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This shot of St Paul's Cathedral
and the Millennium Bridge in London, was taken with the 18-70mm DT kit lens
at 40mm f8. As you'd expect mid-way through the focal range and at f11, the image and crops are sharp and detailed. At 100 ISO there's also no noise to speak of. |
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This still-life shot
taken at a fishmongers using the kit lens reveals the effectiveness of the
5D's Anti Shake capabilities. Low light and an ISO setting of 100 forced an exposure of just 1/5 of a second. Even at 18mm, this would normally be almost impossible to handhold, yet the 5D has counter-acted any wobbles to produce a sharp image without having to resort to higher ISO settings. |
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This interior shot of the dome at
Berlin's Reichstag was taken with the 18-70mm DT kit lens at 18mm f10. With the aperture closed to f10, there are no optical problems to report, although beware of using the kit DT lens at 18mm with the aperture wide open - see results page. At 100 ISO there's no noise to speak of. |
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This shot was taken with the kit
lens at 70mm and its closest focussing distance of around 20cm. At this close distance, any motion is exaggerated and even with a shutter speed of 1/125, the Anti Shake capabilities proved valuable. As before, at 100 ISO there's no noise to speak of. |
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This interior shot of
the dome at Berlin's Reichstag was taken with the 18-70mm DT kit lens at
18mm f10. As before, with the aperture closed to f10, there are no optical problems to report, and there was also sufficient depth-of-field to keep both close foreground and distant background in sharp focus. At 100 ISO there's no noise to speak of. |
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