lens rental
Canon EF 8-15mm f4L Fisheye USM Gordon Laing, Sept 2011
 
   
 

Canon EF 8-15mm f4L Fisheye USM verdict

The Canon EF 8-15mm f4L Fisheye USM is one of the most original and exciting lenses in the Canon catalogue - or indeed any lens catalogue for that matter. It effectively delivers four different lenses in one, bringing 180 degree diagonal fisheye images to all three of its sensor formats from full-frame to cropped-frame APS-C, and as the icing on the cake also offers full circular fisheye images to owners of full-frame bodies.

Crucially these capabilities fill a number of gaps in Canon's lens catalogue. Previously only one of the four configurations mentioned above was possible with a Canon branded lens, and it was decades old. The ageing EF 15mm f2.8 prime lens could deliver 180 degree diagonal fisheye images to full-frame bodies, but there were no Canon-branded fisheye options for owners of APS-C or APS-H bodies, nor has it ever offered a full circular fisheye option for any of its cameras.

This has allowed rivals to shine and third parties to plug an opportunity. Nikon and Sigma in particular have a very strong history in fisheye lenses. In its current catalogue, Nikon offers a 16mm f2.8 Fisheye for its full-frame bodies and a DX 10.5mm f2.8 for its cropped APS-C bodies, while lens historians and enthusiasts will fondly remember the legendary 1972 5.2Kg Nikkor 6mm f2.8 which actually captured a 220 degree field - 40 degrees wider than a 'standard' fisheye and actually recording detail behind the lens. Meanwhile, Sigma offers no fewer than four fisheye primes delivering either diagonal or circular fisheye images to Canon full-frame or APS-C cropped bodies. It's also worth noting the Tokina 10-17mm is an alternative fisheye zoom for APS-C bodies.

   
   



But while Sigma offers circular and diagonal fisheye primes for Canon full-frame and APS-C bodies, no-one has built a lens with 180 degree coverage for APS-H models. This means owners of Canon's EOS 1D pro DSLR series have missed out, when in fact they are one of the prime candidates for a fisheye lens to capture extreme sports action at high speed under tough conditions. Sure they could fit a fisheye designed for full-frame use, but the 1.3x crop would reduce the angle of view, and sadly most APS-C options would either be uncorrected for the larger frame or physically unable to mount.

Equally no-one has created a zoom lens which allows the same 180 degree diagonal coverage to be captured on both full-frame and cropped-frame bodies. This is what makes the EF 8-15mm so special: it finally brings 180 degree diagonal coverage to professional APS-H bodies, while also delivering the same effect to full-frame and APS-C models in a single lens. This means one lens will cover all three Canon formats which is clearly ideal for anyone with multiple bodies or considering buying a DSLR with a different sensor format in the future. On top of that you get quick and quiet USM focusing with full-time manual focusing and the benefit of 'L' build quality with smooth rings and environmental sealing - all significant upgrades over the ageing EF 15mm f2.8 prime, especially for anyone shooting in tough conditions.

Indeed the only thing this lens doesn't do is deliver a circular fisheye image to anything other than full-frame bodies, but it seems churlish to complain. Better instead to think of it as a diagonal fisheye lens, like the existing EF 15mm f2.8, but able to deliver the same 180 degree coverage to cropped and full-frame bodies. Then owners of the latter can see the circular fisheye option as an added bonus. That's the promise anyway, so how does it work in practice?

In use the EF 8-15mm Fisheye is great fun from the first moment you look through the viewfinder. If you've used fisheye lenses before you'll know what to expect: massive and heavily distorted views which, when pointed straight forwards, capture everything from directly overhead to the tips of your feet - indeed if you're not careful how you're holding the camera, you can even record your forearms.

Canon EF 8-15mm Fisheye coverage on 'full-frame / 35mm' body
8-15mm at 15mm
  8-15mm at 8mm

 

On a practical note you obviously have to be careful to check the periphery of the image for rogue limbs or almost anything else. With a 180 degree field of view you'll also almost always be including the Sun or your shadow in most outdoor shots, forcing you to be careful about compositions. With such a vast coverage, it can sometimes be a challenge to find a single exposure to record everything well, and with even nearby objects rendered into tiny shapes, you'll need to get really close to your subject to reproduce it at any scale.

But while it's worth reminding ourselves of these aspects, all of these challenges apply to existing fisheye lenses, so what's different about the EF 8-15mm Fisheye? Well first as explained above, it uniquely delivers a 180 degree diagonal image to all three sensor formats currently used by Canon DSLRs, preventing you from carrying multiple lenses and protecting you for future upgrades. Again this is especially good news for APS-H owners as they didn't previously have a 180 degree diagonal option. The full un-cropped circular fisheye image may only be available to owners of full-frame bodies, but again it's better to consider this as a bonus for full-frame bodies than a feature that's lacking for APS-C and APS-H owners.

The build quality, like all Canon 'L' lenses is excellent. The EF 8-15mm Fisheye may be the smallest 'L' lens to date, but feels reassuringly solid without ever being heavy. The zoom and full-time manual focusing rings are narrow due to the short barrel length, but silky smooth in operation.

   
 
   

The highly curved front element looks extremely vulnerable, but during my time shooting action sports with the lens it received fair coatings of snow and dust, yet shrugged it all off to look brand new after a quick wipe-down. Canon's new Flourine coating which is designed to repel water clearly works as droplets literally run-off the glass. Check out my field report for full details.

As for the actual optical quality, the EF 8-15mm Fisheye delivers excellent results. As you can see on my quality page, images from the lens were sharp across the entire imaging circle right up to the very edges. There's no softening to worry about here. The only quality issue concerns chromatic aberrations, where coloured fringing can appear around areas of high contrast, like the edges of buildings or branches against an overcast sky. Again as you can see on the quality page, the EF 8-15mm Fisheye can suffer from fairly serious coloured fringing, but it's important to look a little deeper.

In my results I noticed the worst fringing occurred when shooting with the 18 Megapixel APS-C bodies like the EOS 600D / T3i or EOS 7D. In contrast, shots taken with APS-H or full-frame bodies didn't seem to suffer from it anywhere near as much. Interestingly further tests revealed it wasn't down to problems at specific focal lengths, but rather the degree by which the sensor could become saturated.

Highlights which became completely blown-out understandably suffered from the worst fringing, and these tended to come from images recorded by the bodies with the smallest pixel pitch, and therefore (in most cases) the lowest dynamic range. So it's not that full-frame or APS-H bodies were doing anything clever, but their typically larger pixel pitch meant highlights were typically less saturated, and therefore minimised the subsequent fringing.

Don't get me wrong: give the EF 8-15mm Fisheye a high contrast border under any circumstances and it's likely to surround it with a coloured fringe, but it's interesting to really notice the impact of different sensor formats in this regard. Had the lens not been designed to work so well with all three sensor formats it wouldn't have been as noticeable.

The good news though is regardless of your sensor format, chromatic aberrations are arguably the easiest artefacts to remove or reduce digitally. I found Canon's own Digital Photo Professional and especially Adobe Camera RAW did a great job at reducing or even eliminating fringing from RAW files shot with the EF 8-15mm Fisheye. Just remember to shoot in RAW as the same degree of corrections are not possible with JPEGs.

In terms of other concerns, that bulbous front element may shrug-off water and dust, but what about direct knocks or scratches? I was careful to avoid these during my tests, but a lens which laps-up action sports and can focus as close as an inch from the glass is likely to receive some knocks sooner or later. Until we have more evidence from those in the field it's hard to say how the lens will react to direct contact, but clearly it's important to keep that vulnerable front element protected.

Which brings me to arguably the worst aspect of the EF 8-15mm Fisheye: its lens cap. As explained in the main review, this clips onto the tips of the rather good petal lens hood. So far so good, but the bad part is the cap can be released by the slightest touch, which means it easily comes off when you're pulling the lens from a bag. Worse, it could even come off during transit, none of which is good news for what's possibly the most vulnerable front element in the Canon catalogue. It's a frustrating aspect to what is otherwise a great physical experience with the lens.

With that said, let's see what alternatives are available before my final wrap-up.

 

What are your alternatives?

 
Support this site by
shopping below

 

The Canon EF 8-15mm Fisheye occupies a unique space in the lens world, and if you want a single lens which delivers 180 degree views on all three body formats, there is no other choice. Likewise if you want a 180 degree diagonal fisheye image on an APS-H body - no-one else does it.

Alternatives only really exist if you're happy with a fixed focal length fisheye for a specific format. Most obviously there's Canon's own EF 15mm f2.8 Fisheye, one of the oldest EF lenses, but still a popular choice. It's smaller and lighter than the EF 8-15mm Fisheye, twice as bright and roughly half the price.

It delivers the same 180 degree diagonal fisheye image to full-frame bodies, so if you don't need the circular fisheye option and aren't bothered about using other body formats (or don't mind their reduced field of view), then it remains a good choice. On the downside it lacks the USM focusing and weather-sealing of the EF 8-15mm, but again these may not be an issue for you. Perhaps a bigger issue though is finding one on sale, as the EF 8-15mm Fisheye officially replaces it. So if you fancy one, keep an eye open.

Sigma offers no fewer than four fisheyes for Canon bodies. Again nothing which delivers 180 degrees to an APS-H body, but if you have full-frame or APS-C you can choose from 180 degree diagonal or full circular options. All are brighter at f2.8 or f3.5 and all are cheaper too, but again they're not weather-proofed, and of course as fixed lenses, they don't offer the flexibility of the EF 8-15mm Fisheye. It's revealing to note the EF 8-15mm Fisheye matches the coverage of three out of the four Sigma fisheyes, and it's only the 4.5mm model which, by delivering a circular image to APS-C bodies, offers something unique.

Finally it's worth noting the Tokina 10-17mm, an f3.5-4.5 fisheye zoom designed for APS-C bodies and which costs roughly two and a half times less than the new Canon. Having not tested it, I can't speak for the quality, but for those who don't need support for larger sensors, it certainly hits a much more attractive price point.

 

Canon EF 8-15mm Fisheye final verdict

There's no doubt the Canon EF 8-15mm Fisheye is an exciting and original lens. In one fell-swoop it does the job of four models, three of which never existed in Canon's own catalogue and one of which wasn't made by anyone at all. For the first time, owners of APS-H bodies can enjoy 180 degree diagonal coverage, while those with multiple bodies can relax in the knowledge this one lens delivers proper fisheye coverage to all of them now and in the future.

   
Canon EF 8-15mm fisheye sample image (EOS 5D)   
Canon EF 8-15mm fisheye sample image (EOS 1D Mark IV)   
Canon EF 8-15mm fisheye sample image (EOS 5D)   

Of course this is only relevant if you either own an APS-H body or multiple Canon DSLRs. If you only shoot with a full-frame or APS-C body, you can get the same 180 degree diagonal coverage from a prime lens costing roughly half as much, and while it may not have USM focusing or the same degree of weather-sealing, it will be optically quicker. For example full-frame owners who don't need 180 degree coverage on smaller sensors or the full imaging circle on their own body could go for Canon's own (albeit discontinued) EF 15mm f2.8 Fisheye. Twice as bright, half the price and a little smaller and lighter too. It may not be as tough or flexible, but that's a trade many will be willing to make. Indeed as the EF 8-15mm whets our appetite for fisheye images, I suspect the older EF 15mm could end up enjoying a surge in sales while stocks last.

But all of this is assuming you even want a fisheye lens. They deliver an unmistakeably distorted view of the world which many consider to be little more than a novelty. One look at the sample images here may have you running for the hills; indeed even fisheye enthusiasts will tell you a traditional ultra-wide zoom, like a Canon EF-S 10-22mm, EF 16-35mm or Nikkor 14-24mm will be much more useful.

It's also worth reiterating the two main downsides I found with the EF 8-15mm Fisheye during testing: a lens cap which comes-off far too easily, and chromatic aberrations in areas of high contrast. Although to be fair, the latter is again one of the easiest optical artefacts to remove digitally.

Ultimately a fisheye lens is for specialist photographers: those who are into big skies, extreme sports, astro-photography or deliberate distortion of reality. If that's you, and you own (or are thinking of owning) multiple Canon bodies, then the EF 8-15mm Fisheye will be a dream come true. It'll deliver the same 180 degree effect to all Canon bodies now and in the future, both for stills and video, while boasting sharp details across the frame, quick focusing and tough construction.

It's one of those lenses which will have a minority audience yelling 'YES!' in triumph. At last, the lens they've always wanted. Others who like the effect and flexibility, but not enough to justify a purchase will find it the ideal lens to rent for a specific shoot. The majority may look on with bewilderment, but there's no denying Canon's developed a unique lens here which will be the envy of other systems. Previously Canon had been weak in fisheyes compared to rivals, but it's now leap-frogged the competition and given a compelling reason for specialists to favour the brand. If you're into this kind of thing and use multiple bodies, it comes strongly Recommended.



Good points
180 degree diagonal fisheye for all Canon DSLRs.
180 degree circular fisheye for full-frame DSLRs.
Tough build with weatherproofing.
Optically sharp across the entire imaging circle.

Bad points
Vulnerable-looking front element.
Lens cap easily comes loose.
Chromatic aberrations in areas of high contrast.
Full circular fisheye only available to full-frame.





Scores

(relative to fisheye lenses)

Build quality:
Optical quality:
Specification:
Value:

Overall:

23 / 25
20 / 25
23 / 25
20 / 25

86%


If you found this review useful, please support me by shopping below!
 
Living Landscapes eBook
By Todd and Sarah Sisson
Price: $29.99 USD (PDF download)
More details!

Todd and Sarah Sisson are two of my favourite landscape photographers and in this superb ebook, they'll reveal the secrets behind their wonderful photos. Over 130 pages, it combines tutorials, field guides and technical advice, using the beautiful scenery of New Zealand as a backdrop. An informative and attractive ebook that's highly recommended for anyone wanting to improve their landscape photography! Well worth the price.
     

 

All words, images, videos and layout, copyright 2005-2014 Gordon Laing. May not be used without permission.

/ How we test / Best Cameras / Advertising / Camera reviews / Supporting Camera Labs