The 28-75mm f2.8 Di III VXD G2 is the second edition of Tamron’s standard zoom for full-frame mirrorless cameras. Currently available in the Sony e-mount, find out what’s improved and whether it’s worth getting in our in-depth review!…
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Tamron’s 35-150mm f2-2.8 Di III is a unique proposition for full-frame mirrorless cameras, combining an unusually bright aperture with a useful 4.3x range from mild wide-angle to telephoto. Find out how it performs in our in-depth review!…
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The Sigma 150-600mm f5-6.3 DG DN OS Sport is a long telephoto zoom designed for full-frame mirrorless cameras with Sony E and Leica L-mounts. It complements Sigma’s 100-400mm f5-6.3 DG DN OS Contemporary for those who need more reach. Check out our in-depth review!…
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The Sigma 18-50mm f2.8 DC DN is a general purpose zoom with a constant fast aperture for mirrorless cameras sporting cropped APSC sensors and available in Sony and Leica-L mounts. Its aim is a step-up in aperture and sharpness from often disappointing kit zooms. Find out in my full review whether it delivers the goods!…
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The Sony FE 70-200mm f2.8 G Master Mark II is a high-end telephoto zoom for the e-mount mirrorless system and Sony’s first G Master lens to receive a Mark II redesign. Five and a half years after the Mark I, which jointly launched the G Master series, find out how Sony improved an already excellent lens ln my in-depth review!…
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The Sigma 24mm f2 DG DN is a wide-angle prime lens for full-frame mirrorless cameras, and available in Sony-e and L-mount versions. It’s aimed at anyone who wants a fast-aperture wide angle prime without the cost or heft of 1.4 models. In my review, find out how it compares to a growing collection of rival options!…
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The Sigma 90mm f2.8 DG DN is a short telephoto prime lens for full-frame mirrorless cameras, and available in Sony-e and L-mount versions. It’s aimed at anyone who wants a classic portrait lens in a compact barrel at a reasonable price. In my review, find out how it compares to a growing collection of rival options!…
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The Laowa 25mm f2.8 2.5-5x Ultra Macro is a very special lens: one of only a handful that can deliver up to 5x magnification without the use of bellows or extension tubes. It’s corrected for full-frame cameras, and set to 5x can capture an area of just 4.8×7.2mm. In his review Thomas finds out if it’s the best macro for serious close-ups.…
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The Laowa 15mm f4.5 Zero-D Shift is the widest shift lens available for full-frame cameras. The front-end can be shifted 11mm in any direction to minimise perspective distortions when shooting architecture or interiors. Thomas tests it in his latest in-depth review!…
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The Laowa 100mm f2.8 2x Macro APO from Venus Optics is one of very few macro lenses which can focus from infinity to 2x magnification. Plus this full-frame lens is available in a wide variety of mounts including DSLR and mirrorless. Find out how it performs in our review!…
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