The Leica DG 8-18mm f2.8-4 is an ultra wide zoom for Micro Four Thirds. Mounted on a Panasonic or Olympus mirrorless body, it delivers coverage of 16-36mm, providing a flexible range from modest to ultra-wide. Find out why it’s become my favourite MFT wide lens in my review!…
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The Nikon 28mm f1.4E is a medium wide lens corrected for full-frame DSLRs. It fills a gap between the existing 24mm f1.4 and 35mm f1.4 lenses in the Nikon lineup, and features high-end optics, tough build quality and a price to match. Find out why Thomas reckons it’s worth the price in his review!…
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The Sony FE 100-400mm f4.5-5.6 G Master is a telephoto zoom for its full-frame mirrorless cameras. It delivers the longest reach of Sony’s e-mount lenses and boasts high performance for subjects near and far. I’ve been using the FE 100-400mm at a variety of events on Alpha A9 and A7r Mark II bodies. Check out my experiences and images so far!…
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The Sigma 100-400mm f5-6.3 OS is one of the smallest, lightest and most affordable long telephoto zooms around. Corrected for full-frame bodies, it’s available in Canon, Nikon and Sigma DSLR mounts and works on Sony mirrorless with the MC-11 adapter. In his in-depth review, Thomas finds out how it compares against rivals that are generally more expensive.…
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The Sigma 135mm f1.8 ART is a mid-length telephoto lens with a bright aperture, available in Canon, Nikon or Sigma mounts. It’s corrected for full-frame DSLRs and works on Sony’s mirrorless bodies with an adapter. Find out why Thomas reckons it’s Sigma’s best ART lens to date in his in-depth review – one of the first published!…
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The Sigma 12-24mm f4.0 Art is a 2x super wide-angle full-frame zoom available in mounts for Canon, Nikon and Sigma DSLRs. Announced in February 2017, it’s already the 3rd generation 12-24mm model from Sigma. Sigma has done a complete optical redesign to get a constant f/4.0 focal ratio and improve performance fitting for inclusion into Sigma’s acclaimed Art series of top-notch lenses. Add…
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With their second generation telephoto zooms Tamron also offers two new 1.4x and 2x teleconverters (dubbed TC-X14 and TC-X20) which are specifically designed to work with the SP 70-200/2.8 VC G2 and the SP 150-600/5.0-6.3 VC G2. I had the chance to extensively test the Tamron SP 70-200/2.8 VC G2 (model A025) with the TC-X14 and…
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Tamron’s SP 70-200mm f2.8 Di VC USD G2 is a 2.9x telephoto full-frame zoom available in Canon and Nikon DSLR mounts. It’s the second generation (A025) model with closer focusing, improved AF and stabilisation, and compatibility with Tamron’s USB “TAP-in” console. In his review-in-progress, Thomas finds out if it’s worth spending the extra.…
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The Canon EF 11-24mm f4L USM is a high-end ultra-wide zoom lens designed for Canon’s full-frame EOS DSLRs. It’s the World’s widest rectilinear zoom lens, boasting minimal geometric distortion despite the extreme coverage. Ideal for shooting large buildings inside and out, expansive landscapes or simply very large group shots, find out how it performs in my Canon 11-24mm review!…
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Canon’s EF 50mm f1.8 STM is a low-priced standard prime lens for EOS cameras. It’s the long-awaited replacement for the EF 50mm f1.8 II, Canon’s most successful lens, yet one that’s 24 years old. The latest version promises smoother out-of-focus effects and a closer focusing distance. Find out why it’s a no-brainer in my Canon EF 50mm f1.8 STM review!…
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