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My Nissin Di866 Mark II Professional is quite good. Its only weakness I have found, compared to my subsequently-purchased 580EX II, is that in mixed ambient lighting, when the 580EX II is able to perform well in conjunction with a 7D camera set for AWB, the Nissin has been known to make the image too warm. (orange tint) During the shoot in which this happened, at a car park at night, with differing lighting coming from street lights, the car park lighting, and distant businesses, when I saw this orange effect, swapping the Nissin for the 580EX II quickly resolved the problem, without the need to adjust White Balance in the camera. in this particular case, time was of the essence, and the evidentiary images very important, so I was using two cameras, therefore one flashgun on each camera at the start.
My latest significant acquisition, a Macro Ring Lite MR-14EX, purchased from my local Canon seller, during the current rebate period. I believe in supporting Cameralabs with Amazon purchases, but I also love my local camera shoppe, which is a treasure.
_________________ Canon 7D/5D/40D/1D2N; Nikon F6, FM3A, & Coolpix A; Canon 40mm Pancake, 135L, 50L, 35L, pre-II 50mm 1.8, 100mm 2.8L Macro, 10-22mm EF-S, 28-135 EF, 400mm 5.6L; Nikkor 50mm 1.2 AI-S, 50mm 1.4G, 50mm 1.8D, 16mm 2.8D Fisheye, 180mm 2.8D, 100-300mm 5.6 AI-S; Tokina 17mm & 100mm 2.8 Macro
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