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Sigma 24-70mm f2.8 OS Art review
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The Sigma 24-70mm f2.8 OS Art is a standard zoom corrected for full-frame sensors and available in Canon, Nikon and Sigma DSLR mounts. It upgrades its decade-old predecessor with ART-level optics and stabilisation. Check out Thomas’s review-so-far with comparisons and samples!…

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Sony FE 100-400mm f4.5-5.6 GM OSS review

The Sony FE 100-400mm f4.5-5.6 G Master is a telephoto zoom for its full-frame mirrorless cameras. It delivers the longest reach of Sony’s e-mount lenses and boasts high performance for subjects near and far. I’ve been using the FE 100-400mm at a variety of events on Alpha A9 and A7r Mark II bodies. Check out my experiences and images so far!…

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Sony FE 12-24mm f4G review-so-far

Sony’s FE 12-24mm f4G is an ultra-wide zoom for its full-frame mirrorless cameras. It delivers the widest coverage in the e-mount lineup to date, and exploits the short sensor to mount distance of mirrorless to achieve a smaller and lighter barrel than rivals for DSLRs. I’ve been shooting with it, so check out my sample images!…

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Sony FE 16-35mm f2.8 GM review-so-far

Sony’s FE 16-35mm f2.8 G Master is a wide zoom for its full-frame mirrorless cameras. The fifth G Master lens, it completes a ‘trinity’ of f2.8 models, joining the FE 24-70mm f2.8 and FE 70-200mm f2.8. It aims for high resolution and attractive bokeh, while maintaining quality at all distances. I’ve been shooting with it, so check out my samples!…

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Sigma 100-400mm f5-6.3 OS review
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The Sigma 100-400mm f5-6.3 OS is one of the smallest, lightest and most affordable long telephoto zooms around. Corrected for full-frame bodies, it’s available in Canon, Nikon and Sigma DSLR mounts and works on Sony mirrorless with the MC-11 adapter. In his in-depth review, Thomas finds out how it compares against rivals that are generally more expensive.…

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