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	<title>50mm &#8211; Cameralabs</title>
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	<link>https://www.cameralabs.com</link>
	<description>Digital camera reviews, photography tutorials and vintage classics by Gordon Laing, since 2005</description>
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	<title>50mm &#8211; Cameralabs</title>
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		<title>Sony FE 50mm f2.5 G review</title>
		<link>https://www.cameralabs.com/sony-fe-50mm-f2-5-g-review/</link>
		
		<dc:creator><![CDATA[Gordon Laing]]></dc:creator>
		<pubDate>Tue, 23 Mar 2021 14:05:41 +0000</pubDate>
				<category><![CDATA[Lenses]]></category>
		<category><![CDATA[Sony lenses]]></category>
		<category><![CDATA[50mm]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[f2.5]]></category>
		<category><![CDATA[FE]]></category>
		<category><![CDATA[mirrorless]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Sony]]></category>
		<guid isPermaLink="false">https://www.cameralabs.com/?p=45345</guid>

					<description><![CDATA[The Sony FE 50mm f2.5 G is a compact standard prime lens for full-frame e-mount mirrorless cameras. Announced in March 2021 and costing $599, it delivers natural-looking standard coverage that’s ideal for general-purpose use. Long enough for simple portraits and small group shots, but short enough for some natural and urban views, and a practical&#8230;]]></description>
		
		
		
			</item>
		<item>
		<title>Sony FE 50mm f1.2 GM review</title>
		<link>https://www.cameralabs.com/sony-fe-50mm-f1-2-gm-review/</link>
		
		<dc:creator><![CDATA[Gordon Laing]]></dc:creator>
		<pubDate>Tue, 16 Mar 2021 14:21:47 +0000</pubDate>
				<category><![CDATA[Lenses]]></category>
		<category><![CDATA[Sony lenses]]></category>
		<category><![CDATA[50mm]]></category>
		<category><![CDATA[f1.2]]></category>
		<category><![CDATA[FE]]></category>
		<category><![CDATA[GM]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Sony]]></category>
		<guid isPermaLink="false">https://www.cameralabs.com/?p=45146</guid>

					<description><![CDATA[The Sony FE 50mm f1.2 G Master is a standard prime lens with a very bright aperture for full-frame e-mount mirrorless cameras. The 50mm focal length delivers natural-looking coverage, but the fast 1.2 aperture allows very shallow depth-of-field effects, while Sony’s latest G Master optics promise both high resolution and smooth rendering. Here’s my full review!&#8230;]]></description>
		
		
		
			</item>
		<item>
		<title>Fujifilm XF 50mm f1.0 review</title>
		<link>https://www.cameralabs.com/fujifilm-xf-50mm-f1-0-r-wr-review/</link>
		
		<dc:creator><![CDATA[Gordon Laing]]></dc:creator>
		<pubDate>Mon, 23 Nov 2020 11:50:00 +0000</pubDate>
				<category><![CDATA[Fujifilm lenses]]></category>
		<category><![CDATA[Lenses]]></category>
		<category><![CDATA[50mm]]></category>
		<category><![CDATA[f1]]></category>
		<category><![CDATA[f1.0]]></category>
		<category><![CDATA[Fujifilm]]></category>
		<category><![CDATA[lens]]></category>
		<category><![CDATA[mirrorless]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[XF]]></category>
		<guid isPermaLink="false">https://www.cameralabs.com/?p=41710</guid>

					<description><![CDATA[The Fujifilm XF 50mm f1.0 is a very bright prime lens for X-series mirrorless cameras, upon which it delivers short telephoto coverage that’s ideal for portraits. It’s also the first f1.0 lens with autofocus for mirrorless cameras. Find out what it can do in my full review!&#8230;]]></description>
		
		
		
			</item>
		<item>
		<title>Zhongyi Mitakon Speedmaster 50mm f0.95 III review</title>
		<link>https://www.cameralabs.com/zhongyi-mitakon-speedmaster-50mm-f0-95-iii-review/</link>
		
		<dc:creator><![CDATA[Thomas]]></dc:creator>
		<pubDate>Mon, 23 Dec 2019 07:37:59 +0000</pubDate>
				<category><![CDATA[Canon lenses]]></category>
		<category><![CDATA[Lenses]]></category>
		<category><![CDATA[Nikon lenses]]></category>
		<category><![CDATA[Sony lenses]]></category>
		<category><![CDATA[50mm]]></category>
		<category><![CDATA[f0.95]]></category>
		<category><![CDATA[lens]]></category>
		<category><![CDATA[Mitakon]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Speedmaster]]></category>
		<guid isPermaLink="false">https://www.cameralabs.com/?p=36777</guid>

					<description><![CDATA[The Mitakon Speedmaster 50mm f0.95 III is an exotic and unusual lens: one of only three f0.95 models available for full-frame bodies at the time of writing, and by far the cheapest too. Available in Sony E, Canon RF and Nikon Z-Mounts, we tested it against luxury f0.95 rivals in our full review! &#8230;]]></description>
		
		
		
			</item>
		<item>
		<title>Sigma 50mm f1.4 Art review</title>
		<link>https://www.cameralabs.com/sigma_50mm_f1-4_dg_hsm_art/</link>
		
		<dc:creator><![CDATA[Thomas]]></dc:creator>
		<pubDate>Fri, 06 Sep 2019 09:30:45 +0000</pubDate>
				<category><![CDATA[Best Canon General Purpose Lens]]></category>
		<category><![CDATA[Best Nikon General Purpose Lens]]></category>
		<category><![CDATA[Lenses]]></category>
		<category><![CDATA[Sigma lenses]]></category>
		<category><![CDATA[50mm]]></category>
		<category><![CDATA[ART]]></category>
		<category><![CDATA[f1.4]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Sigma]]></category>
		<category><![CDATA[Sigma 50mm f1.4 ART]]></category>
		<guid isPermaLink="false">http://www.camerist.com/sigma_50mm_f1-4_dg_hsm_art/</guid>

					<description><![CDATA[Sigma's 50mm f1.4 ART is a high-end standard lens with autofocus for Canon, Nikon, Leica-L or Sony mounts. We've completely updated our original review, retesting it at higher resolutions and comparing it to new primes lenses from a variety of manufacturers. Find out why it remains one of the best 50mm lenses around in our review!&#8230;]]></description>
		
		
		
			</item>
		<item>
		<title>Sony FE 50mm f1.8 review</title>
		<link>https://www.cameralabs.com/sony-fe-50mm-f1-8-review/</link>
		
		<dc:creator><![CDATA[Thomas]]></dc:creator>
		<pubDate>Tue, 20 Aug 2019 08:15:49 +0000</pubDate>
				<category><![CDATA[Best Sony Lenses]]></category>
		<category><![CDATA[Buyer's Guide]]></category>
		<category><![CDATA[Lenses]]></category>
		<category><![CDATA[Sony lenses]]></category>
		<category><![CDATA[50mm]]></category>
		<category><![CDATA[f1.8]]></category>
		<category><![CDATA[FE]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Sony]]></category>
		<guid isPermaLink="false">https://www.cameralabs.com/?p=23004</guid>

					<description><![CDATA[The Sony FE 50mm f1.8 is the most affordable standard prime lens for Alpha mirrorless cameras with a bright f1.8 focal ratio that's ideal for delivering shallow depth-of-field effects. There's lots of 50mm options for Sony's cameras, but the FE 50mm f1.8 is by far the most affordable with autofocus. Heres's Thomas's in-depth review!&#8230;]]></description>
		
		
		
			</item>
		<item>
		<title>Sony FE 50mm f1.4 ZA review</title>
		<link>https://www.cameralabs.com/sony-fe-50mm-f1-4-za-review/</link>
		
		<dc:creator><![CDATA[Thomas]]></dc:creator>
		<pubDate>Mon, 15 Jul 2019 09:38:38 +0000</pubDate>
				<category><![CDATA[Lenses]]></category>
		<category><![CDATA[Sony lenses]]></category>
		<category><![CDATA[50mm]]></category>
		<category><![CDATA[f1.4]]></category>
		<category><![CDATA[FE]]></category>
		<category><![CDATA[lens]]></category>
		<category><![CDATA[mirrorless]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Sony]]></category>
		<category><![CDATA[ZA]]></category>
		<category><![CDATA[Zeiss]]></category>
		<guid isPermaLink="false">https://www.cameralabs.com/?p=32665</guid>

					<description><![CDATA[The Sony FE 50mm f1.4 ZA is a standard prime lens designed for Sony's E-mount mirrorless cameras and corrected for full-frame bodies. It’s Sony’s top-end option with Zeiss optics and a fast f1.4 focal ratio. Find out how it compares to the other options in Thomas’s full review!&#8230;]]></description>
		
		
		
			</item>
		<item>
		<title>Panasonic Lumix S Pro 50mm f1.4 review so far</title>
		<link>https://www.cameralabs.com/panasonic-lumix-s-pro-50mm-f1-4-review/</link>
		
		<dc:creator><![CDATA[Gordon Laing]]></dc:creator>
		<pubDate>Mon, 24 Jun 2019 15:32:44 +0000</pubDate>
				<category><![CDATA[Lenses]]></category>
		<category><![CDATA[Panasonic lenses]]></category>
		<category><![CDATA[50mm]]></category>
		<category><![CDATA[f1.4]]></category>
		<category><![CDATA[Lumix]]></category>
		<category><![CDATA[Panasonic]]></category>
		<category><![CDATA[Pro]]></category>
		<category><![CDATA[S]]></category>
		<guid isPermaLink="false">https://www.cameralabs.com/?p=32847</guid>

					<description><![CDATA[The Lumix S PRO 50mm f1.4 is a high-end prime lens for full-frame mirrorless cameras using the L-mount. 50mm is an ideal general-purpose length while the fast f1.4 focal ratio allows shallow depth-of-field effects. Leica’s optical design delivers excellent results, albeit at a correspondingly ambitious price. Check out my sample images and bokeh tests in my Lumix S PRO 50mm f1.4 review so far!&#8230;]]></description>
		
		
		
			</item>
		<item>
		<title>Canon RF 50mm f1.2L USM review</title>
		<link>https://www.cameralabs.com/canon-rf-50mm-f1-2l-usm-review/</link>
		
		<dc:creator><![CDATA[Gordon Laing]]></dc:creator>
		<pubDate>Thu, 25 Oct 2018 07:40:00 +0000</pubDate>
				<category><![CDATA[Canon lenses]]></category>
		<category><![CDATA[Lenses]]></category>
		<category><![CDATA[50mm]]></category>
		<category><![CDATA[Canon]]></category>
		<category><![CDATA[f1.2]]></category>
		<category><![CDATA[L]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[RF]]></category>
		<category><![CDATA[USM]]></category>
		<guid isPermaLink="false">https://www.cameralabs.com/?p=28019</guid>

					<description><![CDATA[The Canon RF 50mm f1.2L USM is a standard prime lens for Canon’s EOS R full-frame mirrorless system. One of the first four native RF lenses, Canon claims it’s their ultimate 50mm in terms of quality. To find out I compared it against the classic EF 50mm f1.2L USM in my in-depth review!&#8230;]]></description>
		
		
		
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