Support Cameralabs by shopping at my partner stores or buying me a coffee!
Buy me a coffee!

Follow my RSS feed at Camera Labs RSS Feed
  Latest camera reviews

Lumix G80 / G85
Olympus OMD EM1 II
Sony RX10 Mark III
Sony RX100 Mark V
Nikon COOLPIX B700
Sony A6500
Lumix FZ2000 / FZ2500
Nikon COOLPIX B500
Lumix LX10 / LX15
Fujifilm XT2
Nikon D3400
Canon EOS 5D Mark IV
Ricoh GR II
Canon G7X Mark II
Canon SX720 HS
Canon EOS 80D
Olympus TG Tracker
Nikon D500 review
Canon EOS 1300D / T6
Lumix GX80 / GX85
Fujifilm X-Pro2
Fujifilm X70
Lumix TZ80 ZS60
Sony A6300
Canon PowerShot G5X
Lumix TZ100 ZS100
Sony A7s Mark II
Sony RX10 II
Lumix FZ330 / FZ300
Sony RX100 IV
Canon G9X
Fujifilm XT10
Nikon COOLPIX L840
Canon SX530 HS
Olympus OMD EM10 II
Canon SX410 IS
Panasonic Lumix GX8
Olympus TOUGH TG860
Sony A7r Mark II
Canon PowerShot D30
Olympus TOUGH TG4
Canon PowerShot G3X
Canon EOS 5Ds
Nikon COOLPIX S9900
Sony HX90V
Canon EOS T6s 760D
Panasonic Lumix G7
Panasonic Lumix SZ8
Canon EOS M3
Olympus EPL7
Samsung NX3000
Panasonic Lumix GM5
Nikon D5500
Panasonic Lumix GF7
Olympus OMD EM5 II
Nikon COOLPIX S9700
Canon SX710 HS
Panasonic TZ70 / ZS50
Sony Alpha A7 Mark II
Canon EOS 7D Mark II
Fujifilm X100T
Nikon COOLPIX S3600
Sony Alpha A5100
Sigma DP1 Quattro
Sony Cyber-shot W830
Nikon COOLPIX L830
Nikon D750
Canon SX400 IS
Sony Cyber-shot H400
Panasonic Lumix LX100
Canon SX60 HS
Canon ELPH 340 IXUS 265
Canon G7X
Nikon COOLPIX P530
Canon SX520 HS
Canon G1 X Mark II
Panasonic Lumix FZ1000
Panasonic TZ60 / ZS40
Sony RX100 III review
Sony A3000 review
Canon EOS 1200D T5
Sony WX350
Nikon P600
Sony Alpha A5000
Sony Cyber-shot HX400V
Panasonic Lumix GH4
Panasonic TS5 FT5
Sony Alpha A6000
Canon SX700 HS
Canon SX600 HS
Olympus TOUGH TG2
Nikon AW1
Nikon D3300
Fujifilm XT1
Olympus STYLUS 1
Sony Cyber-shot RX10
Olympus OMD EM1
Panasonic Lumix GM1
Nikon D610
Sony Alpha A7
Nikon D5300
Canon PowerShot A2500
Sony Alpha A7r
Canon ELPH 130 IXUS 140
Nikon COOLPIX P520
Nikon COOLPIX L820
Canon PowerShot S120
Panasonic Lumix GX7
Canon SX510 HS
Canon PowerShot G16
Fujifilm X20
Panasonic FZ70 / FZ72
Canon EOS 70D
Sony RX100 II
Canon ELPH 330 IXUS 255
Panasonic Lumix GF6
Fujifilm XM1
Olympus EP5
Panasonic Lumix LF1
Panasonic TZ35 / ZS25
Olympus XZ2
Sony HX300
Panasonic Lumix G6
Sony HX50V
Fujifilm X100S
Canon SX280 HS
Canon EOS SL1 / 100D
Panasonic TZ40 / ZS30
Nikon D7100
Fujifilm X-E1
Canon EOS 6D
Nikon D5200
Panasonic Lumix GH3
Canon PowerShot S110
Panasonic Lumix G5
Sony NEX-6
Panasonic Lumix FZ200
Canon PowerShot SX50 HS
Nikon COOLPIX P7700
Olympus E-PL5
Canon EOS M
Panasonic TS20 / FT20
Canon PowerShot G15
Nikon D600
Nikon COOLPIX L810
Canon PowerShot D20
Sony RX100
Panasonic Lumix LX7
Canon SX500 IS
Fujifilm HS30 EXR
Sony HX200V
Panasonic FZ60 / FZ62
Canon 520HS / 500HS
Canon 110HS / 125HS
Nikon D800
Canon EOS T4i / 650D
Canon PowerShot A3400
Panasonic ZS15 / TZ25
Olympus E-M5
Nikon D3200
Fujifilm X-Pro1
Canon PowerShot A2300
Canon SX240 / SX260
Samsung NX200
Sony Alpha SLT-A77
Canon EOS 5D Mark III
Panasonic ZS20 / TZ30
Canon PowerShot G1 X
Sony NEX-7
Panasonic GX1
Olympus E-PM1
Nikon V1
Sony NEX-5N
Canon EOS T3 / 1100D
Canon EOS 600D / T3i
Nikon D7000
Canon EOS 60D
Canon EOS 550D / T2i
Canon EOS 7D

All camera reviews
  Best Buys: our top models
  Best Canon lens
Best Nikon lens
Best Sony lens
Best budget DSLR
Best mid-range DSLR
Best semi-pro DSLR
Best point and shoot
Best superzoom
Best camera accessories

Camera Labs Forum

Any questions, comments or a great tip to share? Join my Camera forum and let everyone know!
  DSLR Tips

Panasonic Lumix DMC-FZ18 Gordon Laing, October 2007

More features : Lenses / Screen and menus / Sensor and processing / anti-shake

Panasonic Lumix DMC-FZ18 lens coverage

The Panasonic Lumix FZ18 is equipped with a Leica DC Vario-Elmarit 18x optical zoom delivering an equivalent range of 28-504mm with a focal ratio of f2.8-4.2; the actual focal length is 4.6-82.8mm and the closest focusing distance is 1cm in Macro mode with the lens zoomed all the way out.

The lens represents the FZ18’s key difference with its predecessor, offering both wider and longer coverage than the earlier FZ8’s equivalent of 36-432mm. The focal ratio may be slightly slower when fully zoomed-in, but the FZ18 can still operate at f2.8 when zoomed-out. The closest focusing distance in macro mode has also been greatly improved from 5cm to just 1cm and in practice the outer barrel of the lens can actually touch the subject while still remaining in focus.

Panasonic FZ18 - lens extension

Upon power-up the lens barrel extends by just 8mm (compared to 21mm for the FZ8) and does so swiftly in just over a second. Fully zooming the lens extends the barrel to a maximum length of 25mm, which is roughly equivalent to the earlier FZ8. We’re also pleased to report while the FZ18 has a new lens, Panasonic’s kept the same very fine increments as you explore its range. There’s no lurching from one focal length to another here – we found it virtually impossible to count discrete steps, but impressively you’re looking at over 70. The FZ18 also offers two different zooming speeds, depending on how far you push the zoom rocker; in leisurely mode it takes about six seconds from one end to the other, or about 2.5 seconds when pushed all the way.

The FZ18’s new lens is without a doubt the major highlight of the camera. The range of its predecessor was certainly impressive, but we really missed proper wide angle coverage, especially as it was present on virtually every other Panasonic camera along with rival super-zooms including the Olympus SP-550UZ. Now with the FZ18 Panasonic’s budget super-zoom has the wide angle coverage it deserves, along with a slight boost at the telephoto end too. And you still also get effective optical image stabilisation which we’ll demonstrate later.

To illustrate the Lumix FZ18’s coverage in practice we mounted it on a tripod and took photos with the lens fully zoomed-out, then fully zoomed-in. For comparison we then mounted a Fujifilm FinePix S8000fd in the same position and again took shots at the short and long end of its focal range.

Support this site by shopping via these links


Panasonic Lumix DMC-FZ18 coverage wide
Fujifilm FinePix S8000fd coverage wide
4.6-82.8mm at 4.6mm (28mm equivalent)
4.7-84.2mm at 4.7mm (27mm equivalent)

Both cameras sport 18x optical zooms, but the equivalent ranges are slightly different. Panasonic’s FZ18 offers an equivalent range of 28-504mm, while Fujifilm’s S8000fd offers 27-486mm. One millimetre difference at the wide angle end doesn’t sound like much, but judging from the samples above, the Fujifilm does indeed capture a slightly wider field of view – the mountain range extends a little further in both directions, and slightly more of the town is visible.

Panasonic Lumix DMC-FZ18 coverage tele
Fujifilm FinePix S8000fd coverage tele
4.6-82.8mm at 82.8mm (504mm equivalent)
4.7-84.2mm at 84.2mm (486mm equivalent)

Zoom both cameras in fully and they appear to deliver the same result as seen above, but look very closely and the Panasonic is fractionally tighter, although not so much it makes any real difference. So technically speaking, the Fuji gets a little wider and the Panasonic fractionally closer, but there’s really not much between them in terms of coverage. Both cameras offer a fantastically versatile range which covers almost every eventuality; there are however differences in their optical quality which we’ll cover later.

Panasonic FZ18 - DMW-LT55 tele conversion lens

If the FZ18’s optical range isn’t long enough, you can fit the optional (and rather substantial) DMW-LT55 tele conversion lens which multiples the range by 1.7x, giving a maximum effective focal length of 857mm. There’s also an optional DMW-LC55 lens which improves close-up capabilities, although they’re already pretty good with the FZ18. Unlike its predecessor though, there’s no wide angle converter listed as an accessory – but again the 28mm equivalent coverage of the FZ18 will suffice for most people. Note both the FZ18’s lens converters require the optional DMW-LA3 adapter for mounting.

Like its predecessor, the FZ18 is supplied with a petal-style lens hood which mounts onto the body via a screw-on filter ring which is also supplied. Once you have this ring and lens hood attached, the FZ18 inevitably looks much bigger, but it’s nowhere in the same league as the monster which Sony supplies with its Cyber-shot DSC-H9.

Panasonic FZ18 with lens hood

Unlike many lens hoods which clip into place, the FZ18s, like that supplied with its predecessor, can be freely rotated before you tighten a screw to hold it in position. This runs the risk of the hood not being turned to the correct position, and therefore causing some vignetting on wide angle shots. We’ve spotted several people using their FZ8s with the lens hood mounted incorrectly, so it’s a worry the same is possible again here. So while we’re pleased to find a lens hood supplied, any chance of a foolproof mounting next time?

Panasonic Lumix DMC-FZ18 focusing

Panasonic FZ18 - AF mode menu Panasonic FZ18 - face detect

The Panasonic FZ18 offers the same five main auto-focusing modes as its predecessor along with a new face detection option. The five main modes consist of Multi-area, Three area high speed, Single area high speed, normal single area, and spot focusing. They also operate the same as before: the Multi-area mode is the most useful in general use, checking areas around the frame. The high speed modes restrict focusing to three or even just a single point in the middle for quicker response. It’s also possible to manually select one of 11 AF areas in the single area modes – or a set of areas in Multi mode. New to the FZ18 is face detection, which can recognise up to 15 faces on the frame and adjust focus and exposure as required.

In use the FZ18 focuses quite quickly, and the higher speed modes are quicker still. It’s still not in the same league as Sony’s Cyber-shot DSC-H9, but not bad none-the-less. During our tests the face detection worked as described.

Panasonic FZ18 - MF assist mode Panasonic FZ18 - MF mode 1 Panasonic FZ18 - MF mode 2

The FZ18 also offers a manual focusing option, operated by the tiny joystick on the back. During manual focus, a distance scale is shown vertically on the right with a scroll bar representing the depth of field – so the bar increases in size to cover a larger range of distances as the aperture is closed. It’s a handy graphical representation in practice. Like its predecessor, manual focusing enlarges a central area for closer examination, but there’s now a second option which fills the screen with the enlargement.

Panasonic Lumix DMC-FZ18 features continued...

Lenses / Screen and menus / Sensor and processing / anti-shake

If you found this review useful, please support us by shopping below!
All words, images, videos and layout, copyright 2005-2017 Gordon Laing. May not be used without permission.

/ Best Cameras / Camera reviews / Supporting Camera Labs