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Author archives: Thomas

Tamron 70-210mm f4 VC review
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The Tamron SP 70-210mm f4 VC is a telephoto full-frame zoom available for Canon and Nikon DSLRs. It’s a first from Tamron coupling a slightly longer reach of 210mm and constant f4 aperture, allowing a reduction in size, weight and price compared to f2.8 models. Check out our review!…

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Tamron 100-400mm VC review
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Tamron’s 100-400/4.5-6.3 VC is a long telephoto zoom that’s corrected for full-frame sensors and available in Canon and Nikon DSLR mounts. It’s the first 100-400mm from Tamron and comes hot on the heels of Sigma’s 100-400mm Contemporary. Find out how they compare in our review!…

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Tamron 24-70mm f2.8 VC G2 review
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Tamron’s 24-70mm f2.8 VC G2 is the second version of its popular general-purpose zoom for full-frame DSLRs. The new model improves the AF, adds weather-sealing and supports customization via the TAP console. Thomas finds out if it’s the best 24-70mm f2.8 in his in-depth review!…

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Sigma 24-70mm f2.8 OS Art review
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The Sigma 24-70mm f2.8 OS Art is a standard zoom for full-frame DSLRs, available in Canon, Nikon and Sigma mounts. It upgrades its decade-old predecessor with ART-level optics and stabilisation. Find out if it’s a worthy addition to the ART series in Thomas’s review!…

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Sigma 100-400mm f5-6.3 OS review
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The Sigma 100-400mm f5-6.3 OS is one of the smallest, lightest and most affordable long telephoto zooms around. Corrected for full-frame bodies, it’s available in Canon, Nikon and Sigma DSLR mounts and works on Sony mirrorless with the MC-11 adapter. In his in-depth review, Thomas finds out how it compares against rivals that are generally more expensive.…

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Sigma 135mm f1.8 Art review
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The Sigma 135mm f1.8 ART is a mid-length telephoto lens with a bright aperture, available in Canon, Nikon or Sigma mounts. It’s corrected for full-frame DSLRs and works on Sony’s mirrorless bodies with an adapter. Find out why Thomas reckons it’s Sigma’s best ART lens to date in his in-depth review – one of the first published!…

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