The Lumix S PRO 50mm f1.4 is a high-end prime lens for full-frame mirrorless cameras using the L-mount. 50mm is an ideal general-purpose length while the fast f1.4 focal ratio allows shallow depth-of-field effects. Leica’s optical design delivers excellent results, albeit at a correspondingly ambitious price. Check out my sample images and bokeh tests in my Lumix S PRO 50mm…
The Cameralabs podcast returns in a new format where Gordon and Doug discuss not just one camera but all the gear we’ve tested over the last few months. Episode One includes the Lumix S, G90 / G95, Fujifilm GFX100 and Sony FE 200-600mm! Join us in the Cameralabs Cafe!
The QNAP TVS-472XT is a four-bay network attached storage device (NAS), sporting 10 Gigabit ethernet as well as dual Thunderbolt 3 ports, allowing not only quicker network access than most NAS units but also supporting direct connections that are fast enough for video editing. Find out how it’s fitted into my workflow in my 6-month review!
The Panasonic Lumix S PRO 70-200mm f4 OIS is a telephoto zoom designed for full-frame mirrorless cameras employing the L-mount. Delivering a classic range for portrait shooters or nearby sports and wildlife, it’s the most affordable telephoto for the L-system to date. Find out how it performs in my review-so-far!
The Sony FE 200-600mm f5.6-6.3 G OSS is a super-telephoto zoom for Alpha mirrorless cameras aimed at sports, aviation and wildlife photography without breaking the bank. I went hands-on with the new lens, trying it out for football, birds and jetskis. Find out how I got on in my review-so-far!
The Sony FE 600mm f4 GM OSS is a super-telephoto lens for the Alpha mirrorless system aimed at professional sports and wildlife photographers. It’s the 10th G Master lens and becomes the longest focal length in the native e-mount catalogue. I tried it out for my hands-on review-so-far!
The Fujifilm GFX 50R is a rangefinder-styled medium format mirrorless camera with 50 Megapixels and a built-in electronic viewfinder. It’s thinner and lighter than the original GFX 50S but sports the same quality. Check out my sample images from Brighton and Tokyo in my review-so-far!
The SanDisk Extreme Portable SSD is a rugged, pocket-sized drive that connects to new and old USB ports and exploits the size, speed and robustness of solid state storage. It works with Macs and PCs and available from 250GB to 2TB. Find out why it’s become an invaluable part of my workflow as a photographer and video editor in my…
The Panasonic Lumix G90 / G95 is a mid-range mirrorless camera based on the Micro Four Thirds standard, with a 20 Megapixel sensor, built-in stabilisation, viewfinder, fully-articulated touchscreen, and unlimited 4k recording. Find out how it compares to its rivals in my in-depth review!
The Panasonic Lumix S1H is a full-frame mirrorless camera aimed at pro videographers, boasting 6K video at 24p / 3:2, 5.9K up to 30p in 16:9, as well as 4K / C4k in 10 bit up to 60p. Find out more in my preview!
The Fujifilm GFX 100 is a medium-format mirrorless camera with 100 Megapixels, built-in stabilisation, phase-detect autofocus, a large and very detailed viewfinder and 4k video. The third model in Fujifilm’s GFX series combines industry-leading resolution with the faster handling and video capabilities of smaller cameras. Check out my hands-on field test and sample images!
The Sigma 28mm f1.4 Art is a medium wide-angle lens designed for full-frame bodies and available in Nikon F, Canon EF, Sony E and Sigma mounts, with the Leica L version arriving later in 2019. It joins Sigma's highly-respected Art series, filling a gap between their 24mm and 35mm options. Thomas put it through its paces in his in-depth review!
The Panasonic Lumix S1 is a full-frame mirrorless camera with 24 MP, built-in stabilisation and 4k 60p video. Launched alongside the 47 MP Lumix S1R, they’re Panasonic's debut bodies in their L-mount alliance with Leica and Sigma.Find out how the more affordable S1 performs for photos and video in my in-depth and updated review!
The Canon RF 28-70mm f2L USM is a general-purpose zoom for Canon’s EOS R full-frame mirrorless system boasting an industry-leading f2 focal ratio. It may miss out on the wider 24mm coverage of typical 24-70mm f2.8 zooms, but uniquely boasts an extra stop of aperture. Ahead of my full review, check out my sample images and videos!
The Zeiss Otus 100mm f1.4 is a high-end telephoto corrected for full-frame sensors and available in Canon EF and Nikon F mounts. It’s the fourth in the acclaimed Otus series, joining the 28mm, 55mm and 85mm models, all sharing the same f1.4 focal ratio, manual focusing and uncompromised optics. Find out how it compares to the Sigma 105mm f1.4 ART…
The Canon RF 85mm f1.2L USM is a short telephoto lens designed for the full-frame mirrorless EOS R system. The fifth native lens for the EOS R system, it’s primarily aimed at portraiture where the focal length delivers a flattering perspective and the fast f1.2 focal ratio allows very shallow depth-of-field effects. Find out more in my preview.
The Canon EOS 250D / Rebel SL3 is a compact DSLR aimed at first-time buyers looking for a step-up from the cheapest models. You get a 24MP APSC sensor, optical viewfinder, fully-articulated touchscreen and mic input, and while the 4k is limited, the 1080 enjoys great autofocus. Check out my in-depth review!
The Nikon Z 14-30mm f4 S is a compact ultra-wide angle zoom designed for Nikon’s full-frame Z-series mirrorless cameras. This fourth native lens in the Z system is ideal for landscape and architecture, and is the first full-frame ultra-wide zoom to take relatively compact and affordable 82mm filters. Find out if it's right for you in my complete review!
The Rode Wireless Go is the World’s smallest wireless microphone system and one of the most affordable options for anyone wanting to explore the benefits of cable-free recording. A built-in mic means you can also clip the transmitter to clothing without mucking about with a separate mic. Find out why it could transform your videos in my full review!
The Sony FE 35mm f2.8 ZA is a wide-angle prime lens for Alpha mirrorless cameras. Launched with the original A7 full-frame bodies, it remains a popular choice for anyone wanting the most compact general-purpose lens for the system. Find out how if it’s still a contender against multiple rivals and alternatives in our full review!
The Nikon Z 24-70mm f2.8 S is a general-purpose pro zoom designed for Nikon’s full-frame Z-series mirrorless cameras. The first zoom in the Z series with an f2.8 focal ratio, it also features a dedicated focusing ring, custom button and OLED display. Find out if it's worth paying the premium over the f4 model in our in-depth review!
Owners of the Canon EF 135mm f2L USM consider it a legend, but can a 23 year old lens really compete with a modern design? Ben Harvey pitches the blisteringly-sharp Sony FE 135mm f1.8 GM against his beloved Canon to find out.
The Canon EOS RP is an entry-level full-frame mirrorless camera with 26 MP, an electronic viewfinder, fully-articulated touchscreen and cropped 4k video. Pitched at a lower-level than the EOS R, it’s Canon’s most affordable, not to mention lightest, full-frame body to date. Find out if it's right for you in my full review!
The Sony FE 35mm f1.4 ZA is a standard wide prime lens for Sony's mirrorless cameras. It's one of many 35mm lenses now available for the full-frame mirrorless Alphas, so in his in-depth review, Thomas compares it to several alternatives to help you make the right choice!