<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Sony &#8211; Cameralabs</title>
	<atom:link href="https://www.cameralabs.com/tag/sony/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.cameralabs.com</link>
	<description>Digital camera reviews, photography tutorials and vintage classics by Gordon Laing, since 2005</description>
	<lastBuildDate>Fri, 30 Jan 2026 19:58:07 +0000</lastBuildDate>
	<language>en-GB</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.2.8</generator>

<image>
	<url>https://www.cameralabs.com/wp-content/uploads/2015/10/cameralabs_device_white_60px.png</url>
	<title>Sony &#8211; Cameralabs</title>
	<link>https://www.cameralabs.com</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>Sony A9 III review so far</title>
		<link>https://www.cameralabs.com/sony-a9-iii-review/</link>
		
		<dc:creator><![CDATA[Gordon Laing]]></dc:creator>
		<pubDate>Thu, 30 Nov 2023 10:56:26 +0000</pubDate>
				<category><![CDATA[Cameras]]></category>
		<category><![CDATA[Sony cameras]]></category>
		<category><![CDATA[9III]]></category>
		<category><![CDATA[A9]]></category>
		<category><![CDATA[Alpha]]></category>
		<category><![CDATA[Alpha 9]]></category>
		<category><![CDATA[III]]></category>
		<category><![CDATA[Sony]]></category>
		<guid isPermaLink="false">https://www.cameralabs.com/?p=56035</guid>

					<description><![CDATA[The Sony Alpha 9 III is a supremely quick 24 MP full-frame camera, with a global shutter that allows 120fps bursts, flash sync up to 1/80,000 and photos and videos that are free from distortion. Here's my review so far!&#8230;]]></description>
		
		
		
			</item>
		<item>
		<title>Viltrox AF 35mm f1.8 review</title>
		<link>https://www.cameralabs.com/viltrox-af-35mm-f1-8-review/</link>
		
		<dc:creator><![CDATA[Thomas]]></dc:creator>
		<pubDate>Tue, 06 Sep 2022 10:00:00 +0000</pubDate>
				<category><![CDATA[Lenses]]></category>
		<category><![CDATA[Nikon lenses]]></category>
		<category><![CDATA[Sony lenses]]></category>
		<category><![CDATA[lens]]></category>
		<category><![CDATA[mirrorless]]></category>
		<category><![CDATA[Nikon]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Sony]]></category>
		<guid isPermaLink="false">https://www.cameralabs.com/?p=51713</guid>

					<description><![CDATA[The AF 35mm f1.8 from Viltrox is a mild wide prime lens designed for mirrorless full-frame cameras with Nikon Z-mount or Sony E-mount. Is it a good alternative to Nikon's and Sony's 35mm f1.8 lenses? Find out in my in-depth review!&#8230;]]></description>
		
		
		
			</item>
		<item>
		<title>Voigtlander 35mm f2 APO-Lanthar review</title>
		<link>https://www.cameralabs.com/voigtlander-35mm-f2-apo-lanthar-review/</link>
		
		<dc:creator><![CDATA[Thomas]]></dc:creator>
		<pubDate>Mon, 15 Aug 2022 10:21:00 +0000</pubDate>
				<category><![CDATA[Lenses]]></category>
		<category><![CDATA[Nikon lenses]]></category>
		<category><![CDATA[Sony lenses]]></category>
		<category><![CDATA[lens]]></category>
		<category><![CDATA[mirrorless]]></category>
		<category><![CDATA[Nikon]]></category>
		<category><![CDATA[Sony]]></category>
		<guid isPermaLink="false">https://www.cameralabs.com/?p=51716</guid>

					<description><![CDATA[The Voigtländer 35mm f2 APO-Lanthar is a mild wide-angle prime lens designed for mirrorless full-frame cameras from Sony and Nikon. Find out whether it's worth considering although it is manual focus only in my full review!&#8230;]]></description>
		
		
		
			</item>
		<item>
		<title>Sony FE 24-70mm f2.8 GM II review</title>
		<link>https://www.cameralabs.com/sony-fe-24-70mm-f2-8-gm-ii-review/</link>
		
		<dc:creator><![CDATA[Gordon Laing]]></dc:creator>
		<pubDate>Wed, 27 Apr 2022 14:05:42 +0000</pubDate>
				<category><![CDATA[Lenses]]></category>
		<category><![CDATA[Sony lenses]]></category>
		<category><![CDATA[24-70mm]]></category>
		<category><![CDATA[f2.8]]></category>
		<category><![CDATA[FE]]></category>
		<category><![CDATA[G Master]]></category>
		<category><![CDATA[GM]]></category>
		<category><![CDATA[II]]></category>
		<category><![CDATA[lens]]></category>
		<category><![CDATA[Mark II]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Sony]]></category>
		<guid isPermaLink="false">https://www.cameralabs.com/?p=50472</guid>

					<description><![CDATA[The Sony FE 24-70mm f2.8 G Master II is a high-end standard zoom aimed at event and wedding photographers. It becomes the second G Master lens to receive the Mark II treatment, and in my full review I’ll show you how it measures-up!&#8230;]]></description>
		
		
		
			</item>
		<item>
		<title>Sony FE 14mm f1.8 G Master review</title>
		<link>https://www.cameralabs.com/sony-fe-14mm-f1-8-g-master-review/</link>
		
		<dc:creator><![CDATA[Gordon Laing]]></dc:creator>
		<pubDate>Tue, 20 Apr 2021 14:00:00 +0000</pubDate>
				<category><![CDATA[Lenses]]></category>
		<category><![CDATA[Sony lenses]]></category>
		<category><![CDATA[14mm]]></category>
		<category><![CDATA[f1.8]]></category>
		<category><![CDATA[FE]]></category>
		<category><![CDATA[G Master]]></category>
		<category><![CDATA[GM]]></category>
		<category><![CDATA[lens]]></category>
		<category><![CDATA[mirrorless]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Sony]]></category>
		<guid isPermaLink="false">https://www.cameralabs.com/?p=45827</guid>

					<description><![CDATA[The Sony FE 14mm f1.8 G Master is an ultra-wide angle prime lens for the full-frame e-mount mirrorless system. It’s not only Sony’s widest prime lens to date, but one of only two 14mm lenses in existence with a bright f1.8 aperture. Find out everything you need to know in my full review!&#8230;]]></description>
		
		
		
			</item>
		<item>
		<title>Sony FE 24mm f2.8 G review</title>
		<link>https://www.cameralabs.com/sony-fe-24mm-f2-8-g-review/</link>
		
		<dc:creator><![CDATA[Gordon Laing]]></dc:creator>
		<pubDate>Tue, 23 Mar 2021 14:15:42 +0000</pubDate>
				<category><![CDATA[Lenses]]></category>
		<category><![CDATA[Sony lenses]]></category>
		<category><![CDATA[24mm]]></category>
		<category><![CDATA[f2.8]]></category>
		<category><![CDATA[FE]]></category>
		<category><![CDATA[lens]]></category>
		<category><![CDATA[mirrorless]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Sony]]></category>
		<guid isPermaLink="false">https://www.cameralabs.com/?p=45371</guid>

					<description><![CDATA[The Sony FE 24mm f2.8 G is a compact wide-angle prime lens for the e-mount mirrorless system. 24mm is a popular focal length, striking a very usable balance between 28mm and ultra-wide models. The 24 2.8 G delivers sharp results and fast focusing from a compact weather-sealed barrel. Find out if it’s the perfect wide prime for you in my review!&#8230;]]></description>
		
		
		
			</item>
		<item>
		<title>Sony FE 40mm f2.5 G review</title>
		<link>https://www.cameralabs.com/sony-fe-40mm-f2-5-g-review/</link>
		
		<dc:creator><![CDATA[Gordon Laing]]></dc:creator>
		<pubDate>Tue, 23 Mar 2021 14:09:44 +0000</pubDate>
				<category><![CDATA[Lenses]]></category>
		<category><![CDATA[Sony lenses]]></category>
		<category><![CDATA[40mm]]></category>
		<category><![CDATA[f2.5]]></category>
		<category><![CDATA[FE]]></category>
		<category><![CDATA[G]]></category>
		<category><![CDATA[lens]]></category>
		<category><![CDATA[mirrorless]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Sony]]></category>
		<guid isPermaLink="false">https://www.cameralabs.com/?p=45326</guid>

					<description><![CDATA[The Sony FE 40mm f2.5 G is a compact lightweight prime lens designed for full-frame e-mount mirrorless cameras. 40mm delivers slightly wider than standard coverage, striking a compelling balance between traditional 35 and 50mm lenses. In my full review find out why it could be your next standard lens!&#8230;]]></description>
		
		
		
			</item>
		<item>
		<title>Sony FE 50mm f2.5 G review</title>
		<link>https://www.cameralabs.com/sony-fe-50mm-f2-5-g-review/</link>
		
		<dc:creator><![CDATA[Gordon Laing]]></dc:creator>
		<pubDate>Tue, 23 Mar 2021 14:05:41 +0000</pubDate>
				<category><![CDATA[Lenses]]></category>
		<category><![CDATA[Sony lenses]]></category>
		<category><![CDATA[50mm]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[f2.5]]></category>
		<category><![CDATA[FE]]></category>
		<category><![CDATA[mirrorless]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Sony]]></category>
		<guid isPermaLink="false">https://www.cameralabs.com/?p=45345</guid>

					<description><![CDATA[The Sony FE 50mm f2.5 G is a compact standard prime lens for full-frame e-mount mirrorless cameras. Announced in March 2021 and costing $599, it delivers natural-looking standard coverage that’s ideal for general-purpose use. Long enough for simple portraits and small group shots, but short enough for some natural and urban views, and a practical&#8230;]]></description>
		
		
		
			</item>
		<item>
		<title>Sony FE 50mm f1.2 GM review</title>
		<link>https://www.cameralabs.com/sony-fe-50mm-f1-2-gm-review/</link>
		
		<dc:creator><![CDATA[Gordon Laing]]></dc:creator>
		<pubDate>Tue, 16 Mar 2021 14:21:47 +0000</pubDate>
				<category><![CDATA[Lenses]]></category>
		<category><![CDATA[Sony lenses]]></category>
		<category><![CDATA[50mm]]></category>
		<category><![CDATA[f1.2]]></category>
		<category><![CDATA[FE]]></category>
		<category><![CDATA[GM]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Sony]]></category>
		<guid isPermaLink="false">https://www.cameralabs.com/?p=45146</guid>

					<description><![CDATA[The Sony FE 50mm f1.2 G Master is a standard prime lens with a very bright aperture for full-frame e-mount mirrorless cameras. The 50mm focal length delivers natural-looking coverage, but the fast 1.2 aperture allows very shallow depth-of-field effects, while Sony’s latest G Master optics promise both high resolution and smooth rendering. Here’s my full review!&#8230;]]></description>
		
		
		
			</item>
		<item>
		<title>Sony FE 90mm f2.8 Macro review</title>
		<link>https://www.cameralabs.com/sony-fe-90mm-f2-8-macro-g-oss-review/</link>
		
		<dc:creator><![CDATA[Thomas]]></dc:creator>
		<pubDate>Mon, 01 Mar 2021 10:40:00 +0000</pubDate>
				<category><![CDATA[Lenses]]></category>
		<category><![CDATA[Sony lenses]]></category>
		<category><![CDATA[90mm]]></category>
		<category><![CDATA[FE]]></category>
		<category><![CDATA[macro]]></category>
		<category><![CDATA[Sony]]></category>
		<guid isPermaLink="false">https://www.cameralabs.com/?p=21061</guid>

					<description><![CDATA[The Sony FE 90mm f2.8 Macro G OSS is a medium telephoto for Sony's mirrorless cameras. It was Sony's first Macro corrected for full-frame bodies, upon which it'll deliver 1:1 / 1x magnification. In our full review see how it compares to the newer Sigma 105mm DG DN Macro!&#8230;]]></description>
		
		
		
			</item>
	</channel>
</rss>

<!--
Performance optimized by W3 Total Cache. Learn more: https://www.boldgrid.com/w3-total-cache/

Object Caching 111/147 objects using Disk
Page Caching using Disk: Enhanced 
Minified using Disk
Database Caching 1/3 queries in 0.005 seconds using Disk

Served from: www.cameralabs.com @ 2026-02-05 21:41:06 by W3 Total Cache
-->