The Z 85mm f1.2 S is Nikon’s second prime lens with a bright focal ratio of f1.2. Aimed at wedding, fashion, or portrait photographers does it deliver the goods – especially regarding Bokeh? Find out in my full review.…
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The AF 35mm f1.8 from Viltrox is a mild wide prime lens designed for mirrorless full-frame cameras with Nikon Z-mount or Sony E-mount. Is it a good alternative to Nikon’s and Sony’s 35mm f1.8 lenses? Find out in my in-depth review!…
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The Voigtländer 35mm f2 APO-Lanthar is a mild wide-angle prime lens designed for mirrorless full-frame cameras from Sony and Nikon. Find out whether it’s worth considering although it is manual focus only in my full review!…
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Nikon’s AF-S 500mm f5.6E VR S was introduced in 2018. Does it still hold up to Nikon’s newest long telephoto lenses for their Z system? Find out in my in-depth review!…
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The Sony FE 24-70mm f2.8 G Master II is a high-end standard zoom aimed at event and wedding photographers. It becomes the second G Master lens to receive the Mark II treatment, and in my full review I’ll show you how it measures-up!…
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The Sony FE 14mm f1.8 G Master is an ultra-wide angle prime lens for the full-frame e-mount mirrorless system. It’s not only Sony’s widest prime lens to date, but one of only two 14mm lenses in existence with a bright f1.8 aperture. Find out everything you need to know in my full review!…
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The Sony FE 24mm f2.8 G is a compact wide-angle prime lens for the e-mount mirrorless system. 24mm is a popular focal length, striking a very usable balance between 28mm and ultra-wide models. The 24 2.8 G delivers sharp results and fast focusing from a compact weather-sealed barrel. Find out if it’s the perfect wide prime for you in my review!…
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The Sony FE 40mm f2.5 G is a compact lightweight prime lens designed for full-frame e-mount mirrorless cameras. 40mm delivers slightly wider than standard coverage, striking a compelling balance between traditional 35 and 50mm lenses. In my full review find out why it could be your next standard lens!…
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The FE 35mm f1.4 G Master is a high-end wide-angle prime lens for Sony’s e-mount mirrorless system and one that’s corrected for full-frame bodies. It’s Sony’s fourth 35 in the native e-mount, but the first to join the flagship G-Master series. Find out why it’s their best 35 yet in my full review!…
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The Canon RF 24-105mm f4-7.1 STM is a budget zoom for the full-frame EOS R mirrorless system. Costing less than half the price of the RF 24-105mm f4L, it actually turned out to be a lot better than I expected and in my review I’ll show you why it’s the kit zoom the Rf system has been waiting for!…
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