The Nikon Z 28mm f2.8 is a compact mild wide-angle for Nikon’s Z-series mirrorless cameras, available in two versions. The special edition shares the vintage styling of the Z fc body, while the upcoming standard model looks like previous Z lenses. In my review I tested the SE version, but they’re optically identical, so find out how it measured-up!…
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The RF 400mm f2.8 and RF 600mm f4 are the two largest and most expensive lenses for Canon’s full-frame mirrorless system to date. Unashamedly aimed at pro sports and wildlife photographers, they represent Canon at the top of their game. Find out why EOS R is ready for anything in my review of both lenses.…
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The Nikon Z MC 50mm f2.8 is one of two macro lenses for Nikon Z mirrorless cameras. It achieves 1:1 (1x) magnification without the use of bellows or extension tubes and is corrected for full-frame. Check out our full review!…
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The Nikon Z MC 105mm f2.8 VR S is one of two macro lenses for Z-mount mirrorless cameras. It achieves 1:1 (1x) magnification without bellows or extension tubes and is corrected for full-frame cameras. Check out our full review!…
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The Olympus 8-25mm f4 Pro is a wide to standard zoom for the Micro Four Thirds system. It delivers a 16-50mm equivalent range, taking you from ultra-wide to standard coverage, making it a very flexible walkaround option whether you’re shooting stills or filming video. Find out why it’s become my favourite general-purpose zoom for M43 in my review!…
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The Fujifilm XF 18mm f1.4 is a wide-angle prime lens for the X-series mirrorless system, delivering standard wide angle coverage equivalent to 27mm when mounted on an X-series body. I’ve now updated my first-looks review with sample images from a final production model!…
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The Laowa 25mm f2.8 2.5-5x Ultra Macro is a very special lens: one of only a handful that can deliver up to 5x magnification without the use of bellows or extension tubes. It’s corrected for full-frame cameras, and set to 5x can capture an area of just 4.8×7.2mm. In his review Thomas finds out if it’s the best macro for serious close-ups.…
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The Laowa 15mm f4.5 Zero-D Shift is the widest shift lens available for full-frame cameras. The front-end can be shifted 11mm in any direction to minimise perspective distortions when shooting architecture or interiors. Thomas tests it in his latest in-depth review!…
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The Laowa 100mm f2.8 2x Macro APO from Venus Optics is one of very few macro lenses which can focus from infinity to 2x magnification. Plus this full-frame lens is available in a wide variety of mounts including DSLR and mirrorless. Find out how it performs in our review!…
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The Sigma 35mm f1.4 DG DN Art is a wide angle lens for full-frame mirrorless cameras in Sony e and Leica L-mounts. Successor to Sigma’s first Art lens, the new model has high aspirations so I’ve compared it against Sony’s FE 35 1.5 GM as well as Sigma’s f1.2 and f2 models! Find out which is the best 35 for you!…
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