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Summary

Highly Recommended awardThe Sony FE 35mm f1.8 is a very good addition to Sony's 35mm full-frame lenses: It surpasses both its 35mm ZA siblings in optical performance but stays small and light, and has a reasonable price tag. It may not have the Bokeh of some larger aperture alternatives and I wish it would have less field-curvature around the APS-C-corner. But the nice magnification with very usable quality in close-up shooting and the multi-function focus hold button add up to an attractive package and makes Sony's new 35mm lens well worth a recommendation.

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Sony FE 35mm f1.8 review
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Intro

The Sony FE 35mm f1.8 is a mild wide-angle prime lens for its Alpha mirrorless cameras. Announced in July 2019, it becomes Sony’s third native 35mm lens that’s corrected for full-frame bodies, but is priced at a more affordable level than the earlier FE 35mm f1.4 ZA. It’s pitched at a similar level to the existing FE 85mm f1.8 and while neither of these lenses are members of the G, G Master or Zeiss series, they deliver respectable results for the money.

The Sony FE 35mm f1.8 is one of the smaller and lighter models in the system, although not in the same portability league as the FE 35mm f2.8 ZA which sacrifices just over a stop in aperture and weighs only 120g. And like all of Sony’s FE lenses, the new one will also work on the APSC bodies, on which it’ll deliver standard 53mm coverage; APSC owners also have the option of the older E 35mm f1.8 OSS which is smaller, lighter, cheaper and includes optical stabilization, although it isn’t corrected for full-frame sensors.

To find out how the Sony FE 35mm f1.8 performs I tested it on the 42MP A7R II body and compared it to the Sony FE 35mm f1.4 ZA, Sony FE 35mm f2.8 ZA, Samyang AF 35mm f1.4 FE, and Sigma 35mm f1.2 DG DN Art. So if you’re looking for a mild wide-angle prime for your Sony mirrorless camera, you’ve come to the right place!

 

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Facts from the catalog

As usual I’ll have a look at the technical data of the Sony FE 35mm f1.8 first. I’ve rated the features with a [+] (or [++]), when it’s better than average or even state of the art, a [0] if it’s standard or just average, and [-] if there’s a disadvantage. For comparison I use the Sony FE 35mm f1.4 ZA and Sony FE 35mm f2.8 ZA (“Sony f1.4” resp. “Sony f2.8” for short). Plus the Samyang AF 35mm f1.4 FE (“Samyang”) and the brand new Sigma Art 35mm f1.2 DG DN für Sony E-mount (“Sigma”) both of which are modern designs for Sony mirrorless cameras and not just older DSLR designs with a longer flange.

Size (diameter x length): At 66 x 73mm (2.6 x 2.9in.) plus 25mm for the lens hood (77mm diameter) the Sony FE 35mm f1.8 is quite small. But the FE 35mm f2.8 ZA is even smaller at 61 x 48mm including lens hood. The other lenses are much bigger: the Sony f1.4 is 79 x 112mm + 37mm lens hood, the Samyang is 76 x 115mm + 46mm lens hood, the Sigma is 88 x 137mm + 50mm. [+]

Weight: 280g (9.9 oz.) plus 16g  lens hood. This is pretty light for an f1.8 lens although the Sony f2.8 is the lightest at 132g incl. lens hood. The larger lenses are also much heavier: The Sony f1.4 is 630g + 30g lens hood, similar to the Samyang at 650g + 34g, and the Sigma is a whopping 1081g + 57g. But then the Sigma has a one stop larger aperture than Sony FE 35mm f1.8. [+]

Optics: The Sony FE 35mm f1.8 has 11 elements in 9 groups including one aspherical element. The Sony f2.8 has 7/5 elements/groups, the Sony f1.4 has 12/8, the Samyang 11/9, and the Sigma 17/12. [+]

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Closest focus distance is 0.22m (8.9in.) in manual focus resulting in a pretty useful magnification of 1:3.9. But working distance is only 13cm (5.1in.) when the lens hood is removed. A magnification of 1:10 is achieved at 0.46m distance. The Sony f2.8 only achieves 1:7.5, the Sony f1.4 and the Samyang reach a magnification of 1:5.3, the Sigma 1:4.5. [+]

Filter-thread: 55mm. The Sony f2.8 has a filter thread of 49mm on the lens or 40.5mm on the less hood. The Sony f1.4 needs 72mm filters, Samyang 67mm, Sigma 82mm. [+]

Image stabilization: No optical stabilization of the lens. The Sony A7 Mark II bodies onward provide built-in sensor-shift stabilization. Same with the other lenses in this comparison. [0]

Auto focus: Built-in AF drive. Manual-focus override is by simply turning the focus ring. There is a focus hold button which can be assigned other tasks in the camera menu (same on the Sigma). The focus ring has a linear gearing with a long throw of 130 degrees that allows for precise manual focus and makes smooth focus pulling for videographers easy. The other lenses have non-linear gearing which depends on the speed you turn the focus ring. As is usual with autofocus lenses for mirrorless systems all lenses in this comparison have no distance or dof markings. [+]

Covers full frame or smaller. Same with the competition. [+]

 

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Price: The lens currently sells for 700 EUR (incl. 19% VAT) / 750 USD, same as the Sony f2.8. The Sony f1.4 and the Sigma are the most expensive in this comparison at 1500 EUR/USD while the Samyang is the least expensive at 530 EUR/USD. [+]

The Sony FE 35mm f1.8 comes without pouch but the lens hood is included and is reversible for transport. Same for the Sony f2.8. The Sony f1.4 and the Samyang come with a soft pouch, the Sigma with a nice padded lens case plus strap. [0]

Aperture ring: the Sony FE 35mm f1.8 has no aperture ring just like the Sony f2.8 and the Samyang. The Sony f1.4 and the Sigma both offer an aperture ring with 1/3 stop clicks which can be turned off for continuous, smooth, and noise-free operation. [0]

Sealing: The Sony lenses and the Sigma have special weather-sealing throughout the construction and on the lens mount. The Samyang is not specially sealed. [+]

The score of 0[-]/3[0]/9[+] shows that the Sony FE 35mm f1.8 has a pretty good feature set: It is small and light, reasonably priced, offers a nice magnification in close-up shooting, and has a multi-function focus hold button.

 

Three wide-angle prime lenses

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Above from left to right: Sony FE 35mm f1.8, Samyang AF 35mm f1.4 FE, Sigma 35mm f1.2 DG DN Art

 

Alternatives

If you want a 35mm E-mount lens for a full-frame Sony mirrorless camera with an f1.8 focal ratio and autofocus then the new Sony FE 35mm f1.8 is the only game in town! For alternatives you either have to choose a different focal ratio, go manual focus, or make use of an adapter

Here are the alternatives with autofocus and E-mount but other focal ratios:

  • Sony has the FE 35mm f1.4 ZA from 2015 for 1500 EUR/USD and the FE 35mm f2.8 ZA from 2013 for 700 EUR / 750 USD. See my Sony FE 35mm f1.4 ZA review and my Sony FE 35mm f2.8 ZA review where both lenses earned a Recommended.
  • Samyang/Rokinon/Walimex has the AF 35mm f1.4 FE from 2017 for 530 EUR/USD and the diminutive AF 35mm f2.8 FE from 2017 for 270 EUR/USD. Check back soon for my complete Samyang AF 35mm f1.4 FE review.
  • Sigma offers their brand new 35mm f1.2 DG DN Art for 1500 EUR/USD. Check out my complete Sigma 35mm f1.2 DG DN Art review where it earned a Highly Recommended. And there is also their 35mm f1.4 Art, an older DSLR design from 2012 which can be had for 730 EUR / 700 USD.

If you can do without autofocus there are some other options including three Samyang lenses (two geared for videographers), one Voigtländer, and a Zeiss Loxia:

  • The Voigtländer Nokton 35mm 1.4 Classic E from 2017 is very small (67 x 40mm) and only 262g albeit its f1.4 focal ratio. Prices are around 700 EUR/USD. The aperture has to be controlled manually from the aperture ring of the lens. Full EXIF-data are transmitted, focus magnification and lens correction is enabled.
  • Zeiss offers the Loxia 35mm f2.0 for E-mount from 2014 for 850 EUR / 1170 USD.

 

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Focus

Focus accuracy and repeatability is critical to consistently produce sharp shots especially with large aperture lenses. Repeatability (the accuracy of focus on the same subject after repeated focus-acquisition) of this lens is very good (measured 98.4% in Reikan FoCal) with no outliers over a series of 40 shots. And there is only a little focus variation whether the lens focuses from a closer distance or from infinity.

The lens focuses in around 0.7 sec on a Sony A7R II from infinity to 0.43m (1:10 magnification), which is pretty fast and the same as the Samyang. The Sony FE 35mm f2.8 ZA and f1.4 ZA are faster at 0.5 sec, the Sigma is a bit slower at around 0.8 sec. The focus ring is 28mm wide. It moves very smoothly and can easily be operated with one finger just like all autofocus lenses designed for mirrorless cameras. Except for the Sigma where the focus ring needs quite some force and is not easy to operate with one finger.

AF-operation of the Sony lenses and the Sigma Art is inaudible from the outside or if you record video with the built-in microphone. The Samyang produces a low ticking noise. As you pull focus, you’ll notice only little focus breathing: the image of the Sony FE 35mm f1.8 becomes 1% less magnified when I adjusted the focus from infinity to 0.43m. This is hardly distracting when shooting videos. The Samyang is similar. Both Sony ZA lenses increase their magnification between 5% and 6% which is quite visible. The Sigma is at 3%.

 

Next check out my quality results!

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