The Canon EF-EOS R Filter adapter lets you mount EF DSLR lenses onto an EOS R mirrorless camera, while exploiting the spare space inside the adapter to accommodate drop-in filters. I tested the polarizer version in my review!…
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The Canon RF 15-35mm f2.8L IS USM is a bright ultra-wide-angle zoom for the full-frame EOS R system. By widening the short-end to 15mm, the RF 15-35mm becomes Canon’s widest zoom with an f2.8 focal ratio and in a key advantage over the EF 16-35mm f2.8, also includes optical IS. Find out how they compare in my full review!…
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The Sigma 30mm f1.4 DC DN is a standard lens designed for mirrorless cameras with ‘cropped’ sensors. Sigma offers it in Sony e, Canon EF-M and Micro Four Thirds mounts. Find out why it could be your ideal next lens in my full review!…
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The Nikon Z 20mm f1.8 S is an ultra wide-angle prime lens for Nikon’s Z-series mirrorless cameras. It’s the widest native prime lens for the Z system to date but up-against a variety of alternatives including native zooms or adapted DSLR lenses. In our full review, we’ve tested it against a selection of models to help you choose the best ultra-wide lens for your Nikon Z camera!…
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The Tamron 20mm f2.8 Di III OSD M1:2 is an ultra-wide prime lens for Sony’s E-mount mirrorless cameras. It’s part of a three lens series from Tamron all of which let you focus closer than most rivals. Find out if it’s right for you in our review!…
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The Canon RF 70-200mm f2.8L IS USM is a bright telephoto zoom for the full-frame EOS R mirrorless system. It’s the shortest and lightest 70-200mm f2.8 lens to date. Find out why it’s not just event shooters who’ll love it in my in-depth review of the first killer lens for the EOS R system!…
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The Sony FE 20mm f1.8 G is an ultra-wide prime lens designed for Alpha mirrorless cameras. It captures comfortably more than a 24mm, making it ideal for expansive landscapes, tight interiors, wide astro photography, as well as vlogging or environmental portraiture. Find out why you’ll want it in our in-depth review!…
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The Sigma 24-70mm f2.8 DG DN Art is a general-purpose zoom with a bright and constant f2.8 focal ratio, designed for full-frame mirrorless cameras and available in the native Sony E and Leica L mounts. Find out if it’s a viable alternative to Sony and Panasonic’s own premium zooms in our full review!…
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The Mitakon Speedmaster 50mm f0.95 III is an exotic and unusual lens: one of only three f0.95 models available for full-frame bodies at the time of writing, and by far the cheapest too. Available in Sony E, Canon RF and Nikon Z-Mounts, we tested it against luxury f0.95 rivals in our full review! …
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The Nikon Z 24mm f1.8 S is a wide-angle prime lens for Nikon’s Z-series mirrorless cameras. It’s the widest native prime in the series so far, delivering classic coverage with a bright aperture. Like other native Z lenses though, it’s up against adapted F-mount options, so in his complete review, Thomas publishes a series of in-depth comparisons!…
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