The Canon EOS 90D is an upper mid-range DSLR with a 32.5 Megapixel APSC sensor, Dual Pixel AF for live view and movies, 45-point AF through the viewfinder, 10fps shooting, uncropped 4k video at 25 or 30p, and a fully-articulated touchscreen. Find out whether this new DSLR is right for you in my full review packed with comparisons!…
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The Sony A9 II is a high-end 24.2 Megapixel full-frame mirrorless camera, aimed at professional sports photographers. It combines the core A9 features of 20fps silent shooting and zero blackout with a raft of body upgrades from the A7r IV and the latest AF and processing to become Sony’s most professional body. Find out more in my preview!…
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The Canon SX70 HS is a super-zoom camera with DSLR-styling, 20 Megapixels and a 65x / 21-1365mm optical zoom. The SX70 HS keeps the body, zoom and flip-screen of its predecessor, but upgrades the resolution and viewfinder while adding 4k video and 10fps. Find out if it’s still King of the super-zooms in our full review!…
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The Nikon COOLPIX B600 is DSLR-styled ‘bridge’ super-zoom camera sporting a 60x / 24-1440mm range at an affordable price. In his review, Ken compares it to models above and below it in Nikon’s range as well as Canon’s best-selling PowerShot SX70 HS. Find out which super-zoom will be best for you in his full review!…
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Sigma’s 50mm f1.4 ART is a high-end standard lens with autofocus for Canon, Nikon, Leica-L or Sony mounts. We’ve completely updated our original review, retesting it at higher resolutions and comparing it to new primes lenses from a variety of manufacturers. Find out why it remains one of the best 50mm lenses around in our review!…
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The Canon PowerShot G5X Mark II is a high-end compact with a 1in sensor, 5x / 24-120mm zoom, popup viewfinder, tilting touchscreen, fast bursts and 4k video. Canon’s redesigned the body to become more pocketable while squeezing-in a longer zoom range. Find out if it’s your ideal compact in my full review!…
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The Sony FE 50mm f1.8 is the most affordable standard prime lens for Alpha mirrorless cameras with a bright f1.8 focal ratio that’s ideal for delivering shallow depth-of-field effects. There’s lots of 50mm options for Sony’s cameras, but the FE 50mm f1.8 is by far the most affordable with autofocus. Heres’s Thomas’s in-depth review!…
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The Canon G7X Mark III is a compact aimed at enthusiasts and vloggers. It keeps the 24-100mm f1.8-2.8 lens and much the same body of the G7X II but updates the sensor for faster shooting and uncropped 4k video, and becomes the first 1in compact with a mic input and live streaming straight to YouTube. Check out my in-depth review!…
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Sony’s FE 55mm f1.8 ZA is a prime lens for full-frame Alpha mirrorless cameras that delivers close to standard coverage. It was one of the first lenses available for the FE mount, and has since been joined by a selection of alternatives, but it remains a popular option due to its compact size and decent quality. In his review Thomas compares it to several 50mm rivals.…
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The Tamron 17-28mm f2.8 Di III RXD is a small and light wide-angle zoom with a fast f2.8 focal ratio that’s designed for Sony E-mount full-frame cameras. It nicely complements Tamron’s earlier 28-75mm f2.8 and comes in at a lower price than Sony’s FE 16-35mm f2.8. See how they compare in Thomas’s review!…
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