Support Cameralabs by shopping at my partner stores or buying me a coffee!
Buy me a coffee!

Follow my RSS feed at Camera Labs RSS Feed
  Latest camera reviews

Lumix G80 / G85
Olympus OMD EM1 II
Sony RX10 Mark III
Sony RX100 Mark V
Nikon COOLPIX B700
Sony A6500
Lumix FZ2000 / FZ2500
Nikon COOLPIX B500
Lumix LX10 / LX15
Fujifilm XT2
Nikon D3400
Canon EOS 5D Mark IV
Ricoh GR II
Canon G7X Mark II
Canon SX720 HS
Canon EOS 80D
Olympus TG Tracker
Nikon D500 review
Canon EOS 1300D / T6
Lumix GX80 / GX85
Fujifilm X-Pro2
Fujifilm X70
Lumix TZ80 ZS60
Sony A6300
Canon PowerShot G5X
Lumix TZ100 ZS100
Sony A7s Mark II
Sony RX10 II
Lumix FZ330 / FZ300
Sony RX100 IV
Canon G9X
Fujifilm XT10
Nikon COOLPIX L840
Canon SX530 HS
Olympus OMD EM10 II
Canon SX410 IS
Panasonic Lumix GX8
Olympus TOUGH TG860
Sony A7r Mark II
Canon PowerShot D30
Olympus TOUGH TG4
Canon PowerShot G3X
Canon EOS 5Ds
Nikon COOLPIX S9900
Sony HX90V
Canon EOS T6s 760D
Panasonic Lumix G7
Panasonic Lumix SZ8
Canon EOS M3
Olympus EPL7
Samsung NX3000
Panasonic Lumix GM5
Nikon D5500
Panasonic Lumix GF7
Olympus OMD EM5 II
Nikon COOLPIX S9700
Canon SX710 HS
Panasonic TZ70 / ZS50
Sony Alpha A7 Mark II
Canon EOS 7D Mark II
Fujifilm X100T
Nikon COOLPIX S3600
Sony Alpha A5100
Sigma DP1 Quattro
Sony Cyber-shot W830
Nikon COOLPIX L830
Nikon D750
Canon SX400 IS
Sony Cyber-shot H400
Panasonic Lumix LX100
Canon SX60 HS
Canon ELPH 340 IXUS 265
Canon G7X
Nikon COOLPIX P530
Canon SX520 HS
Canon G1 X Mark II
Panasonic Lumix FZ1000
Panasonic TZ60 / ZS40
Sony RX100 III review
Sony A3000 review
Canon EOS 1200D T5
Sony WX350
Nikon P600
Sony Alpha A5000
Sony Cyber-shot HX400V
Panasonic Lumix GH4
Panasonic TS5 FT5
Sony Alpha A6000
Canon SX700 HS
Canon SX600 HS
Olympus TOUGH TG2
Nikon AW1
Nikon D3300
Fujifilm XT1
Olympus STYLUS 1
Sony Cyber-shot RX10
Olympus OMD EM1
Panasonic Lumix GM1
Nikon D610
Sony Alpha A7
Nikon D5300
Canon PowerShot A2500
Sony Alpha A7r
Canon ELPH 130 IXUS 140
Nikon COOLPIX P520
Nikon COOLPIX L820
Canon PowerShot S120
Panasonic Lumix GX7
Canon SX510 HS
Canon PowerShot G16
Fujifilm X20
Panasonic FZ70 / FZ72
Canon EOS 70D
Sony RX100 II
Canon ELPH 330 IXUS 255
Panasonic Lumix GF6
Fujifilm XM1
Olympus EP5
Panasonic Lumix LF1
Panasonic TZ35 / ZS25
Olympus XZ2
Sony HX300
Panasonic Lumix G6
Sony HX50V
Fujifilm X100S
Canon SX280 HS
Canon EOS SL1 / 100D
Panasonic TZ40 / ZS30
Nikon D7100
Fujifilm X-E1
Canon EOS 6D
Nikon D5200
Panasonic Lumix GH3
Canon PowerShot S110
Panasonic Lumix G5
Sony NEX-6
Panasonic Lumix FZ200
Canon PowerShot SX50 HS
Nikon COOLPIX P7700
Olympus E-PL5
Canon EOS M
Panasonic TS20 / FT20
Canon PowerShot G15
Nikon D600
Nikon COOLPIX L810
Canon PowerShot D20
Sony RX100
Panasonic Lumix LX7
Canon SX500 IS
Fujifilm HS30 EXR
Sony HX200V
Panasonic FZ60 / FZ62
Canon 520HS / 500HS
Canon 110HS / 125HS
Nikon D800
Canon EOS T4i / 650D
Canon PowerShot A3400
Panasonic ZS15 / TZ25
Olympus E-M5
Nikon D3200
Fujifilm X-Pro1
Canon PowerShot A2300
Canon SX240 / SX260
Samsung NX200
Sony Alpha SLT-A77
Canon EOS 5D Mark III
Panasonic ZS20 / TZ30
Canon PowerShot G1 X
Sony NEX-7
Panasonic GX1
Olympus E-PM1
Nikon V1
Sony NEX-5N
Canon EOS T3 / 1100D
Canon EOS 600D / T3i
Nikon D7000
Canon EOS 60D
Canon EOS 550D / T2i
Canon EOS 7D

All camera reviews
  Best Buys: our top models
  Best Canon lens
Best Nikon lens
Best Sony lens
Best budget DSLR
Best mid-range DSLR
Best semi-pro DSLR
Best point and shoot
Best superzoom
Best camera accessories

Camera Labs Forum

Any questions, comments or a great tip to share? Join my Camera forum and let everyone know!
  DSLR Tips

Free Shipping on ALL Products
Sony SAL75300 75-300mm f4.5-5.6 lens review Gordon Laing, January 2007 / updated January 2008

Sony 75-300mm gallery

The following images were taken with the Sony SAL75300 75-300mm f4.5-5.6 lens using the Sony Alpha DSLR-A100 body. The A100's quality mode was set to L:10M Fine, configured to capture the full 10.2 Megapixel resolution with the lowest JPEG compression ratio. Default settings were used for White Balance, colour space, contrast, colour and sharpness, while the D-Range Optimiser was set to Standard; see the intro page for the complete testing configuration. The individual exposure mode, file sizes, shutter speeds, aperture, ISO and lens focal length are listed for each image.

The crops are taken from the original files, reproduced at 100% and saved in Adobe Photoshop CS2 as JPEGs with the default Very High quality preset, while the resized images were made in Photoshop CS2 and saved with the default High quality preset. The three crops are typically taken from far left, central and far right portions of each image.

Support this site by price checking below

Sony A200


Support this site by shopping via these links

Portrait: 1.91MB, Aperture Priority, 1/640, f4.5, ISO 100, 75-300mm at 75mm (equivalent to 113mm)


The Sony 75-300mm is great for portraits and it's easy to throw backgrounds out of focus.

This shot was taken at its shortest 75mm focal length, equivalent to 113mm, and with the aperture wide open.

The crops are detailed and quite sharp, although can easily hold up to additional sharpening if you desire.


Landscape: 3.55MB, Program, 1/160, f10, ISO 100, 75-300mm at 75mm (equivalent to 113mm)

    The 75-300mm can also be quite effective for certain landscape compositions. This one was taken with the lens zoomed-out to 75mm.

Again the crops have plenty of detail which a boost in sharpness can bring out if required.

Landscape: 2.73MB, Aperture Priority, 1/320, f11, ISO 100, 75-300mm at 160mm (equivalent to 240mm)

    Zooming into 160mm, for an equivalent of 240mm allowed us to capture this boat heading towards distant mountains.

We focused on the boat, and the crops are certainly sharp and detailed, although the depth-of-field even at f11 hasn't quite extended to infinity.

A smaller aperture could have ensured the background was also sharp, although the longer exposure would have resulted in motion blur on the boat. These are all important considerations when shooting at longer focal lengths like these.

Portrait: 2.16MB, Aperture Priority, 1/800, f5.6, ISO 100, 75-300mm at 140mm (equivalent to 210mm)

    By zooming-in to 140mm (210mm equivalent) we could frame this portrait so avoid any sky. This gives a different impact to the first example here.

Again the crops are detailed even with the aperture wide open, and can handle additional sharpening if you prefer a punchier result.

Indoor: 3.07MB, Program, 1/500, f6.3, ISO 100, 75-300mm at 300mm (equivalent to 450mm)

    Here we've zoomed-in to the maximum focal length of 300mm, equivalent to 450mm. As above, this gives a different perspective to landscape shots and can be effective for showing scale. The large yacht is dwarfed by the mountain behind.

The Sony A100 has only slightly stopped the lens down in Program mode, allowing a quick shutter speed, which with the built-in Super SteadyShot has eliminated any camera shake.

Portrait: 2.73MB, Program, 1/640, f9, ISO 100, 75-300mm at 300mm (equivalent to 450mm)


Here's another shot taken with the lens fully zoomed-in. For a sense of scale, this is the same peak you can see in the background of the coverage examples.

Again the crops are detailed and can be perked-up by additional sharpening.

The A100's Super SteadyShot may combat camera-shake as you take the photo, but at long focal lengths like these, it can be harder to compose with even slight wobbles being greatly magnified in the viewfinder.



All words, images, videos and layout, copyright 2005-2017 Gordon Laing. May not be used without permission.

/ Best Cameras / Camera reviews / Supporting Camera Labs