Canon PowerShot A640 - Canon A640 vs Fujifilm F30 vs Sony N2 real-life noise

Canon A640 vs Fujifilm F30 vs Sony N2 real-life noise

Canon PowerShot A640 results continued…

Outdoor / Resolution / Noise / Noise 2 / Corner sharpness / Fringe & macro / Geometry / Vignetting

Support this site by shopping via these links

 
 
 
 
 
 
 
 

 

 


To compare noise levels under real-life conditions we shot the same scene with the Canon A640, Fujifilm F30 and Sony N2 within a few moments of each other using their best quality JPEG modes and each ISO setting. Each camera was set to Auto exposure for this test to also compare how the same scene would be evaluated; this was also necessary in some cases to access the fastest shutter speeds. A neutral density filter was used due to the brightness of the scene and the requirement for high ISOs.

Each lens was adjusted to deliver as close a field of view as possible, although coarse positions on their zooms resulted in variations. The Fujifilm result also shows a larger area due to its lower resolution sensor.

The image above was taken with the Canon PowerShot A640 at 8mm f4, with a sensitivity of 80 ISO; the original JPEG measured 4.62MB. The crops are taken from an area just below and to the left of the centre.

The PowerShot A640 delivers good, clean results up to 200 ISO with noise only becoming visible at 400 ISO and above. At these higher sensitivities though, the A640’s noise speckles appear much worse than its rivals, especially compared to the smooth appearance of the Sony N2 crops.

Look a little closer though and it’s clear the A640 simply doesn’t apply as much noise reduction as many of its rivals. While this means noise speckles are more obvious on the A640’s images at high ISOs, there’s little of the smearing and subsequent loss of fine detail which plagues so many digital images these days. Just compare the detail in the foliage between the A640 and Sony N2 to see what we mean.

Ultimately which approach is better is entirely personal. Given the choice though we prefer the A640’s strategy of retaining detail at the cost of visible noise speckles as it at least gives you the option of applying additional noise reduction after the event using software like Noise Ninja. Sadly on other cameras, that detail could be smeared out by built-in noise reduction and lost forever. To see more examples of the A640 at high ISOs, check our Canon A640 Gallery.

Note: we have compared 100% crops from each camera here measuring 185×136 pixels. Since the Canon A640 and Sony N2 employ higher resolution sensors, these crops represent a smaller area of their total image size than the Fujifilm F30. As such, any artefacts seen on the Canon A640 and Sony N2 crops would appear smaller than those on the F30 crops if the original images were printed exactly the same size.

Canon PowerShot A640
 
Fujifilm FinePix F30
 
Sony Cybershot DSC-N2
Canon A640 at 80 ISO   Fujifilm F30 - 80 ISO unavailable   Sony N2 - 80 ISO unavailable
80 ISO, 1/125, f4
 
80 ISO unavailable
 
80 ISO unavailable
         
Canon A640 at 100 ISO   Fujifilm F30 at 100 ISO   Sony N2 at 100 ISO
100 ISO, 1/200, f4
 
100 ISO, 1/340, f2.9
 
100 ISO, 1/160, f4.5
         
Canon A640 at 200 ISO   Fujifilm F30 at 200 ISO   Sony N2 at 200 ISO
200 ISO, 1/400, f4
 
200 ISO, 1/340, f4
 
200 ISO, 1/320, f4.5
         
Canon A640 at 400 ISO   Fujifilm F30 at 400 ISO   Sony N2 at 400 ISO
400 ISO, 1/800, f4
 
400 ISO, 1/450, f5
 
400 ISO, 1/640, f4.5
         
Canon A640 at 800 ISO   Fujifilm F30 at 800 ISO   Sony N2 at 800 ISO
800 ISO, 1/1250, f4.5
 
800 ISO, 1/600, f6.4
 
800 ISO, 1/320, f9
         
Canon A640 - 1600 ISO unavailable   Fujifilm F30 at 1600 ISO   Sony N2 at 1600 ISO
1600 ISO unavailable
 
1600 ISO, 1/800, f8
 
1600 ISO, 1/800, f9
         
Canon A640 - 3200 ISO unavailable   Fujifilm F30 at 3200 ISO   Sony N2 - 3200 ISO unavailable
3200 ISO unavailable
 
3200 ISO, 1/1500, f8
 
3200 ISO unavailable
 
Buy Gordon a coffee to support cameralabs!

Like my reviews? Buy me a coffee!

Follow Gordon Laing

All words, images, videos and layout, copyright 2005-2018 Gordon Laing. May not be used without permission.

Website design by Coolgrey