The Sigma 24-70mm f2.8 DG DN Art is a general-purpose zoom with a bright and constant f2.8 focal ratio, designed for full-frame mirrorless cameras and available in the native Sony E and Leica L mounts. Find out if it’s a viable alternative to Sony and Panasonic’s own premium zooms in our full review!…
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The Mitakon Speedmaster 50mm f0.95 III is an exotic and unusual lens: one of only three f0.95 models available for full-frame bodies at the time of writing, and by far the cheapest too. Available in Sony E, Canon RF and Nikon Z-Mounts, we tested it against luxury f0.95 rivals in our full review! …
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The Samyang AF 35mm f1.4 FE is a mild wide-angle prime lens for Sony’s Alpha mirrorless cameras. It offers a bright aperture and autofocus, and is priced below the Sony FE 35mm f1.4 ZA, FE 35mm f1.8 and even the FE 35mm f2.8 ZA. Find out why it gives you a lot of bang for your buck in Thomas’s full review which includes many comparisons with rivals!…
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The Sony E 70-350mm f4.5-6.3 G OSS is a telephoto zoom for its E-mount mirrorless cameras with APSC sensors, like the A6000 series. It’s designed as a premium option for those who demand better quality and desire longer reach without the even higher cost or bulk of the full-frame and G Master options. Find out why it comes recommended in my review!…
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The Sony FE 35mm f1.8 is a mild wide-angle prime lens for its Alpha mirrorless cameras. It’s Sony’s third native 35mm lens that’s corrected for full-frame bodies, but pitched at a more affordable price and similar in build and quality to the FE 85mm f1.8. Find out why it’s a great option for the money in our full review!…
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The Sony E 16-55mm f2.8 G is a high-end general-purpose zoom for E-mount mirrorless cameras with APSC sensors, like the A6000 series. It’s Sony’s first f2.8 zoom designed for APSC mirrorless and one that owners of its higher-end cameras in the series have been crying out for. Find out if it meets expectations in my full review!…
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The Sigma 35mm f1.2 DG DN Art is a mild wide-angle lens designed for full-frame mirrorless cameras and available in the Sony E and Leica L mounts, the latter working on Leica, Panasonic and Sigma L-mount bodies. The brightest 35mm lens with autofocus to date, it delivers attractive bokeh and impressive sharpness. Find out why you’ll want it in our review!…
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The Sony FE 50mm f1.8 is the most affordable standard prime lens for Alpha mirrorless cameras with a bright f1.8 focal ratio that’s ideal for delivering shallow depth-of-field effects. There’s lots of 50mm options for Sony’s cameras, but the FE 50mm f1.8 is by far the most affordable with autofocus. Heres’s Thomas’s in-depth review!…
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Sony’s FE 55mm f1.8 ZA is a prime lens for full-frame Alpha mirrorless cameras that delivers close to standard coverage. It was one of the first lenses available for the FE mount, and has since been joined by a selection of alternatives, but it remains a popular option due to its compact size and decent quality. In his review Thomas compares it to several 50mm rivals.…
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Sony’s FE 16-35mm f2.8 G Master is a wide zoom for its full-frame mirrorless cameras. The fifth G Master lens, it completes a ‘trinity’ of f2.8 models, joining the FE 24-70mm f2.8 and FE 70-200mm f2.8. It aims for high resolution and attractive bokeh, while maintaining quality at all distances. Find out how it measures-up in our full review!…
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