Nikon COOLPIX A Ken McMahon, April 2013
 
 

Nikon COOLPIX A vs Olympus XZ-2 Noise JPEG

Support me by
shopping below



 
  Nikon COOLPIX A results
1 Nikon COOLPIX A Quality JPEG
2 Nikon COOLPIX A Quality RAW
3 Nikon COOLPIX A Noise JPEG
4 Nikon COOLPIX A Noise RAW
5 Nikon COOLPIX A Sample images

To compare noise levels under real-life conditions, I shot this scene with the Nikon COOLPIX A and the Olympus XZ-2, within a few moments of each other using their best quality JPEG settings at each of their ISO sensitivity settings.

The Nikon COOLPIX A has a 28mm equivalent fixed focal length lens. To match its field of the view the zoom lens on the Olympus XZ-2 was set to its 28mm equivalent maximum wide angle position.

The COOLPIX A lacks image stabilisation and it was disabled on the XZ-2 for this tripod-mounted test. All other camera settings were left on the defaults.



The image above was taken with the Nikon COOLPIX A. I'd pre-tested both cameras to determine the aperture that delivered the best quality results, for the COOLPIX A it was f5.6 with the Olympus XZ-2 producing the best quality images at f4. At its base sensitivity setting of 100 ISO the COOLPIX A metered an exposure of 1/4. In order to produce an equivalent exposure on the XZ-2 I applied +0.3EV exposure compensation resulting in a shutter speed of 1/8 also at 100 ISO. As usual both cameras were otherwise left on their default settings.

Just a reminder once again that the 16 Megapixel APS-C sized sensor in the COOLPIX is both physically bigger as well as providing higher resolution than the 1/1.7in 12 Megapixel sensor in the Olympus XZ-2. Despite its 4 Megapixel higher resolution, the size difference should, in theory at least, provide the COOLPIX A with better noise performance than the Olympus XZ-2 at the same ISO values.

So how do the crops measure up? At the 100 ISO base sensitivity the COOLPIX A crop looks nice and clean with little if any visible noise. There's just the beginnings of a fine texture in the 200 ISO crop, but you have look very closely to spot it. Similarly the step up to 400 ISO introduces a tiny bit more texture into the flat areas of colour, but these changes are very marginal. By 800 ISO, though, the cumulative effect makes the texture quite apparent in the 100 percent crop.

At 1600 ISO the increase in noise is accompanied by a slight softening of the fine image detail, but this is still a very good level of detail and 1600 ISO is within the range that would be acceptable for general use and, at a pinch, for full-size reproduction. It's not until you get to 3200 ISO that the noise begins to get very clumpy and ugly, at less than full size though, the 3200 ISO shot looks OK with a good level of detail, consistent white balance and good saturation.

You can still read the text on the 6400 ISO crop which is impressive, and while it's good to have the option of 12800 and even 25600 ISO, especially on a compact, they're not options you'd want to choose other than in an emergency.

The crops from the Olympus XZ-2 start off pretty well by comparison with the COOLPIX A. The 100 ISO crop shows a little more texture than the COOLPIX one, but the difference is slim and the fine detail looks good. There's a slight step up in the noisy texture at 200, the degree is more than the COOLPIX and starting from a slightly noisier base level. Even so, there isn't a huge degree of difference between the 200 ISO crops.

At 400 ISO however, the XZ-2 is stuggling to keep pace with the excellent noise characterisitcs of the larger sensor in the COOLPIX A, and by 800 ISO the game is well and truly up, with the XZ-2 crop showing a much higher level of noise and lower level of detail than the COOLPIX A crop. The text on the 1600 ISO crop from the XZ-2 is already illegible which rules it out for genreal purpose shooting. The XZ-2's sensitivity range tops out at 12800 ISO, but you wouldn't want to venture beyond 1600 ISO other than in exceptional circumstances.

It is however important to remember the XZ-2 has a brighter aperture than the COOLPIX A, and when both are set to 28mm equivalent coverage, the XZ-2 enjoys a stop and a third greater light gathering power. So if both cameras were using their maximum apertures and the same shutter speed, then the Nikon COOLPIX A would be forced to select a sensitivity just over double that of the XZ-2. So in the spirit of fairness, you should shift the XZ-2 results down a notch in the table below so that the 100 ISO sample is next to the Nikon at 200 ISO and so on. That said though, the larger sensor of the COOLPIX A quickly eliminates the benefits of a brighter lens on its rival.

To find out how much of a role processing plays in keeping noise at bay in these crops take a look at my Nikon COOLPIX A RAW noise results page to see just how much noise is present behind the scenes. Or head over to my NIKON COOLPIX A sample images to see some more real-life shots in a variety of conditions.


Nikon COOLPIX A
 
Olympus XZ-2
f5.6 100 ISO
f4 100 ISO
f5.6 200 ISO
f4 200 ISO
f5.6 400 ISO
f4 400 ISO
f5.6 800 ISO
f4 800 ISO
     
f5.6 1600 ISO
f4 1600 ISO
     
f5.6 3200 ISO
f4 3200 ISO
     
f5.6 6400 ISO
f4 6400 ISO
     
f5.6 12800 ISO
f4 12800 ISO
     
f5.6 25600 ISO
25600 ISO Not available
 

Nikon COOLPIX A results : Quality / RAW quality / Noise / RAW Noise


If you found this review useful, please support me by shopping below!
 
Portraits: Striking the pose eBook
By Gina Milicia
Price: $19.99 USD (PDF download)
More details!

Posing is something that can make or break a portrait. Do it badly and your subject looks awkward and the resulting image is spoiled (and quickly deleted). Do it well and your subject will be at ease and their true character will shine through. In 'Portraits: Striking a pose', photographer Gina Milicia shares the tips and tricks she's used on royalty, rockstars and supermodels. We're not talking about wildly unnatural poses, but natural poses you can use with anyone, at any time. If you'd like to take your portrait photography to the next level, whether in a professional environment or simply taking better photos of your friends and family, I can recommend this ebook!
     
All words, images, videos and layout, copyright 2005-2014 Gordon Laing. May not be used without permission.

/ How we test / Best Cameras / Advertising / Camera reviews / Supporting Camera Labs