Support Cameralabs by shopping at our partner stores or donating via Paypal
 

Follow me!
Camera Labs RSS Feed
Gordon Laing and Cameralabs on Google+
Camera Labs on Facebook
Camera Labs on Twitter

 
  Latest camera reviews

Olympus E-PM1
Nikon V1
Sony NEX-5N
Canon 100HS / 115HS
Canon 300HS / 220HS
Canon S100
GoPro HD Hero 2
Canon 510HS / 1100HS
Canon 310HS / 230HS
Canon SX150 IS
Olympus E-PL3
Canon SX40 HS
Sony NEX-C3
Panasonic GF3
Fujifilm HS20 EXR
Panasonic FZ150
Olympus E-P3
Panasonic FZ47 / FZ48
Nikon COOLPIX S9100
Sony Cyber-shot HX100V
Sony Cyber-shot HX9V
Panasonic FX77 / FX78
Canon SX230 HS
Canon EOS T3 / 1100D
Panasonic Lumix G3
Sony Cyber-shot TX10
Canon 500HS / 310HS
Nikon D5100
Sony Cyber-shot W510
Nikon COOLPIX L24
Canon PowerShot A1200
Panasonic FS18 / FH5
Canon PowerShot A800
Panasonic TZ18 / ZS8
Canon PowerShot A3300IS
Canon EOS 600D / T3i
Panasonic TZ20 / ZS10
Canon IXUS 1000/SD4500
Sony Alpha SLT-A33
Panasonic Lumix GH2
Nikon D7000
Canon PowerShot G12
Canon PowerShot S95
Panasonic Lumix LX5
Nikon D3100
Canon EOS 60D
Canon EOS 550D / T2i
Canon EOS 7D
Nikon D300s
Canon EOS 5D Mark II
Nikon D90

All reviews ....
 
 
   
 
  Best Buys: our top models
   
  Best Canon lens
Best Nikkor lens
Best Sony lens
Best budget DSLR
Best mid-range DSLR
Best semi-pro DSLR
Best point and shoot
Best superzoom
Best camera accessories
   
 



   
 



Camera Labs Forum

Any questions, comments or a great tip to share? Join our Forum and let everyone know.
   
 
  DSLR Tips



 
Panasonic Lumix DMC-TZ1 Gordon Laing, August 2006


 



 




Outdoor
/ Resolution / Noise / Noise 2 / Corner sharpness / Fringe & macro / Geometry / Vignetting

Panasonic Lumix DMC-TZ1 corner sharpness comparison

  To measure and compare the Panasonic Lumix TZ1's corner sharpness we photographed the Enhanced Digital Camera Resolution Chart with it and a number of rival models, each using their best quality JPEG and default image tone and sharpening settings.

We used the built-in lenses at their widest and longest focal lengths and with various apertures. Note the TZ1 only offers two apertures at each focal length, and selects them automatically; we forced it to use specific apertures by varying the brightness of our studio lights.

The crops are taken from the extreme lower left corner of the chart and presented here at 100%.

Zoomed-out to wide angle, the Lumix TZ1 delivers reasonably sharp results in the corners, but zoom all the way in and the results become quite soft. This isn't surprising though for a lens with a 10x optical range that's squeezed into a compact body, and it's important to note the Fujifilm S9500 / S9000 with its considerably bigger optical system also suffers from softness when fully zoomed-in.

Ultimately it's the price you normally pay for the convenience of a very long optical range. If you want pin sharp results in the extreme corners throughout the range, you normally have to go for a lens with a shorter optical zoom. There are exceptions though, such as the Panasonic FZ30, which delivers sharp corners throughout its optical range; again though, this is a larger camera, comparable in size to the Fujifilm S9500 / S9000.

Note: crop details which appear smaller here are due to them being captured with lower resolution cameras and / or a lens which couldn't focus as close to the chart. In each case though, the crop still represents the extreme left corner of each camera's frame.


Panasonic DMC-TZ1
Canon PowerShot A620
Fujifilm FinePix F11
Fujfifilm FinePix S9500 Zoom
Panasonic DMC-TZ1 at 5.2mm f2.8
Canon PowerShot A620 at 7.3mm f2.8
Fujifilm FinePix F11 at 8mm f2.8
Fujfifilm FinePix S9500 at 6.2mm f2.8
5.2-52mm at 5.2mm f2.8
7.3-29.2mm at 7.3mm f2.8
8-24mm at 8mm f2.8
6.2-66.7mm at 6.2mm f2.8
Panasonic DMC-TZ1 at 5.2mm f5
Canon PowerShot A620 at 7.3mm f5.6
Fujifilm FinePix F11 at 8mm f5.7
Fujfifilm FinePix S9500 at 6.2mm f5.6
5.2-52mm at 5.2mm f5
7.3-29.2mm at 7.3mm f5.6
8-24mm at 8mm f5.7
6.2-66.7mm at 6.2mm f5.6
Panasonic DMC-TZ1 - only two aperture settings available
Canon PowerShot A620 at 7.3mm f8
Fujifilm FinePix F11 at 8mm f8
Fujfifilm FinePix S9500 at 6.2mm f8
Only two aperture settings available
7.3-29.2mm at 7.3mm f8
8-24mm at 8mm f8
6.2-66.7mm at 6.2mm f8
             
Panasonic DMC-TZ1
Canon PowerShot A620
Fujifilm FinePix F11
Fujfifilm FinePix S9500 Zoom
Panasonic DMC-TZ1 at 52mm f4.2
Canon PowerShot A620 at 29.9mm f4.1
Fujifilm FinePix F11 at 24mm f4.9
Fujfifilm FinePix S9500 at 66.7mm f4.9
5.2-52mm at 52mm f4.2
7.3-29.2mm at 29.2mm f4.1
8-24mm at 24mm f4.9
6.2-66.7mm at 66.7mm f4.9
Panasonic DMC-TZ1 at 52mm f7.1
Canon PowerShot A620 at 29.2mm f5.6
Fujifilm FinePix F11 at 24mm f5.6
Fujfifilm FinePix S9500 at 66.7mm f5.6
5.2-52mm at 52mm f7.1
7.3-29.2mm at 29.2mm f5.6
8-24mm at 24mm f5.6
6.2-66.7mm at 66.7mm f5.6
Panasonic DMC-TZ1 - only two aperture settings available
Canon PowerShot A620 at 29.2mm f8
Fujifilm FinePix F11 at 24mm f8
Fujfifilm FinePix S9500 at 66.7mm f8
Only two aperture settings available
7.3-29.2mm at 29.2mm f8
8-24mm at 24mm f8
6.2-66.7mm at 66.7mm f8

Results continued...

Outdoor / Resolution / Noise / Noise 2 / Corner sharpness / Fringe & macro / Geometry / Vignetting

Support this site by checking prices below or shopping via our affiliate stores

USA readers



 
UK readers
Jessops discount voucher



All words, images, videos and layout, copyright 2005-2012 Gordon Laing. May not be used without permission.

/ How we test / Best Cameras / Advertising / Camera reviews / Supporting Camera Labs