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Canon RF 50mm f1.2L USM review

The Canon RF 50mm f1.2L USM is a standard prime lens for Canon’s EOS R full-frame mirrorless system. One of the first four native RF lenses, Canon claims it’s their ultimate 50mm in terms of quality. To find out I compared it against the classic EF 50mm f1.2L USM in my in-depth review!…

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Tamron 17-35mm f2.8-4 review
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The Tamron 17-35mm f2.8-4 is a small, light and wide zoom for Canon and Nikon DSLR mounts. Thomas tested it against Tamron’s own 15-30mm f2.8, Nikon’s 18-35mm f3.5-4.5 and Tokina’s 17-35mm f4, so if you’re looking for a wide-zoom for a full-frame body check out his Tamron 17-35mm review!…

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Sigma 105mm f1.4 Art review
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The Sigma 105mm f1.4 ART is one of the brightest portrait lenses available, undercutting its only rival from Nikon on price, while giving it a run for its money on performance. Find out if the Bokeh Master is the best portrait lens in our Sigma 105mm f1.4 review!…

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Sony FE 400mm f2.8 GM OSS review so far

The FE 400mm f2.8 GM OSS is the first super-telephoto for Sony’s full-frame Alpha mirrorless system. Aimed at pro sports and wildlife photographers, it boasts sharp results across the frame, very fast autofocus and is comfortably lighter than rivals. I tried it out for my review-so-far!…

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Canon EF-M 11-22mm review so far

Canon’s EF-M 11-22mm is an ultra-wide zoom lens for EOS mirrorless cameras with APSC sensors, upon which it delivers an 18-35mm equivalent range, making it ideal for landscape, architecture, large group shots or vlogging at arm’s length. Find out more in my review-so-far.…

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Tamron 70-210mm f4 VC review
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The Tamron SP 70-210mm f4 VC is a telephoto full-frame zoom available for Canon and Nikon DSLRs. It’s a first from Tamron coupling a slightly longer reach of 210mm and constant f4 aperture, allowing a reduction in size, weight and price compared to f2.8 models. Check out our review!…

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