Support Cameralabs by shopping at our partner stores or donating via Paypal
 






Follow my RSS feed at Camera Labs RSS Feed
 
  Latest camera reviews

Canon G1 X Mark II
Panasonic Lumix FZ1000
Panasonic TZ60 / ZS40
Sony RX100 III review
Sony A3000 review
Canon EOS 1200D T5
Sony WX350
Nikon P600
Sony Alpha A5000
Sony Cyber-shot HX400V
Panasonic Lumix GH4
Panasonic TS5 FT5
Sony Alpha A6000
Canon SX700 HS
Canon SX600 HS
Olympus TOUGH TG2
Nikon AW1
Nikon D3300
Fujifilm XT1
Olympus STYLUS 1
Sony Cyber-shot RX10
Olympus OMD EM1
Panasonic Lumix GM1
Nikon D610
Sony Alpha A7
Nikon D5300
Canon PowerShot A2500
Sony Alpha A7r
Canon ELPH 130 IXUS 140
Nikon COOLPIX P520
Nikon COOLPIX L820
Canon PowerShot S120
Panasonic Lumix GX7
Canon SX510 HS
Canon PowerShot G16
Fujifilm X20
Panasonic FZ70 / FZ72
Canon EOS 70D
Sony RX100 II
Canon ELPH 330 IXUS 255
Panasonic Lumix GF6
Fujifilm XM1
Olympus EP5
Panasonic Lumix LF1
Panasonic TZ35 / ZS25
Olympus XZ2
Sony HX300
Panasonic Lumix G6
Sony HX50V
Fujifilm X100S
Canon SX280 HS
Canon EOS SL1 / 100D
Panasonic TZ40 / ZS30
Nikon D7100
Nikon COOLPIX A
Fujifilm X-E1
Canon EOS 6D
Nikon D5200
Panasonic Lumix GH3
Canon PowerShot S110
Panasonic Lumix G5
Sony NEX-6
Panasonic Lumix FZ200
Canon PowerShot SX50 HS
Nikon COOLPIX P7700
Olympus E-PL5
Canon EOS M
Panasonic TS20 / FT20
Canon PowerShot G15
Nikon D600
Nikon COOLPIX L810
Canon PowerShot D20
Sony RX100
Panasonic Lumix LX7
Canon SX500 IS
Fujifilm HS30 EXR
Sony HX200V
Panasonic FZ60 / FZ62
Canon 520HS / 500HS
Canon 110HS / 125HS
Nikon D800
Canon EOS T4i / 650D
Canon PowerShot A3400
Panasonic ZS15 / TZ25
Olympus E-M5
Nikon D3200
Fujifilm X-Pro1
Canon PowerShot A2300
Canon SX240 / SX260
Samsung NX200
Sony Alpha SLT-A77
Canon EOS 5D Mark III
Panasonic ZS20 / TZ30
Canon PowerShot G1 X
Sony NEX-7
Panasonic GX1
Olympus E-PM1
Nikon V1
Sony NEX-5N
Canon EOS T3 / 1100D
Canon EOS 600D / T3i
Nikon D7000
Canon EOS 60D
Canon EOS 550D / T2i
Canon EOS 7D

All camera reviews
 
 
   
 
  Best Buys: our top models
   
  Best Canon lens
Best Nikon lens
Best Sony lens
Best budget DSLR
Best mid-range DSLR
Best semi-pro DSLR
Best point and shoot
Best superzoom
Best camera accessories
   
 



Camera Labs Forum

Any questions, comments or a great tip to share? Join my Camera forum and let everyone know!
   
 
  DSLR Tips



 
Free Shipping on ALL Products
Panasonic Lumix DMC-FZ50 Gordon Laing, October 2006

Lenses and Optical stabilisation / Screen and menus / Sensor and processing

Panasonic Lumix DMC FZ50 lens coverage

The major selling point of the FZ50 is of course its 12x optically-stabilised Leica zoom lens, which is identical to the earlier FZ30. It delivers an impressive range equivalent to 35-420mm with an optically fast focal ratio of f2.8-3.7; the actual focal length is 7.4-88.8mm. The zoom itself is operated by a tactile mechanically-linked ring, and unlike many of its rivals, the actual barrel doesn’t extend during this process. A lens hood is supplied and the front lens element doesn’t rotate during focussing, allowing easy use of polarising filters.

  Panasonic FZ50 manual focus

The 12x optical range is truly impressive in practice, with the telephoto end really pulling in distant detail, or throwing backgrounds out of focus on portraits. The wide-angle end is usable at 35mm, although many may prefer sacrificing the extreme long end for something wider, such as the 28-300mm range of the Fujifilm S9600 / S9100. Setting the lens to manual focus temporarily enlarges the central area.

To illustrate the FZ50’s coverage, we mounted it on a tripod and took photos of the same scene with the lens zoomed out to wide angle and all the way in to telephoto. These are taken from exactly the same position (albeit on different days) to the examples in our recent reviews, so are comparable in terms of coverage. For other examples, see the Canon 400D / XTi and Panasonic Lumix TZ1coverage pages.

Panasonic DMC-FZ50 coverage wide
Panasonic DMC-FZ50 coverage tele
Panasonic FZ50 wide angle coverage
Panasonic FZ50 telephoto coverage
7.4-88.8mm at 7.4mm, f11 (35mm equivalent)
  7.4-88.8mm at 88.8mm, f11 (420mm equivalent)

It's clear the FZ50, like its predecessor has a massive optical range, and leaves the typical 3x optical zooms of DSLR kit lenses in the dust. The massive 420mm equivalent focal length is a world apart from the 80-100mm telephoto equivalent of most DSLR kit lenses when zoomed-in, and comfortably longer than even the 28-300mm range you’d get from an 18-200mm super-zoom lens on a DSLR. It’s simply an extremely flexible range to have at your disposal, especially in such a compact package. The only downside is the 35mm wide angle equivalent, when most DSLR kit lenses and even some all-in-ones offer a much wider 28mm equivalent.





 

Image stabilisation

Like its predecessor, the FZ50 is equipped with Panasonic’s Optical Image Stabilisation (OIS) technology for reducing camera shake. Again like other Panasonic models, there’s the choice of two OIS modes or the option of turning it off altogether; you can access the OIS options by pressing the button with an icon of a shaky hand.

Panasonic FZ50 stabiliser mode  

OIS Mode 1 applies stabilisation constantly which can greatly aid composition, especially at longer focal lengths. OIS Mode 2 only applies the stabilisation as you take the picture, which Panasonic claims better combats camera-shake, although you won’t see the effect as you compose the image. Note OIS is also available when recording movies, but only with Mode 1.




Panasonic Lumix DMC-FZ50
Mega OIS off
Panasonic Lumix DMC-FZ50
Mega OIS Mode 1
Panasonic Lumix DMC-FZ50
Mega OIS Mode 2
Panasonic FZ50 Mega OIS off
Panasonic FZ50 Mega OIS Mode 1
Panasonic FZ50 Mega OIS Mode 2
7.4-88.8mm at 88.8mm, 1/80, 100 ISO   7.4-88.8mm at 88.8mm, 1/80, 100 ISO   7.4-88.8mm at 88.8mm, 1/80, 100 ISO

Above are crops from three examples of a boat taken with the lens fully zoomed-in to an equivalent of 420mm at a shutter speed of 1/80, taken with OIS disabled, followed by the two OIS modes. The original crops measured 370x240 pixels and therefore represent an area just under one tenth of the width of the full FZ50 image. Each crop has been reduced to 185x120 pixels for reproduction here.

The images taken with OIS clearly show camera shake has been greatly reduced, and Mode 2 is visibly more effective than Mode 1 confirming Panasonic's claims. In use though, Mode 1 is preferred as stabilisation applied during composition certainly helps at longer focal lengths. But if upon playback you're finding camera shake creeping in, it's nice to have the option to reshoot with the slightly more effective Mode 2.

Considering traditional camera technique would recommend a shutter speed of at least 1/400 to handhold an equivalent focal length of 420mm, it’s impressive to be able to do it at 1/80 – this represents over two stops of compensation in our example. You can see a demonstration of OIS in action on our video tour.

Panasonic FZ50 features continued...

Lenses and Optical stabilisation / Screen and menus / Sensor and processing

All words, images, videos and layout, copyright 2005-2014 Gordon Laing. May not be used without permission.

/ How we test / Best Cameras / Advertising / Camera reviews / Supporting Camera Labs