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Nikon Z 58mm f0.95 Noct review so far

The Nikon Z 58mm f0.95 S Noct is a prime lens for Nikon’s full-frame Z-series mirrorless cameras with standard coverage coupled with anything but a standard aperture. It features a unique f0.95 focal ratio gathering almost 4 times more light than f1.8 lenses, earning the “Noct” title. Ahead of his review, Thomas shares his results, comparisons and samples so far!…

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Samyang AF 35mm f1.4 FE review

The Samyang AF 35mm f1.4 FE is a mild wide-angle prime lens for Sony’s Alpha mirrorless cameras. It offers a bright aperture and autofocus, and is priced below the Sony FE 35mm f1.4 ZA, FE 35mm f1.8 and even the FE 35mm f2.8 ZA. Find out why it gives you a lot of bang for your buck in Thomas’s full review which includes many comparisons with rivals!…

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Canon RF 70-200mm f2.8L IS USM review so far

The Canon RF 70-200mm f2.8L IS USM is a bright telephoto zoom for the full-frame EOS R mirrorless system. It’s shorter and lighter than the EF version and focuses closer too, although – spoiler alert – the barrel now extends as you zoom it. I went hands-on for my first-looks preview!…

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Sony E 70-350mm f4.5-6.3 G OSS review

The Sony E 70-350mm f4.5-6.3 G OSS is a telephoto zoom for its E-mount mirrorless cameras with APSC sensors, like the A6000 series. It’s designed as a premium option for those who demand better quality and desire longer reach without the even higher cost or bulk of the full-frame and G Master options. Find out why it comes recommended in my review!…

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Sony E 16-55mm f2.8 G review

The Sony E 16-55mm f2.8 G is a high-end general-purpose zoom for E-mount mirrorless cameras with APSC sensors, like the A6000 series. It’s Sony’s first f2.8 zoom designed for APSC mirrorless and one that owners of its higher-end cameras in the series have been crying out for. Find out if it meets expectations in my full review!…

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Sigma 35mm f1.2 Art review

The Sigma 35mm f1.2 DG DN Art is a mild wide-angle lens designed for full-frame mirrorless cameras and available in the Sony E and Leica L mounts, the latter working on Leica, Panasonic and Sigma L-mount bodies. The brightest 35mm lens with autofocus to date, it delivers attractive bokeh and impressive sharpness. Find out why you’ll want it in our review!…

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Nikon Z 85mm f1.8 S review

The Nikon Z 85mm f1.8 S is a short telephoto lens designed for Nikon’s full-frame Z mirrorless system. It becomes the first native prime lens in the system aimed at portrait photographers who desire classic head-and-shoulders compositions with shallow depth-of-field effects. Thomas compares it to rivals in his in-depth review!…

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Sony FE 55mm f1.8 ZA review

Sony’s FE 55mm f1.8 ZA is a prime lens for full-frame Alpha mirrorless cameras that delivers close to standard coverage. It was one of the first lenses available for the FE mount, and has since been joined by a selection of alternatives, but it remains a popular option due to its compact size and decent quality. In his review Thomas compares it to several 50mm rivals.…

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Sony FE 50mm f1.4 ZA review

The Sony FE 50mm f1.4 ZA is a standard prime lens designed for Sony’s E-mount mirrorless cameras and corrected for full-frame bodies. It’s Sony’s top-end option with Zeiss optics and a fast f1.4 focal ratio. Find out how it compares to the other options in Thomas’s full review!…

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Canon RF 24-240mm f4-6.3 IS USM review – preview

The Canon RF 24-240mm f4-6.3 IS USM is the first super-zoom lens for Canon’s full-frame EOS R mirrorless system. It sports the longest zoom range in the system so far while also becoming one of the more affordable models to date. Both make it an ideal ‘kit-zoom’ for the lower cost bodies like the EOS RP. Find out more in my preview!…

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