Support Cameralabs by shopping at my partner stores or buying me a coffee!
Buy me a coffee!

Follow my RSS feed at Camera Labs RSS Feed
  Latest camera reviews

Lumix G80 / G85
Olympus OMD EM1 II
Sony RX10 Mark III
Sony RX100 Mark V
Nikon COOLPIX B700
Sony A6500
Lumix FZ2000 / FZ2500
Nikon COOLPIX B500
Lumix LX10 / LX15
Fujifilm XT2
Nikon D3400
Canon EOS 5D Mark IV
Ricoh GR II
Canon G7X Mark II
Canon SX720 HS
Canon EOS 80D
Olympus TG Tracker
Nikon D500 review
Canon EOS 1300D / T6
Lumix GX80 / GX85
Fujifilm X-Pro2
Fujifilm X70
Lumix TZ80 ZS60
Sony A6300
Canon PowerShot G5X
Lumix TZ100 ZS100
Sony A7s Mark II
Sony RX10 II
Lumix FZ330 / FZ300
Sony RX100 IV
Canon G9X
Fujifilm XT10
Nikon COOLPIX L840
Canon SX530 HS
Olympus OMD EM10 II
Canon SX410 IS
Panasonic Lumix GX8
Olympus TOUGH TG860
Sony A7r Mark II
Canon PowerShot D30
Olympus TOUGH TG4
Canon PowerShot G3X
Canon EOS 5Ds
Nikon COOLPIX S9900
Sony HX90V
Canon EOS T6s 760D
Panasonic Lumix G7
Panasonic Lumix SZ8
Canon EOS M3
Olympus EPL7
Samsung NX3000
Panasonic Lumix GM5
Nikon D5500
Panasonic Lumix GF7
Olympus OMD EM5 II
Nikon COOLPIX S9700
Canon SX710 HS
Panasonic TZ70 / ZS50
Sony Alpha A7 Mark II
Canon EOS 7D Mark II
Fujifilm X100T
Nikon COOLPIX S3600
Sony Alpha A5100
Sigma DP1 Quattro
Sony Cyber-shot W830
Nikon COOLPIX L830
Nikon D750
Canon SX400 IS
Sony Cyber-shot H400
Panasonic Lumix LX100
Canon SX60 HS
Canon ELPH 340 IXUS 265
Canon G7X
Nikon COOLPIX P530
Canon SX520 HS
Canon G1 X Mark II
Panasonic Lumix FZ1000
Panasonic TZ60 / ZS40
Sony RX100 III review
Sony A3000 review
Canon EOS 1200D T5
Sony WX350
Nikon P600
Sony Alpha A5000
Sony Cyber-shot HX400V
Panasonic Lumix GH4
Panasonic TS5 FT5
Sony Alpha A6000
Canon SX700 HS
Canon SX600 HS
Olympus TOUGH TG2
Nikon AW1
Nikon D3300
Fujifilm XT1
Olympus STYLUS 1
Sony Cyber-shot RX10
Olympus OMD EM1
Panasonic Lumix GM1
Nikon D610
Sony Alpha A7
Nikon D5300
Canon PowerShot A2500
Sony Alpha A7r
Canon ELPH 130 IXUS 140
Nikon COOLPIX P520
Nikon COOLPIX L820
Canon PowerShot S120
Panasonic Lumix GX7
Canon SX510 HS
Canon PowerShot G16
Fujifilm X20
Panasonic FZ70 / FZ72
Canon EOS 70D
Sony RX100 II
Canon ELPH 330 IXUS 255
Panasonic Lumix GF6
Fujifilm XM1
Olympus EP5
Panasonic Lumix LF1
Panasonic TZ35 / ZS25
Olympus XZ2
Sony HX300
Panasonic Lumix G6
Sony HX50V
Fujifilm X100S
Canon SX280 HS
Canon EOS SL1 / 100D
Panasonic TZ40 / ZS30
Nikon D7100
Fujifilm X-E1
Canon EOS 6D
Nikon D5200
Panasonic Lumix GH3
Canon PowerShot S110
Panasonic Lumix G5
Sony NEX-6
Panasonic Lumix FZ200
Canon PowerShot SX50 HS
Nikon COOLPIX P7700
Olympus E-PL5
Canon EOS M
Panasonic TS20 / FT20
Canon PowerShot G15
Nikon D600
Nikon COOLPIX L810
Canon PowerShot D20
Sony RX100
Panasonic Lumix LX7
Canon SX500 IS
Fujifilm HS30 EXR
Sony HX200V
Panasonic FZ60 / FZ62
Canon 520HS / 500HS
Canon 110HS / 125HS
Nikon D800
Canon EOS T4i / 650D
Canon PowerShot A3400
Panasonic ZS15 / TZ25
Olympus E-M5
Nikon D3200
Fujifilm X-Pro1
Canon PowerShot A2300
Canon SX240 / SX260
Samsung NX200
Sony Alpha SLT-A77
Canon EOS 5D Mark III
Panasonic ZS20 / TZ30
Canon PowerShot G1 X
Sony NEX-7
Panasonic GX1
Olympus E-PM1
Nikon V1
Sony NEX-5N
Canon EOS T3 / 1100D
Canon EOS 600D / T3i
Nikon D7000
Canon EOS 60D
Canon EOS 550D / T2i
Canon EOS 7D

All camera reviews
  Best Buys: our top models
  Best Canon lens
Best Nikon lens
Best Sony lens
Best budget DSLR
Best mid-range DSLR
Best semi-pro DSLR
Best point and shoot
Best superzoom
Best camera accessories

Camera Labs Forum

Any questions, comments or a great tip to share? Join my Camera forum and let everyone know!
  DSLR Tips

Canon PowerShot G7 Gordon Laing, February 2007

Lenses and Optical stabilisation
/ Screen and menus / Sensor and processing

Canon PowerShot G7 screen


The Canon PowerShot G7 employs a 2.5in colour monitor with 207,000 pixels. This is both larger and more detailed than the 2in, 108,000 pixel screen of its predecessor the G6, but there’s one major downside to the new model: the G7’s screen is fixed, whereas the G6’s screen was a flip-out, tilt and swivel design.

  Canon PowerShot G7 rear view  

Flip-out screens were one of the trademarks of the PowerShot G series and allowed you to comfortably compose and shoot at unusual angles, such as over the heads of crowds. They also encouraged you to be more creative, such as shooting from very low angles without needing to scrabble on the floor. You could even turn it back on yourself for self-portraits, or back on itself for protection.

Yes there were few photographers who weren’t fans of the G Series’ flip out screens, but now with the G7 it’s gone. We know many enthusiasts who are apparently more upset about the G7’s loss of RAW files – see later – but for us, it’s the flip-out screen we miss the most. What’s particularly galling is the cheaper PowerShot A640 still features a fully flippable screen and a big one too at 2.5in, although to be fair it is of a lower resolution. With our biggest gripe out the way though, the G7’s screen is still big, bright and detailed, so lets move on to what you’ll actually see on it in practice.

Free Shipping on ALL Products

Canon PowerShot G7 shooting display

Like most compacts, the PowerShot G7 offers a choice of on-screen shooting information and guides. Pressing the display button cycles between basic and advanced details, or switches the screen off altogether. The neat thing is being able to customise the first two display modes to show as little or as much information as you like.

Canon PowerShot G7 grid and histogram   Canon PowerShot G7 Custom display menu  

Enter the custom display menu and you can choose whether to show any combination of shooting info, grid lines, a live histogram or framing guidelines for making 3:2 aspect prints. You can also customise both display modes, so the first could show just the shooting info, while the second display mode could show everything. If you have the grid, histogram and shooting info all activated at once the screen can look a little busy, but it’s great to have the option to show as little or as much as you like.

  Canon PowerShot G7 Aperture Priority

As mentioned in the Design section, the PowerShot G7 employs a control wheel on the back to adjust items like the aperture and shutter. In a neat piece of graphic design, most of the wheel’s adjustments are shown both numerically and by a scrolling scale which allows you to see the settings before and afterwards. For example in aperture priority mode, if you select f5.6, you’ll see f4.0 to the left and f8.0 on the right in the graphical scale, with marks for the third-stop increments between them.

Canon PowerShot G7 AE Lock  

This is used to particularly good effect during auto-exposure AE lock, where scales are shown for both the aperture and shutter speed. As you turn the control wheel, the scales indicate what alternative shutter and aperture combinations could maintain the desired exposure. So if you locked the exposure with the camera reading, say, f5.6 and 1/60, the scales would show you could alternatively head in one direction for f8 matched with 1/30, or go the other way for f4 matched with 1/120. In practice it’s a very quick and intuitive way to see what exposure options are available and we have a full demonstration in our video tour.

Canon PowerShot G7 recording display

  Canon PowerShot G7 Function Menu and White Balance

During Record mode, the PowerShot G7 allows you to quickly and easily change a wide variety of settings. Pressing the ‘Func Set’ button in the middle of the four-way rocker and control wheel on the back overlays context-sensitive menus running vertically down the left side of the screen, and their options along the bottom.

Canon PowerShot G7 Flash compensation  

In Program Mode for example, the vertical list includes White Balance, ‘My Colours’ options, Bracketing (for both exposure and focus), Flash Compensation, Metering, options for the built-in Neutral Density filter, Compression and Resolution. Using the up and down rocker buttons you can quickly move between these headings, then use the left and right buttons or the rear control wheel to choose the required setting. For example if you go down to the Metering mode, you can choose between Spot, Center-weighted Average or Evaluative options. It’s a tried and trusted user interface employed by earlier Canon compacts like the PowerShot A640 which provides quick and easy access to a wide variety of settings without delving into menus.

  Canon PowerShot G7 My Colours options

Like other Canon compacts, the G7 can apply a variety of colour effects when shooting images using the ‘My Colours’ menu. You can choose from 10 options which include vivid, sepia, black and white or specific vivid red, green and blue options. A further option allows you to specify custom adjustments on contrast, sharpness, saturation and colour balance.

Again like earlier Canon compacts, the G7 additionally offers tricks using its Colour Accent and Colour Swap scene presets. Colour Accent allows you to specify a colour which is subsequently left untouched while everything around it is rendered in black and white – think of the red balloon scenes in Schindler’s List. Colour Swap allows you to change a specified colour into another and can be used to, say, change traditional London buses into bright green vehicles, or a blue sky into yellow. In practice the results are variable with some subjects working better than others, but it’s a bit of fun. An option in the Record menu allows you to save both the altered and original versions of the composition.

Canon PowerShot G7 playback display

Canon PowerShot G7 playback information and histogram

During Playback pressing the Disp button cycles between a clean full view, a full view with basic file information, and finally a thumbnail view accompanied by a brightness histogram and full exposure details. Images that were taken in portrait orientation will temporarily rotate by 90 degrees to fill the screen if the camera’s turned on its side – this is a simple but really nice feature offered on recent Canon compacts and it doesn’t affect the original files. The G7’s control wheel can also be used to quickly scroll through thumbnails.

Canon PowerShot G7 features continued...

Lenses and Optical stabilisation / Screen and menus / Sensor and processing

If you found this review useful, please support us by shopping below!
All words, images, videos and layout, copyright 2005-2017 Gordon Laing. May not be used without permission.

/ Best Cameras / Camera reviews / Supporting Camera Labs