
The instax mini EVO Cinema looks like a vintage cine camera, takes photos or short video clips, and features a built-in printer to make instant prints. Is this the coolest camera of the year? Find out in my review!

The Fujifilm X-E5 is a mid-range mirrorless camera with a 40MP APSC sensor, viewfinder and built-in stabilisation. It could be described as an X100 with swappable lenses. Tempted? Find out more in my review!

The Fujifilm X half is a compact camera with a 1in type sensor, 18 MP photos and a 32mm equiv lens. Unlike most cameras, the sensor, viewfinder and screen are all turned to the vertical shape, inspired by classic half-frame models and ideal for social sharing. Here's my review!

The Fujifilm GFX100RF is a fixed lens rangefinder-styled camera with a 102 Megapixel medium format sensor. It essentially packs the quality of the GFX100S II with a fixed 28mm equiv lens into a body that’s more akin to a slightly chunkier X100. Here's my review so far!

The instax mini 41 is Fujifilm’s latest camera to use their hugely popular instax mini film. It's based on the fully analogue mini 12, but reskinned in a more serious-looking, technical body. Here's my review!

The instax Wide Evo is a digital camera with a built-in instant printer designed for the largest instax format. It's Fujifilm's most grown-up instant camera and one of the most fun to use too. Find out why in my review!

The Fujifilm X-M5 is an entry-level camera with a 26 Megapixel APSC sensor. Available in silver or black, it becomes the most affordable camera in the current X series, not to mention their smallest and lightest with interchangeable lenses. Check out my hands-on first-impressions so far!

The Fujifilm instax WIDE 400 is an analogue instant camera that uses the largest instax WIDE film. It’s amazingly the first new instax WIDE camera in 10 years! Find out what's new!

The Fujifilm X-T50 is aimed at photographers who want the quality and style of the higher-end X-T5, but in a smaller, lighter and more affordable body. Here's my review!

The Fujifilm XF 16-50mm f2.8-4.8 is a compact, general-purpose zoom for X-series cameras. It’s the official replacement for the 12 year-old XF 18-55mm, so here's my review!

The Fujifilm GFX 100S II is a medium format mirrorless camera with 102 Megapixels, built-in stabilisation and 4k video. It’s the successor to the GFX 100S from 2021 and improves the stabilisation, battery life, burst speed and subject detection, and is priced a little lower too. Check out my first-looks review!

The instax mini 99 is an instant camera designed for Fujifilm’s instax mini film. It’s aimed at anyone who wants more control than a budget model, like the Mini 12, while remaining a fully analogue camera. Here's my review!

The Fujifilm X100 VI is the highly-anticipated successor to the X100 V, packing their latest 40 Megapixel APSC sensor and IBIS into a body only a fraction thicker and heavier. I went hands-on with the X100 VI for my review so far!

This is my long-term review of the Fujifilm X100V, a camera that’s become a bit of a modern classic, not to mention a regular companion on my own trips for several years. As the X100V approaches its fourth birthday, a successor is inevitable, but it’s worth discussing what makes it special and equally what it doesn’t do so well.

The Sigma 10-18mm f2.8 DC DN is an ultra wide zoom for APSC mirrorless cameras, and available in Fujifilm X, Sony E and Leica L mounts. Here's my review!

The Fujifilm GFX 100 II is a medium format mirrorless camera with a new 102 MP sensor, 8fps bursts and 8k video. Find out why it's their best GFX to date in my review!

The SQ40 is an analogue instant camera that uses Fujifilm's instax Square film. Like the Mini 40, the SQ40 swaps pastel colours for a more serious look. Find out if it's for you in my review!

The XF 8mm f3.5 is an ultra wide prime lens for X-mount, and becomes Fujifilm’s widest prime lens in the system to date, delivering coverage equivalent to 12mm - ideal for expansive landscapes, huge architectural views and wide-field milky-way shots, not to mention dramatic video whether you’re behind or in front of the camera. Here's my review so far!

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