longest reach of any native lens in the system, ideal for wildlife and sports. Find out if it's worth paying the premium over the 100-300mm in Gordon's review!