The Panasonic Lumix DMC-FZ50 is the successor to the highly popular FZ30. The FZ30 justifiably earned itself many loyal owners thanks to its huge 12x optically-stabilised zoom in a relatively compact package with plenty of manual control. It was - and continues to be - a compelling alternative to an entry-level DSLR, with the additional benefits of a live flip-out screen and movie mode. The new FZ50 sensibly keeps its predecessors optics and body shape, with only a few minor external tweaks. The flip-out screen can now be folded down and turned around for self-portraits, and there’s a few adjustments to controls including a Function button which gives quick access to common settings. There’s now also a TTL-capable flash hotshoe and support for widescreen video recording.
The FZ50 also features an inevitable increase in resolution, from 8 to 10.1 Megapixels – indeed this is the headline new feature. We describe this increase as inevitable, because so much digital camera marketing is sadly based on Megapixels despite higher resolutions often resulting in compromised noise levels, or noise reduction. Since the FZ30 struggled to produce clean images above 200 ISO, it’ll certainly be interesting to see how a sensor with the same surface area will cope with both an increase in resolution and sensitivities up to 3200 ISO. Panasonic's latest Venus Engine III has been given the unenviable task of keeping it all under control.
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