The Canon EOS M6 Mark II is a mid-range mirrorless camera with a 32.5 Megapixel APSC sensor, uncropped 4k video at 25 or 30p with Dual Pixel AF, 14fps shooting with autofocus, a tilting touchscreen and slide-on electronic viewfinder. Check out my sample movies, images, vlog test and overview video!
The Sony E 16-55mm f2.8 G is a high-end general-purpose zoom for E-mount mirrorless cameras with APSC sensors, like the A6000 series. It’s Sony’s first f2.8 zoom designed for APSC mirrorless and one that owners of its higher-end cameras in the series have been crying out for. Find out if it meets expectations in my full review!
The Sigma 35mm f1.2 DG DN Art is a mild wide-angle lens designed for full-frame mirrorless cameras and available in the Sony E and Leica L mounts, the latter working on Leica, Panasonic and Sigma L-mount bodies. The brightest 35mm lens with autofocus to date, it delivers attractive bokeh and impressive sharpness. Find out why you'll want it in our…
The Canon EOS 90D is an upper mid-range DSLR with a 32.5 Megapixel APSC sensor, Dual Pixel AF for live view and movies, 45-point AF through the viewfinder, 10fps shooting, uncropped 4k video at 25 or 30p, and a fully-articulated touchscreen. Check out my first-looks video and sample images and movies!
The Nikon Z 85mm f1.8 S is a short telephoto lens designed for Nikon’s full-frame Z mirrorless system. It becomes the first native prime lens in the system aimed at portrait photographers who desire classic head-and-shoulders compositions with shallow depth-of-field effects. Thomas compares it to rivals in his in-depth review!
The Sony A6600 is an upper mid-range mirrorless camera with a 24 Megapixel APSC sensor, built-in stabilisation, 4k video, 11fps bursts with autofocus, and increased battery life. It replaces the three-year-old A6500 as Sony’s flagship body and in my in-depth review I'll compare all of its pros and cons to rivals to help you decide!
Sigma's 50mm f1.4 ART is a high-end standard lens with autofocus for Canon, Nikon, Leica-L or Sony mounts. We've completely updated our original review, retesting it at higher resolutions and comparing it to new primes lenses from a variety of manufacturers. Find out why it remains one of the best 50mm lenses around in our review!
The Sony A6100 is an upper entry-level mirrorless camera with a 24 Megapixel APSC sensor, 4k video, 11fps shooting, viewfinder and tilting touchscreen. Announced in August 2019, it’s the official successor to the five and a half year old A6000, greatly improving the AF and video features. Check out my hands-on review-so-far!
The Sony A7r Mark IV is a full-frame mirrorless camera with 61 Megapixels, 10fps shooting, 4k video up to 30p, built-in stabilisation and a Pixel Shift Composite mode that generates images with up to 240 Megapixels. Find out if it's the high-res body for you in my full review!
The Canon PowerShot G5X Mark II is a high-end compact with a 1in sensor, 5x / 24-120mm zoom, popup viewfinder, tilting touchscreen, fast bursts and 4k video. Canon’s redesigned the body to become more pocketable while squeezing-in a longer zoom range. Find out if it's your ideal compact in my full review!
The Sony FE 50mm f1.8 is the most affordable standard prime lens for Alpha mirrorless cameras with a bright f1.8 focal ratio that's ideal for delivering shallow depth-of-field effects. There's lots of 50mm options for Sony's cameras, but the FE 50mm f1.8 is by far the most affordable with autofocus. Heres's Thomas's in-depth review!
The Canon G7X Mark III is a compact aimed at enthusiasts and vloggers. It keeps the 24-100mm f1.8-2.8 lens and much the same body of the G7X II but updates the sensor for faster shooting and uncropped 4k video, and becomes the first 1in compact with a mic input and live streaming straight to YouTube. Check out my in-depth review!
Sony's FE 55mm f1.8 ZA is a prime lens for full-frame Alpha mirrorless cameras that delivers close to standard coverage. It was one of the first lenses available for the FE mount, and has since been joined by a selection of alternatives, but it remains a popular option due to its compact size and decent quality. In his review Thomas…
The Nikon COOLPIX W150 is an affordable rugged waterproof compact designed for active kids and families. It'll survive falls of 1.8m, temperatures of -10 Celsius and work up to 10m underwater. Take it to the beach, on the piste, by the pool or in the sea without worrying. Find out why every family needs a rugged camera in Ken's COOLPIX…
Sony's FE 16-35mm f2.8 G Master is a wide zoom for its full-frame mirrorless cameras. The fifth G Master lens, it completes a 'trinity' of f2.8 models, joining the FE 24-70mm f2.8 and FE 70-200mm f2.8. It aims for high resolution and attractive bokeh, while maintaining quality at all distances. Find out how it measures-up in our full review!
Sony’s RX100 VII is arguably the most powerful compact camera around. In this post I’ll share a bunch of images I took at the UK’s biggest Pride event in Brighton, where I found it effortlessly tracked subjects, captured wide views and tight portraits, while remaining discreet and convenient throughout!
The Cameralabs Cafe podcast returns with Gordon and Doug discussing the Canon G7X III, G5X II and Sony RX100 VII, before moving onto Sony's latest high resolution mirrorless, the A7r IV, then wrapping up with some lens news. So grab a drink and join us in the Cameralabs Cafe for a catch-up of all the recent news and reviews!
The Fujifilm FinePix XP140 is a mid-priced waterproof camera with 16 Megapixels, a 5x / 28-140mm zoom and rugged credentials including an impressive 25m depth rating, the ability to operate down to -10 c and survive falls from 1.8m. Ken compared it to pricier and cheaper options to help you make the right choice!
The Tamron 17-28mm f2.8 Di III RXD is a small and light wide-angle zoom with a fast f2.8 focal ratio that's designed for Sony E-mount full-frame cameras. It nicely complements Tamron’s earlier 28-75mm f2.8 and comes in at a lower price than Sony’s FE 16-35mm f2.8. See how they compare in Thomas's review!
The Olympus TOUGH TG-6 is the latest model in the company's massively popular rugged series. It’s waterproof to 15 metres, freezeproof to -10C, can withstand a crushing force of 100Kg and a drop from 2.1m. It keeps the 25-100mm zoom of its predecessor with its bright aperture and unsurpassed macro, but upgrades the screen and underwater modes. Find out if…
The Sony RX100 VII is a high-end compact designed for travel, action, video and vlogging, with a 20 Megapixel 1in sensor, 24-200mm zoom, flip screen, popup viewfinder, fast burst shooting, 4k video and mic input. Find out if it’s the compact for you in my review-so-far!
The Fujifilm GFX 100 is a medium-format mirrorless camera with 100 Megapixels, built-in stabilisation, phase-detect autofocus, a large and very detailed viewfinder and 4k video. The third model in Fujifilm’s GFX series combines industry-leading resolution with the faster handling and video capabilities of smaller cameras. Check out my final in-depth review!
The Sony FE 50mm f1.4 ZA is a standard prime lens designed for Sony's E-mount mirrorless cameras and corrected for full-frame bodies. It’s Sony’s top-end option with Zeiss optics and a fast f1.4 focal ratio. Find out how it compares to the other options in Thomas’s full review!
The Sony FE 35mm f1.8 is a mild wide-angle prime lens for its Alpha mirrorless cameras. It’s Sony’s third native 35mm lens that’s corrected for full-frame bodies, but pitched at a more affordable price and similar in build and quality to the FE 85mm f1.8. Find out why it's a great option for the money in out full review!