Support Cameralabs by shopping at our partner stores or donating via Paypal
 






Follow my RSS feed at Camera Labs RSS Feed
 
  Latest camera reviews

Canon SX700 HS
Canon SX600 HS
Olympus TOUGH TG2
Nikon AW1
Nikon D3300
Fujifilm XT1
Olympus STYLUS 1
Sony Cyber-shot RX10
Olympus OMD EM1
Panasonic Lumix GM1
Nikon D610
Sony Alpha A7
Nikon D5300
Canon PowerShot A2500
Sony Alpha A7r
Canon ELPH 130 IXUS 140
Nikon COOLPIX P520
Nikon COOLPIX L820
Canon PowerShot S120
Panasonic Lumix GX7
Canon SX510 HS
Canon PowerShot G16
Fujifilm X20
Panasonic FZ70 / FZ72
Canon EOS 70D
Sony RX100 II
Canon ELPH 330 IXUS 255
Panasonic Lumix GF6
Fujifilm XM1
Olympus EP5
Panasonic Lumix LF1
Panasonic TZ35 / ZS25
Olympus XZ2
Sony HX300
Panasonic Lumix G6
Sony HX50V
Fujifilm X100S
Canon SX280 HS
Canon EOS SL1 / 100D
Panasonic TZ40 / ZS30
Nikon D7100
Nikon COOLPIX A
Fujifilm X-E1
Canon EOS 6D
Nikon D5200
Panasonic Lumix GH3
Canon PowerShot S110
Panasonic Lumix G5
Sony NEX-6
Panasonic Lumix FZ200
Canon PowerShot SX50 HS
Nikon COOLPIX P7700
Olympus E-PL5
Canon EOS M
Panasonic TS20 / FT20
Canon PowerShot G15
Nikon D600
Nikon COOLPIX L810
Canon PowerShot D20
Sony RX100
Panasonic Lumix LX7
Canon SX500 IS
Fujifilm HS30 EXR
Sony HX200V
Panasonic FZ60 / FZ62
Canon 520HS / 500HS
Canon 110HS / 125HS
Nikon D800
Canon EOS T4i / 650D
Canon PowerShot A3400
Panasonic ZS15 / TZ25
Olympus E-M5
Nikon D3200
Fujifilm X-Pro1
Canon PowerShot A2300
Canon SX240 / SX260
Samsung NX200
Sony Alpha SLT-A77
Canon EOS 5D Mark III
Panasonic ZS20 / TZ30
Canon PowerShot G1 X
Sony NEX-7
Panasonic GX1
Olympus E-PM1
Nikon V1
Sony NEX-5N
Canon EOS T3 / 1100D
Canon EOS 600D / T3i
Nikon D7000
Canon EOS 60D
Canon EOS 550D / T2i
Canon EOS 7D

All camera reviews
 
 
   
 
  Best Buys: our top models
   
  Best Canon lens
Best Nikon lens
Best Sony lens
Best budget DSLR
Best mid-range DSLR
Best semi-pro DSLR
Best point and shoot
Best superzoom
Best camera accessories
   
 



Camera Labs Forum

Any questions, comments or a great tip to share? Join my Camera forum and let everyone know!
   
 
  DSLR Tips



 
Free Shipping on ALL Products
Panasonic Lumix DMC-TZ1 Gordon Laing, August 2006


 



 



Lenses and Optical stabilisation / Screen and menus / Sensor and processing

Panasonic DMC-TZ1 lens coverage

The Panasonic TZ1 is equipped with a Leica DC Vario-Elmarit 10x optical zoom with a 35mm-equivalent range of 35-350mm and a focal ratio of f2.8~4.2; the actual focal length is 5.2-52mm. Note: if the image resolution isn’t set to the maximum 5 Megapixels, the TZ1 can employ the spare pixels to deliver a digital-like zoom extension giving a total range of 12.5x without loss of quality. The closest focusing distance is 5cm in Macro mode with the lens zoomed-out.

Panasonic Lumix TZ1 lens  

On a physically larger camera, a 10x optical zoom would be considered powerful, but given it’s squeezed within the compact body of the TZ1 is nothing short of remarkable. The secret lies with an internal prism and folded optics which allow the lens to zoom horizontally within the camera. According to Panasonic, it’s the world’s first integration of a retractive lens with folding optics.

A circular lever around the shutter release button operates the motorised zoom, and as expected the barrel extends as the focal length increases. What’s not expected though is the modest degree by which it extends: a mere 14mm at the maximum focal length. That’s less than plenty of 3x optical zooms we’ve seen and very discreet as seen from the photo above. The optics are protected by a cap which clips on the front, and thanks to the lens not extending at power-up, it wont try and prod it off.

To illustrate the coverage offered by the TZ1 we mounted it on a tripod and took the same scene with the lens fully zoomed-out, then fully zoomed-in – see below. To further show how impressive this range is given the TZ1’s dimensions, we repeated the shots using the considerably larger Fujifilm FinePix S9500 / S9000 which sports a similar optical zoom range.

Panasonic DMC-TZ1 coverage wide
Fujifilm FinePix S9500 / S9000 coverage wide
Panasonic DMC-TZ1 at 5.2mm f5
Fujifilm FinePix S9500 / S9000 at 6.2mm f8
5.2-52mm at 5.2mm, f5 (35mm equivalent)
  6.2-66.7mm at 6.2mm, f8 (28mm equivalent)

As seen above and below, both cameras delivered fields corresponding to their respective equivalent focal lengths - ie, the Fujifilm S9500 / S9000 captured a larger field at wide angle, while the Lumix TZ1 zoomed-in a little tighter at telephoto; note the Fujifilm telephoto field is shifted to the left a little, but common areas like the path by the trees allow a comparison to be made.

Panasonic DMC-TZ1 coverage tele
Fujifilm FinePix S9500 / S9000 coverage tele
Panasonic DMC-TZ1 at 52mm f4.2
Fujifilm FinePix S9500 / S9000 at 66.7mm f8
5.2-52mm at 52mm, f4.2 (350mm equivalent)
  6.2-66.7mm at 66.7mm, f8 (300mm equivalent)

Ultimately, the TZ1’s range is incredibly versatile, and even more so when you consider it’s delivered by a camera which could slip into a pocket. This capability is really brought home at times when others around you have more typical compact cameras with 3x to 5x zooms. Whether you’re taking opportunist shots of, say, wildlife or someone making a speech, the extra reach of the TZ1’s 10x optical zoom will have your subject occupying much more of the frame than those shooting with average compacts. It’s wonderful to have this capability in such a convenient package – our Gallery illustrates the kind of opportunities available.

Image stabilisation

Handholding any camera at effective focal lengths up to 350mm is going to be tricky, so to combat camera shake, Panasonic’s fitted the TZ1 with its Mega Optical Image Stabiliser OIS technology. This employs gyrosensors to detect any motion and shifts the lens in the opposite direction to compensate.

Panasonic claims up to three stops of compensation which corresponds to using exposures eight times slower than normal – so if the slowest exposure you could normally handhold at a given focal length was, say, 1/60, three stops of compensation should allow you to achieve the same result at 1/8.

Panasonic DMC-TZ1 image stablizer menu  

Pressing and holding the button on top of the camera with an icon of a shaky hand brings up the three OIS options. Mode 1 applies stabilisation constantly which can greatly aid composition, especially at longer focal lengths. Mode 2 only applies the stabilisation as you take the picture, which Panasonic claims better combats camera-shake, although you won’t see the effect as you compose the image. Finally, the third option switches the OIS off altogether. Note OIS is also available when recording movies, but only with Mode 1.

Panasonic Lumix DMC-TZ1
Mega OIS off
Panasonic Lumix DMC-TZ1
Mega OIS Mode 1
Panasonic Lumix DMC-TZ1
Mega OIS Mode 2
Panasonic Lumix DMC-TZ1 Mega OIS off
Panasonic Lumix DMC-TZ1 Mega OIS Mode 1
Panasonic Lumix DMC-TZ1 Mega OIS Mode 2
5.2-52mm at 5.2mm f2.8, 1/13, 80 ISO   5.2-52mm at 5.2mm f2.8, 1/13, 80 ISO   5.2-52mm at 5.2mm f2.8, 1/13, 80 ISO

Above are crops from three examples of a bottle label taken with OIS disabled, followed by the two OIS modes. The photos were taken from a short distance in Macro mode. The original crops measured 320x240 pixels and therefore represent an area one eighth of the width and height of the full TZ1 image. Each crop has been reduced to 160x120 for reproduction here.

The images taken with OIS clearly show camera shake has been greatly reduced, and interestingly Mode 2 does seem slightly more effective than Mode 1 confirming Panasonic's claims. In use though, Mode 1 is preferred as stabilisation applied during composition certainly helps at longer focal lengths. But if upon playback you're finding camera shake creeping in, it's nice to have the option to reshoot with the slightly more effective Mode 2.

Features continued...

Lenses and Optical stabilisation / Screen and menus / Sensor and processing


Support this site by checking prices below or shopping via our affiliate stores

USA readers



 
UK readers
Jessops discount voucher



All words, images, videos and layout, copyright 2005-2014 Gordon Laing. May not be used without permission.

/ How we test / Best Cameras / Advertising / Camera reviews / Supporting Camera Labs