The Nikon 8-15mm f3.5-4.5E ED is the first Fisheye zoom for Nikon DSLRs, delivering a 180 degree field-of-view to both cropped and full-frame bodies, while also offering a full circular Fisheye image to full-frame. Find out how it performs in Thomas’s in-depth review!…
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The Leica DG 8-18mm f2.8-4 is an ultra wide zoom for Micro Four Thirds. Mounted on a Panasonic or Olympus mirrorless body, it delivers coverage of 16-36mm, providing a flexible range from modest to ultra-wide. Find out why it’s become my favourite MFT wide lens in my review!…
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The Nikon 28mm f1.4E is a medium wide lens corrected for full-frame DSLRs. It fills a gap between the existing 24mm f1.4 and 35mm f1.4 lenses in the Nikon lineup, and features high-end optics, tough build quality and a price to match. Find out why Thomas reckons it’s worth the price in his review!…
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The Lumix TZ90, or ZS70 as it’s known in North America, is the latest in Panasonic’s enormously successful pocket travel zoom series. It packs a 30x / 24-720mm zoom, 4k video, RAW files, built-in EVF and now features a tilting touchscreen and 20MP. Find out if it’s for you in my review!…
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The Sony FE 100-400mm f4.5-5.6 G Master is a telephoto zoom for its full-frame mirrorless cameras. It delivers the longest reach of Sony’s e-mount lenses and boasts high performance for subjects near and far. I’ve been using the FE 100-400mm at a variety of events on Alpha A9 and A7r Mark II bodies. Check out my experiences and images so far!…
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Geared tripod heads let you fine-tune your camera’s position in three axes with a twist of the appropriate knobs, but have traditionally been large, heavy and expensive accessories. Bucking the trend is Manfrotto’s XPRO, the lightest and most affordable geared head to date. In my review I compared it against the Junior 410 geared head. …
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Panasonic’s Lumix FZ80 / FZ82 is a super-zoom camera with a 60x / 20-1200mm range, 18 Megapixels and 4k video. The screen’s now touch-sensitive and both it and the viewfinder are more detailed than before. There’s also 1080p at 120fps and USB charging. Find out if it’s the bridge super-zoom for you in Ken’s in-depth review!…
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The Sigma 135mm f1.8 ART is a mid-length telephoto lens with a bright aperture, available in Canon, Nikon or Sigma mounts. It’s corrected for full-frame DSLRs and works on Sony’s mirrorless bodies with an adapter. Find out why Thomas reckons it’s Sigma’s best ART lens to date in his in-depth review – one of the first published!…
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The Sigma 12-24mm f4.0 Art is a 2x super wide-angle full-frame zoom available in mounts for Canon, Nikon and Sigma DSLRs. Announced in February 2017, it’s already the 3rd generation 12-24mm model from Sigma. Sigma has done a complete optical redesign to get a constant f/4.0 focal ratio and improve performance fitting for inclusion into Sigma’s acclaimed Art series of top-notch lenses. Add…
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Tamron’s SP 70-200mm f2.8 Di VC USD G2 is a 2.9x telephoto full-frame zoom available in Canon and Nikon DSLR mounts. It’s the second generation (A025) model with closer focusing, improved AF and stabilisation, and compatibility with Tamron’s USB “TAP-in” console. In his review-in-progress, Thomas finds out if it’s worth spending the extra.…
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