The Sigma 35mm f2 DG DN is a mild wide prime lens for full-frame mirrorless cameras and available in Sony-e and Leica L-mounts. Launched alongside a new 24 and 65mm as part of Sigma’s I series, the 35 adopts vintage styling to stand out in a crowded market. Find out how it compares in my full review!…
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Sigma’s Art lenses for full-frame mirrorless cameras transform the Leica-L mount system, bringing focal lengths, apertures and – crucially – prices that were previously unavailable. They’re particularly appealing to Lumix S owners who, due to the high cost of Leica’s own lenses, have been limited to Panasonic’s initial three lenses so far. Find out why you’ll want to invest in Sigma in my latest video!…
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The Leica DG 10-25mm f1.7 is a high-end zoom with a fast f1.7 focal ratio for Micro Four Thirds. Mounted on a Panasonic or Olympus M43 body, it delivers equivalent coverage of 20-50mm, providing a flexible general-purpose range from wide to standard. Highly compelling for photographers and especially videographers, check out my in-depth review!…
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The Leica DG 50-200mm f2.8-4 is a high-end telephoto zoom designed for Panasonic and Olympus mirrorless cameras, upon which it delivers equivalent coverage of 100-400mm. In my in-depth review I’ll compare it to the Olympus 40-150mm to help you choose the best telephoto zoom!…
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The Leica 200mm f2.8 is a high-end telephoto for Micro Four Thirds bodies. Mounted on a Panasonic or Olympus mirrorless, it delivers 400mm equivalent coverage, or 560mm when fitted with its supplied 1.4x tele-converter. In my in-depth review I compare it to the Olympus 300mm!…
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The Leica Summilux 12mm f1.4 is a wide-angle prime lens for the Micro Four Third system. Mounted on an Olympus or Panasonic body, it delivers 24mm equivalent coverage, while the f1.4 focal ratio is the brightest for this focal length in the MFT catalogue. Find out how it compares to other 12mm options in Gordon’s review!…
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Foreword: this is a story of passion, obsession even: one man’s journey to acquire one of the world’s most respected and coveted luxury items, a Leica M9-P. Owning a high-end Leica camera is the dream of many photographers but the financial reality keeps it that way for most. This…
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When Panasonic announced its debut digital SLR, the Lumix L1, back in February 2006, it’s fair to say a great deal of attention was focused on its kit lens – after all this was no ordinary bundled optic. The D Vario Elmarit 14-50mm was not only Leica’s first lens designed specifically for a digital SLR,…
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