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This shot of The London
Eye was taken on a bright Winter's day with deep blue sky. The E-500 in Program mode at 100 ISO has selected a relatively slow shutter speed considering the brightness of the scene and the slightly zoomed-in focal length, but there's no camera shake to worry about. The crops are all clean and detailed as you'd expect at 100 ISO. |
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This photo across the River Thames
looking toward Charing Cross Station was taken on a bright Winter's day.
With a bright sky in this direction, the E-500's metering system in Program mode had a compromise to make, and chose to slightly blow out the highlights. The result remains a well-balanced exposure though and there's plenty of detail in the crops.
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This photo under the
Hungerford Footbridge by the River Thames presented a challenge to the metering
system, with both bright highlights and dark shadow areas. The E-500's done a fine job in Program mode though, delivering a pleasing balance. The crops also reveal a high level of sharp detail, even in the corners. |
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This photo of a market
stall was taken under dim lighting conditions, so we increased the ISO to
400 to achieve a reasonable shutter speed and aperture The crops are sharp and detailed, while an aperture of f4.5 at 14mm has ensured the depth of field is sufficient to cover the range of the composition. Viewed at 100%, the crops reveal noise creeping in, although you're unlikely to notice in a print. |
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For this portrait shot we zoomed-into
45mm and set the aperture wide open in Aperture Priority mode to minimise
the depth of field. With the subject at relatively close range, the background has been thrown out of focus as desired, although the effect is quite modest. For portraits, the longer reach and smaller depth of field of the 40-150mm is more appropriate. |
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