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Sony FE 100-400mm f4.5-5.6 GM OSS review

The Sony FE 100-400mm f4.5-5.6 G Master is a telephoto zoom for its full-frame mirrorless cameras. It delivers the longest reach of Sony’s e-mount lenses and boasts high performance for subjects near and far. I’ve been using the FE 100-400mm at a variety of events on Alpha A9 and A7r Mark II bodies. Check out my experiences and images so far!…

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Sony FE 12-24mm f4G preview

Sony’s FE 12-24mm f4G is an ultra-wide zoom for its full-frame mirrorless cameras. It delivers the widest coverage in the e-mount lineup to date, and exploits the short sensor to mount distance of mirrorless to achieve a smaller and lighter barrel than rivals for DSLRs. I’ve been shooting with it, so check out my sample images!…

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Sony FE 16-35mm f2.8 GM preview

Sony’s FE 16-35mm f2.8 G Master is a wide zoom for its full-frame mirrorless cameras. The fifth G Master lens, it completes a ‘trinity’ of f2.8 models, joining the FE 24-70mm f2.8 and FE 70-200mm f2.8. It aims for high resolution and attractive bokeh, while maintaining quality at all distances. I’ve been shooting with it, so check out my samples!…

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Sigma 100-400mm f5-6.3 OS review
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The Sigma 100-400mm f5-6.3 OS is one of the smallest, lightest and most affordable long telephoto zooms around. Corrected for full-frame bodies, it’s available in Canon, Nikon and Sigma DSLR mounts and works on Sony mirrorless with the MC-11 adapter. In his in-depth review, Thomas finds out how it compares against rivals that are generally more expensive.…

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Sigma 135mm f1.8 Art review
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The Sigma 135mm f1.8 ART is a mid-length telephoto lens with a bright aperture, available in Canon, Nikon or Sigma mounts. It’s corrected for full-frame DSLRs and works on Sony’s mirrorless bodies with an adapter. Find out why Thomas reckons it’s Sigma’s best ART lens to date in his in-depth review – one of the first published!…

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Sigma 12-24mm f4 Art review
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The new Sigma Art AF 12-24/4.0 DG HSM is a worthy successor to Sigma’s AF 12-24mm 4.5-5.6 II DG HSM model from 2011. Optical performance is very good and other aspects of the lens are also improved: The focal ratio is now a constant f4.0, AF is faster, and you get compatibility with Sigma’s USB dock to fine tune…

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Tamron TC-X14 / TC-X20 teleconverter review
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With their second generation telephoto zooms Tamron also offers two new 1.4x and 2x teleconverters (dubbed TC-X14 and TC-X20) which are specifically designed to work with the SP 70-200/2.8 VC G2 and the SP 150-600/5.0-6.3 VC G2. I had the chance to extensively test the Tamron SP 70-200/2.8 VC G2 (model A025) with the TC-X14 and…

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Tamron 70-200mm f2.8 VC G2 review
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Tamron’s SP 70-200mm f2.8 Di VC USD G2 is a 2.9x telephoto full-frame zoom available in Canon and Nikon DSLR mounts. It’s the second generation (A025) model with closer focusing, improved AF and stabilisation, and compatibility with Tamron’s USB “TAP-in” console. In his review-in-progress, Thomas finds out if it’s worth spending the extra.…

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Canon EF 11-24mm f4L USM review

The Canon EF 11-24mm f4L USM is a high-end ultra-wide zoom lens designed for Canon’s full-frame EOS DSLRs. It’s the World’s widest rectilinear zoom lens, boasting minimal geometric distortion despite the extreme coverage. Ideal for shooting large buildings inside and out, expansive landscapes or simply very large group shots, find out how it performs in my Canon 11-24mm review!…

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Canon EF 50mm f1.8 STM review

Canon’s EF 50mm f1.8 STM is a low-priced standard prime lens for the EOS range of DSLRs. It’s the long-awaited replacement for the EF 50mm f1.8 II, Canon’s most successful lens, yet one that’s 24 years old. The latest version promises smoother out-of-focus effects and a closer focusing distance. Find out why it’s a no-brainer in my Canon EF 50mm f1.8 STM review!…

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