The Sony FE 50mm f1.2 G Master is a standard prime lens with a very bright aperture for full-frame e-mount mirrorless cameras. The 50mm focal length delivers natural-looking coverage, but the fast 1.2 aperture allows very shallow depth-of-field effects, while Sony’s latest G Master optics promise both high resolution and smooth rendering. Here’s my full review!…
The Sigma 35mm f1.2 DG DN Art is a mild wide-angle lens designed for full-frame mirrorless cameras and available in the Sony E and Leica L mounts, the latter working on Leica, Panasonic and Sigma L-mount bodies. The brightest 35mm lens with autofocus to date, it delivers attractive bokeh and impressive sharpness. Find out why you’ll want it in our review!…
The Canon RF 85mm f1.2L USM is a short telephoto lens designed for the full-frame mirrorless EOS R system. The fifth native lens for the EOS R system, it’s primarily aimed at portraiture where the focal length delivers a flattering perspective and the fast f1.2 focal ratio allows very shallow depth-of-field effects. Find out more in my preview.…
The Canon RF 50mm f1.2L USM is a standard prime lens for Canon’s EOS R full-frame mirrorless system. One of the first four native RF lenses, Canon claims it’s their ultimate 50mm in terms of quality. To find out I compared it against the classic EF 50mm f1.2L USM in my in-depth review!…
The Olympus 17mm f1.2 PRO is a bright wide lens, aimed at Olympus and Panasonic mirrorless owners who want the best performance and fastest aperture at this flexible focal length. Check out my video overview and sample images!…
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