Canon’s PowerShot Pro1 launched in February 2004 as the pinnacle of its fixed-lens prosumer camera series, featuring 8 Megapixels, a flip-out screen, and the first PowerShot lens branded by the red ring of the flagship L-series. 18 years later I take it out for a retro review!…
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The Canon RF 100-400mm f5.6-8 is a low-cost telephoto zoom for the full-frame EOS R mirrorless system that’s aimed at sports and wildlife. Here’s my full review!…
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The Canon RF 16mm f2.8 STM is a compact ultra-wide prime lens for the full-frame EOS R mirrorless system, aimed at landscape, architecture, astro-photography and vlogging. Here’s my in-depth review!…
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Launched in 1996, the Nikon COOLPIX 300 was more than just a digital camera. Sure it could capture 0.3 MP images, but also let you jot notes or record voice memos. In this retro review, I tried out the COOLPIX 300, 25 years after its launch!…
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The Fujifilm INSTAX Wide Link is a portable instant photo printer that connects to your phone over Bluetooth and prints any picture onto the largest INSTAX Wide paper. Find out if it’s the best instant photo printer in my review!…
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The Sony A7 IV is a mid-range full-frame mirrorless camera with 33 Megapixels, 10fps bursts, 10-bit 4k up to 60p, webcam capabilities and a flip-out screen. Find out if this feature-packed camera will share the success of the Mark III in my in-depth review!…
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The Sigma 18-50mm f2.8 DC DN is a general purpose zoom with a constant fast aperture for mirrorless cameras sporting cropped APSC sensors and available in Sony and Leica-L mounts. Its aim is a step-up in aperture and sharpness from often disappointing kit zooms. Find out in my full review whether it delivers the goods!…
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The Sony FE 70-200mm f2.8 G Master Mark II is a high-end telephoto zoom for the e-mount mirrorless system and Sony’s first G Master lens to receive a Mark II redesign. Five and a half years after the Mark I, which jointly launched the G Master series, find out how Sony improved an already excellent lens ln my in-depth review!…
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The Canon RF 5.2mm f2.8L Dual Fisheye is Canon’s first interchangeable lens for 180 degree VR capture and designed for the full-frame EOS R mirrorless system. Check out my quick preview of this unique lens!…
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Back in 1997 Sony had a cunning plan: forget expensive cards, built-in memory or non-standard ports, the new Digital MAVICAs would record photos onto standard 3.5in floppies! 24 YEARS later I retro-review the first model!…
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