Best Point and Shoot camera 2019

If you’re shopping for a point-and-shoot compact camera, you’ve come to the right place! At Camera Labs I write in-depth reviews of cameras but understand you’re busy people who sometimes just want recommendations of the most outstanding products. So here I’ll cut to the chase and list the best point-and-shoot cameras around right now. Note like my other guides they’re also listed by review date, not in order of preference.

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Best Point and Shoot

Canon PowerShot G5X II review

The Canon PowerShot G5X Mark II is a powerful compact camera with a 20 Megapixel 1in sensor, 5x / 24-120mm zoom, popup viewfinder, tilting touchscreen, fast bursts and 4k video. Canon’s made a U-turn on design, swapping the chunkier DSLR-styling of its predecessor for something more pocketable and more akin to Sony’s RX100 series. So it’s out with the fixed viewfinder hump and side-hinged screen for a popup viewfinder and vertically-tilting display. The grip has shrunk and the front dial lost, but there’s still more to hold onto than the RX100 and the changes have allowed the G5X to become much more pocketable than before. This does however bring it closer to the G7X III with Canon essentially asking you to choose between the popup viewfinder and slightly longer 5x zoom of the G5X versus the mic input and Live Streaming of the G7X III. Couldn’t we just have it all in one body instead, or perhaps do identical versions, with and without viewfinders to meet different price points? There’s also tough competition from Sony’s RX100 VA which gives you the popup viewfinder, tilting screen, 4k video and fast bursts, but with the benefit of more responsive phase-detect autofocus for photos and video, although in its favour the G5X II zooms almost twice as long while also sporting a touchscreen and better grip. Overall the G5X II loses much of what made its predecessor unique in the 1in market, and leaves anyone desiring a mini DSLR-styled compact to aim for the G1X Mark III instead. But by aligning it more closely to its best-selling rival, the G5X II becomes more attractive to a bigger audience. Imagine how much more popular it could have been merged with the G7X III’s connectivity.

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Sony RX100 VII review

The Sony RX100 VII is a high-end compact designed for travel, action, video and vlogging. Successor to the RX100 VI, it shares the same 24-200mm f2.8-4.5 zoom as well as essentially the same body with a touch-screen that can angle up to face you and small but detailed viewfinder that pops up and pushes back down again in a convenient single action. New to the RX100 VII is a faster sensor, allowing it to shoot long bursts up to 20fps without blackout, coupled with Sony’s latest autofocus and eye detection tracking for both humans and animals, so while it’s technically a tad slower than the 24fps top speed of the Mark VI, it’s more usable and ideal for capturing sports as well as active kids and pets. If you feel the need for greater speed though, a new single burst mode fires seven frames at up to 90fps, but in the absence of pre-buffering, your timing will need to be perfect. The best quality movie modes remain in 4k at 24, 25 or 30p, but are now enhanced by eye-detection, more effective stabilisation and the presence of a 3.5mm microphone input - a rarity in this type of camera, although without an accessory shoe you’ll ideally need a bracket or a lav mic. As before it’s up against tough competition from Canon’s G5X II and G7X III which both sport 4k video, brighter lenses with ND filters and flip screens while also undercutting it on price; the G5X II also has a viewfinder while the G7X III sports a mic input. But the Sony zooms much longer, boasts phase-detect AF that’s more confident whether you’re shooting stills or video, not to mention much quicker bursts and higher frame rates for super slow motion. That said, much of what makes the Mark VII compelling is available in the older RX100 VI if you don’t need the mic input, improved 4k stabilisation or latest AF modes, so keep an eye on prices, while dedicated vloggers may still prefer the earlier RX100 VA which has a shorter but brighter lens with an ND filter, albeit no mic input. Ultimately though if you’re after a do-it-all pocket travel camera that’s also great for video and action, the RX100 VII is hard to beat. It’s not cheap, but there’s nothing else that offers all of this and still fits in your pocket.

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Canon SX740 HS review

The Canon Powershot SX740 HS is a pocket super-zoom with a 20 Megapixel sensor and a huge 40X zoom range extending from 24 - 960mm. If it's the longest zoom in a pocketable compact you're looking for, you won't be disappointed. The SX740 HS offers PASM exposure modes, fast 10fps continuous shooting, 4k video, and has a flip up screen that's great for selfie shooting. On the downside, the 4k video involves a tight crop that may make the effective telephoto reach even longer, but makes the short-end much less wide than when filming in 1080p. To be fair the same restriction applies to the Lumix TZ90 / ZS70 and overall the SX40 HS provides a good balance between simplicity and sophistication for those who like a little bit of control, but are equally happy relying on Auto. Recommended, but also consider its main rival the Lumix TZ90 / ZS70 which may have a slightly shorter range, but offers more physical controls, a touch screen, RAW support and a built-in viewfinder, all for a roughly similar price thanks to being an older model. It's also worth remembering if you don't need 4k video or the 10fps bursts, Canon's previous SX730 HS offers much the same features at a slightly lower price while stocks last.

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Panasonic Lumix TZ200 ZS200 review

Panasonic's Lumix TZ200 / ZS200 is the new top model in its enormously popular travel-zoom series. Successor to the TZ100 / ZS100, it inherits the 1in / 20 Megapixel sensor, built-in viewfinder, non-tilting touchscreen, 4k video and Wifi, but boosts the earlier 10x zoom range to 15x, increases the viewfinder detail, adds 1080 video at 120p for slow motion, and now includes Bluetooth for seamless connectivity and location-tagging. The literally big news though remains that new 15x zoom range, equivalent to 24-360mm and easily out-gunning not just its predecessor, but all rival 1in compacts with pocket bodies. The only compromise is an aperture that's become even dimmer at f3.3-6.4 versus the f2.8-5.9 of its predecessor, which in turn was already a lot dimmer than the f1.8-2.8 of rivals with shorter zooms. But that's the compromise you have to weigh-up. If you want a 1in sensor with a big zoom that's also bright, you'll need a much bigger body like the Sony RX10 or Lumix FZ2000. Ultimately for many photographers, the TZ200 / ZS200's combination of a big zoom and decent sensor in a pocket body is all they need to know: the lens range and feature-set are unbeatable in its class and like its predecessor it comes highly recommended.

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Canon G1X Mark III review

The Canon G1X Mark III is a unique camera, squeezing a large APSC sensor - the same found in the EOS 80D and EOS M5 models - into a relatively compact weatherproof body with a 3x optical zoom, built-in viewfinder, fully-articulated touchscreen, plenty of manual control and excellent wireless capabilities. The sensor also boasts Dual Pixel CMOS AF, allowing it to smoothly and confidently refocus for stills or movies. These all make the G1X Mark III one of the most powerful compacts to date, but there's still no 4k video, nor microphone input, and the big sensor also makes it one of the most expensive compacts around. Revealingly its rivals with smaller 1in sensors typically couple them with brighter lenses, allowing them to roughly match the G1X Mark III on resolution, noise and potential for background blurring, but there's no arguing with the APSC sensor's superior dynamic range, allowing the G1X Mark III to capture a greater tonal range and more saturated colours. Don't underestimate the appeal of squeezing the photo and movie quality of the EOS 80D into a compact weatherproof body weighing less than 400g either. The G1X Mark III may have some annoying omissions for movie shooters, but remains one of Canon's most compelling compacts appealing as a standalone camera or a companion to larger DSLRs.

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Fujifilm Instax Mini 9 review

The Instax Mini 9 is one of the most affordable cameras to use Fujifilm's hugely popular Instax Mini film cartridges - these produce small business card size prints which emerge seconds after taking the photo and self-develop before your eyes within a minute. The Mini 9 is almost identical to the best-selling Mini 8, but adds a small mirror by the lens for framing selfies, is supplied with a close-up adapter lens, and available in five pastel colours. Like other Instax Mini cameras, don't expect 100% accurate framing with the basic viewfinder and beware that prints can often be over-exposed under very bright conditions. If you want instant pictures with accurate framing and guaranteed exposure, then consider Fujifilm's digital Instax SQ10, or their portable Instax printer that'll talk to phones and other cameras. But once you understand what Instax Mini can and cannot do, it's enormous fun. I've not met anyone, young or old, who's not spellbound by a low-cost camera that pumps out instant prints, and it's perfect for events or breaking the ice in street photography. There are more sophisticated and compact models in the Instax Mini range, but I'm fond of the basic charm the Mini 9 inherits from its predecessor. Once again it may not cope with all conditions, but I still believe very home should have one. Refreshingly retro and recommended!

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Nikon Coolpix W100 review

The Nikon COOLPIX W100 is a budget point-and-shoot waterproof compact. If you were asked to describe it in two words they would be simple and inexpensive, given a couple more you could also add fun and stylish. With a 3x optical zoom, a 2.7 inch screen and a small sensor of the kind found in mobile phones, it has a fairly basic specification, but the icing on the cake is WiFi and Bluetooth connectivity which with Nikon's SnapBridge app lets you automatically transfer all your photos to your phone in the background while you shoot. You can also remotely control the camera with your phone. So it's an inexpensive no frills waterproof compact that scores highly on connectivity and ease of use. We highly recommend it, either for the kids or as a holiday camera you can take anywhere and not worry about.

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DJI Spark review

The Spark is DJI's smallest and most affordable drone to date, opening-up truly new angles and possibilities to photographers who've previously never owned a flying camera. The flight time is on the short side, but not too brief to get a few great shots. The compact size doesn’t help the Spark in wind but all similarly compact drones have the same drawback. There's no RAW output, but the JPEG quality is good and crisp. Also beware when flying backwards, as the drone’s sensors won’t detect a tree, or a face, until it hits it, but again all-round collision detection is beyond a product at this price. If you're into video, the selfie and helical selfie shots are simple and effective, while the possibilities of the active track modes allow you to swoop past a subject and keep it in frame with very little practice. Better yet, the possibility of adding a radio controller at your leisure, allowing up to 2km range and faster flight speeds offers a nice upgrade path without asking for too much up front. Ultimately, the value offered by this drone and its potential to revolutionize your photography, while having enormous fun doing so, makes it easy to Highly Recommend.

Check prices on the DJI Spark at Amazon, B&H, or Adorama. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Thanks!

Olympus TOUGH TG5 review

There isn’t a better rugged waterproof compact around than the Olympus TOUGH TG-5. Like all great cameras it gets the basics right - a bright, good quality 25-100mm f2 - 4.9 lens paired with a quality 12 Megapixel sensor and high performance TruePic VIII processor. It builds on that with a great set of features and shooting modes, including Pro capture continuous shooting, 4K video, RAW support, and superb macro modes. Finally, it provides the control you need to make the most of those features, whatever the environment. The only downside is the poor performance of the movie continuous AF.

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Panasonic Lumix TZ90 / ZS70 review

On the face of it, Panasonic’s Lumix TZ90 / ZS70 doesn’t add a lot to the earlier TZ80 / ZS70. The touch screen flips up and over and there’s a new 20 Megapixel sensor which delivers better quality 4k UHD video. However, with a 30x optical zoom, built-in viewfinder, great continuous shooting, 4k UHD video with PASM exposure control, 4k photo modes, RAW recording, and a wealth of other features, it remains one of the most powerful pocket super-zooms around and comes Highly Recommended. But if you can live without the flip-up screen the earlier TZ80 / ZS60 is well worth keeping in mind.

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Panasonic Lumix LX10 / LX15 review

Panasonic's Lumix LX10 / LX15 is a highly compelling premium compact which bravely goes head-to-head with the big hitters from Sony and Canon. Rather than producing a me-too version, the LX10 / LX15 features a number of unique differences which stand out from the crowd: a 24-72mm f1.4-2.8 lens that's brighter and focuses closer than most when zoomed-wide, generous 15 minute 4K movie clips, and Panasonic's wealth of clever 4K Photo modes which now let you refocus and adjust the depth-of-field after the event. You're also getting a touchscreen that tilts up (albeit not down), 1080 video at 120p for slow motion, decent Wifi features and USB charging. There no built-in viewfinder, nor ND filter, but for the price this won't bother most buyers. Ultimately the LX10 / LX15 is a welcome addition to the increasingly crowded premium compact market and one I can highly recommend.

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