Sony FE 50mm f1.4 GM review
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The FE 50mm f1.4 G Master is a standard prime lens with a fast aperture for Sony’s full-frame mirrorless cameras. Find out how it compares to the 1.2 version and Sigma’s recent 1.4 in my full review!…
Read moreThe FE 50mm f1.4 G Master is a standard prime lens with a fast aperture for Sony’s full-frame mirrorless cameras. Find out how it compares to the 1.2 version and Sigma’s recent 1.4 in my full review!…
Read moreThe Sony FE 24-70mm f2.8 G Master II is a high-end standard zoom aimed at event and wedding photographers. It becomes the second G Master lens to receive the Mark II treatment, and in my full review I’ll show you how it measures-up!…
Read moreThe Sony FE 14mm f1.8 G Master is an ultra-wide angle prime lens for the full-frame e-mount mirrorless system. It’s not only Sony’s widest prime lens to date, but one of only two 14mm lenses in existence with a bright f1.8 aperture. Find out everything you need to know in my full review!…
Read moreThe Sony FE 12-24mm f2.8 G Master is an ultra-wide zoom with a constant f2.8 aperture, designed for Alpha full-frame mirrorless cameras. It becomes the widest full-frame f2.8 zoom and means Sony now offers focal lengths from 12 to 200mm with a constant f2.8 aperture. Find out more in my review!…
Read moreThe FE 35mm f1.4 G Master is a high-end wide-angle prime lens for Sony’s e-mount mirrorless system and one that’s corrected for full-frame bodies. It’s Sony’s fourth 35 in the native e-mount, but the first to join the flagship G-Master series. Find out why it’s their best 35 yet in my full review!…
Read moreThe Sony FE 600mm f4 GM OSS is a super-telephoto lens for the Alpha mirrorless system aimed at professional sports and wildlife photographers. It’s the 10th G Master lens and becomes the longest focal length in the native e-mount catalogue. I tried it out for my hands-on review-so-far!…
Read moreThe Sony FE 135mm f1.8 G Master is a telephoto prime lens for its Alpha series of full-frame mirrorless cameras, delivering a classic telephoto view with minimal distortion and very shallow depth-of-field effects. I tested a final production sample for my review.…
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