Free Shipping on ALL Products
camera reviewsbest cameraslens reviewsphotography tipscamera forumvideo toursphotography bookssupport me
It is currently Thu Jul 31, 2014 1:31 pm

All times are UTC




Post new topic Reply to topic  [ 55 posts ]  Go to page 1, 2, 3, 4  Next
Author Message
PostPosted: Fri Jan 06, 2012 4:33 am 
Offline
Site Admin
User avatar

Joined: Tue Nov 08, 2005 3:32 pm
Posts: 9962
Location: Queenstown, New Zealand
Nikon D4 Pro Sports DSLR announced!

The New 16.2 Megapixel Nikon D4 Wields a Formidable Fusion of Swift Performance, Battle-Tested Technologies and Innovative New Features to Create High Caliber Photo and HD Multimedia Content ($5999 USD RRP)

Could this be the last of the big traditional DSLRs? See my Nikon D4 preview!

Image

MELVILLE, N.Y. (Jan 5, 2012) – The new Nikon D4 digital SLR builds upon the legacy of the proven Nikon flagship D-SLRs before it, engineered to give today’s professional multimedia photographers a new apex of speed and accuracy with unparalleled image quality, low-light capability and Full HD video. The Nikon D4 hosts a multitude of advanced new features and useful functions that deliver speedy performance and amazing image quality for when missing the shot is not an option.

Every aspect of the new Nikon D4 D-SLR has been designed to emphasize rapid response and seamless operation to help professional photographers consistently capture incredible content. Nikon’s proven 51-point AF System has been further enhanced for maximum speed in a variety of challenging shooting situations, even at 10 frames per second (fps). Considered the new Nikon flagship, the D4 renders supreme image quality, a feat accomplished with a new 16.2-megapixel FX-format CMOS sensor, coupled with the latest generation of Nikon’s EXPEED 3 image processing engine to help produce images and videos with stunning clarity and color. Photographers are also able to shoot in even the most challenging environments and lighting conditions with the assistance of Nikon’s new 91,000-pixel 3D color matrix meter and a broad ISO range from 100 to a staggering 204,800 for low-light capture like never before. The Nikon D4 is engineered for the modern professional and incorporates never before seen HD-SLR video features for those who also need to capture multimedia content from the field.

“Speed without accuracy is irrelevant,” said Bo Kajiwara, director of marketing, Nikon Inc. “The status of a Nikon flagship camera is not given lightly; this next generation of Nikon’s most professional body exceeds the needs of a wide variety of both still and multimedia professionals that rely on Nikon to make their living. Besides overall performance and burst speed, the D4 provides Nikon’s most advanced AF system to date, as well as enhanced workflow speed to give professionals the edge in the field.”

Velocity Meets Versatility
Speed is a necessity for today’s multimedia photographer as milliseconds matter when the action commences. Whether an assignment relies on fast processing power, burst rate, write speed, enhanced workflow or even streamlined camera controls, the D4 is the epitome of professional-caliber photographic horsepower. Ready to shoot in approximately 0.012 seconds, the new Nikon D4 can capture full resolution JPEG or RAW files at up to 10 fps with full AF / AE or up to 11 fps with AF / AE locked. Immediately before image capture, the camera interprets data from the AF sensor, including subject color as detected on the 91,000-pixel RGB sensor, to deliver consistently tack-sharp focus frame after frame. Whether a photographer is shooting a full-court fast break under gymnasium lighting or the downhill slalom in the bright sun and frigid temperatures, the D4 will instill the confidence with consistently great results.

The Advanced Multi-Cam 3500 AF autofocus system is the next generation of Nikon’s proven 51-point AF system. The fully customizable system offers users the ability to capture fast moving subjects and track focus with precision or select a single AF point with pinpoint accuracy. The Nikon D4 D-SLR aligns 15 cross-type sensors in the center to detect contrast data in both vertical and horizontal planes. In addition to detecting each AF-NIKKOR lens with an aperture of f/5.6 or lower, the camera also utilizes nine cross-type sensors that are fully functional when using compatible NIKKOR lenses and TC14E or TC17E teleconverters or a single cross-type sensor when using compatible NIKKOR lenses and the TC20E teleconverter with an aperture value up to f/8, which is a great advantage to those shooting sports and wildlife. For maximum versatility in situations such as photographing nature from afar or competition from the sidelines, photographers are also able to select multiple AF modes, including normal, wide area, face tracking and subject tracking, to best suit the scene.

The Nikon D4 D-SLR also employs a new 91,000-pixel RGB 3D Color Matrix metering system that meticulously analyzes each scene and recognizes factors such as color and brightness with unprecedented precision. This data is then interpreted and compared against D4’s on-board database to implement various settings, resulting in vibrant images with faithful color reproduction and balanced exposure. In addition, this new AF sensor now has the ability to detect up to 16 human faces with startling accuracy, even when shooting through the optical viewfinder, allowing for correct exposure even when the subject is backlit. Additionally, to capture every brief moment from a bouquet toss to a photo finish under nearly any condition, the 51 focus points deliver fast and accurate detection down to a -2 EV with every AF-NIKKOR lens.

All of this image data is funneled through a 16 bit pipeline and are written to dual card slots which have been optimized for the latest UDMA-7 Compact Flash™ cards, as well as the new XQD™ memory card. The D4 is the first professional camera to harness the capabilities of this new durable and compact format, which offers blazing fast write times and extended capacity essential for multimedia professionals shooting stills and video.

Image Quality That Hits the Mark
The heart of the new D4 is the Nikon-developed 16.2-megapixel FX-format (36 x 23.9mm) CMOS sensor that provides amazing image quality, brilliant dynamic range and vivid colors in nearly any lighting condition. By achieving the optimal balance of resolution and sensor size, professional photographers will realize exceptionally sharp, clean and well saturated images throughout the entire ISO range.

Like the D3 and D3s before it, the Nikon D4 retains Nikon’s status as the sovereign of low-light capture ability, with a native ISO range from 100 to 12,800 ISO, expandable from 50 (Lo-1) to an incredible yet usable 204,800 (Hi-4). From a candlelit first dance to nocturnal wildlife, the large 7.3µ pixel size absorbs the maximum amount of light to excel in any situation. Additionally, the sensor’s construction features a gapless micro-lens structure and anti-reflective coating which further contributes to images that retain natural depth and tones with smooth color gradation. For ultimate versatility, photographers can also take advantage of the camera’s extreme high ISO ability while recording video.

Another factor contributing to the camera’s rapid performance and stellar image quality is Nikon’s new EXPEED 3 image processing engine that helps professionals create images with amazing resolution, color and dynamic range in both still images and video. From image processing to transfer, the new engine is capable of processing massive amounts of data, exacting optimal color, perfect tonality and minimized noise throughout the frame.

There are also a variety of shooting options available to help capture the highest quality images and video. In addition to standard NEF (RAW) files, the D4 is also capable of shooting smaller compressed RAW files to ease storage and speed up workflow. Users are also able to capture even more dynamic range with the in-camera High Dynamic Range (HDR) function that merges consecutive exposures. For deep contrast and further tonality, Active D-Lighting can also be activated during shooting for balanced exposures even in backlit scenes. Additionally, the camera features a dedicated button for quick access to Nikon’s Picture Controls, allowing users to quickly select one of six presets.

Professional Multimedia Features
The Nikon D4 D-SLR is engineered with innovative new features for the multimedia professional that needs the small form factor, low-light ability and NIKKOR lens versatility that only an HD-SLR can offer. The new features add functionality for those professionals looking for the best possible experience to capture a moment in Full HD 1080p video at various frame rates, providing footage that is more than suitable for broadcast.

Full HD video recording - Users have the choice of various resolutions and frame rates, including 1080p 30/24fps and 60 fps at 720p. By utilizing the B-Frame data compression method, users can record H.264 / MPEG-4 AVC format video with unmatched integrity for up to 20 minutes per clip. This format also allows for more accurate video data to be transferred requiring less memory capacity. The sensor reads image data at astoundingly fast rates, which results in less instances of rolling shutter distortion.

Full manual control of exposure - Shutter speed, aperture and ISO can be changed while recording to adapt to lighting and alter depth of field for professional cinematic results that help realize a creative vision.

Uncompressed output: simultaneous Live View - By using the camera’s HDMI port instead of the CF or XQD card, users can stream an uncompressed full HD signal directly out of the camera. This footage can be ported into an LCD display or appropriate external recording device or routed through a monitor and then to the recording device, eliminating the need for multiple connections.

Audio recording for professionals - The Nikon D4 features a stereo headphone jack for accurate monitoring of audio levels while recording. Output can be adjusted in up to 30 steps for precise audio adjustment. The D4 offers high-fidelity audio recording control with audio levels that can be set and monitored on the camera’s LCD screen. The microphone connected via the stereo mic jack can also be adjusted with up to 20 steps of sensitivity for accurate sound reproduction.

Multi-area Mode Full HD Video: FX/DX, and 2.7x crop mode at 1080p video modes - Whether shooting for depth of field in FX format mode, or looking for the extra 1.5X telephoto benefits of DX mode, the high resolution sensor of the D4 allows videographers to retain full 1080P HD resolution no matter what mode they choose. With the 2.7x crop, users can experience ultra-telephoto benefits in full HD resolution all at 16:9 aspect ratio.

Simultaneous live view output without display / simultaneous monitor - Shooters have the option to send the display signal directly to an attached monitor via the HDMI port. This signal can be viewed on the camera’s LCD screen and external monitor simultaneously. Additionally, the image data display can be cleared from the screen, to remove distracting data or when feeding a live signal.

Full-time AF - In addition to manual focus, four modes are available, including normal, wide area, face detection and subject tracking, which uses fast contrast detect AF to accurately focus while recording video and in live view.

New LCD screen - The large high resolution 3.2-inch LCD screen is 921K dots, and includes auto brightness adjustment. Users can also zoom in up to 46x to check critical HD focus.

Time lapse shooting - This new feature combines a selected frame rate and “shooting interval” in a dedicated time lapse photography menu. Playback can be achieved with a wide variety of speeds from 24x to 36,000x while producing a fully finished movie file output for faster multimedia workflows.

Remote shutter operation - Using dedicated Movie Custom Settings, recording can be set to be engaged by the shutter release button -users can now use a variety of remote accessories to trigger video recording.

NIKKOR lens compatibility - The highest caliber optics are vital to creating HD images and Nikon is the world leader in optics manufacturing with a legacy spanning more than 75 years. Nikon has a vast NIKKOR lens system, with more than 50 lenses with a variety of focal lengths and features, including VR II vibration reduction.


Professional Construction, Superior Operability
The reputation and respect bestowed upon a Nikon D-Series flagship camera is earned from those who use it; therefore the chassis of the Nikon D4 is machined from magnesium alloy for maximum durability and reliability. The body of the camera is sealed and gasketed for resistance to dirt and moisture, as well as electromagnetic interference. Photographers are able to easily compose through the bright optical viewfinder, which offers 100% frame coverage. The shutter has been tested to withstand 400,000 cycles for maximum durability, while sensor cleaning is employed by vibrating the OLPF. The self diagnostic shutter unit also encompasses a mirror balancer to minimize the residual “bounce” to enhance AF and extend viewing time. What’s more, the viewfinder is coated with a new thermal shield finish which works to resist overheating during prolonged use, enhancing overall reliability. Users can easily compose on the camera’s wide, bright and scratch resistant 921,000-dot high resolution 3.2-inch LCD screen.

The overall controls and operability of the camera has also been engineered with a renewed emphasis on speed and functionality. During critical moments, users will appreciate refined button layouts with renewed ergonomics, such as a quick AF mode selector placed near the lens mount for fast access on the fly. A new joystick style sub-selector is also placed on the camera’s rear for AF point and option selection, while vertical controls have been enhanced for improved operability. Finally, to continue the D4’s moniker of the best tool for just about any condition, key control buttons on the back of the camera can all be illuminated, making the camera simple to operate in complete darkness.

Nikon has also made enhancements to overall workflow, adding options to streamline the process and maximize shooting time. Users are now able to automatically generate IPTC data for their images and image sets, making organizing and chronicling images easier for both the photographers and their editors. A wired Ethernet port is also utilized so that a user can shoot tethered and transfer images easily and quickly to clients. Nikon has also introduced the new WT-5A wireless file transmitter, to transmit via FTP server or computer. The device can be set to transfer either automatically or manually selected images. This device also allows for remote operation of the camera using Nikon’s Camera Control Pro 2 software. A mobile application is also in development to control the camera using this accessory, which will include the ability to trigger the shutter and record video, making this a must-have remote accessory for many professionals.

Price and Availability
The Nikon D4 will be available in late February 2012 for the suggested retail price of $5999.95.*

To see the new D4 D-SLR and other new Nikon products, visit Nikon at the 2012 International Consumer Electronics Show (CES) at booth # 11039 from January 10-13th, 2012 in Las Vegas, NV.


Last edited by Gordon Laing on Fri Jan 06, 2012 8:01 am, edited 1 time in total.

Top
 Profile  
 
 Post subject:
PostPosted: Fri Jan 06, 2012 6:00 am 
Well, the D4 has finally been announced. Specs are confirmed. It's even listed on the Nikon Canada website. Amazing since Nikon Canada has traditionally been weeks if not months late putting new model info on their site.

Have to say I'm a little disappointed they didn't up the useable ISO from 12,800 as already available on the D3s. But still it's a welcome incremental change over the D3s. So if some one was looking for a camera with the abilities of the D3s but never got one...might as well wait a few more weeks for the D4. If you can get your hands on one.

Will be interested to see Gordon put the D4 head-to-head with the Canon 1D-X once both cameras are available. To see which one has better AF tracking. If the 61 AF points/41 cross type make a difference. And how much better having 51.200 ISO vs 12,800 is in low light shooting...

Should be an interesting year. And we're still going to get the Nikon D800 and Canon 5D Mark 3.


Top
  
 
 Post subject:
PostPosted: Fri Jan 06, 2012 7:01 am 
Offline
User avatar

Joined: Tue Jan 06, 2009 9:22 pm
Posts: 1310
Location: Speyer (Germany)
AGC888 wrote:
Have to say I'm a little disappointed they didn't up the useable ISO from 12,800

...?
Quote:
native ISO range from 100 to 12,800 ISO, expandable from 50 (Lo-1) to an incredible yet usable 204,800 (Hi-4)

Sounds like a menu setting done in few seconds.

But...
Quote:
Will be interested to see Gordon put the D4 head-to-head with the Canon 1D-X once both cameras are available.

I guess that won't happen. Until now the only flagship DSLR I find on cameralabs is the D3x and I doubt there will be many more of those in the future.

_________________
Canon EOS 500D + Canon EOS 5D Mark III + Canon EOS 33v
Canon EF 28-80mm 3.5-5.6 USM + EF 24-105mm 4L IS USM + EF 100-400mm 4.5-5.6L IS USM + EF 50mm 1.8 II + EF 100mm 2.8L Macro IS USM + Sigma 12-24mm 4.5-5.6 EX DG HSM + Canon Speedlite 580 EX II + Nissin Speedlite Di 466


Top
 Profile  
 
 Post subject:
PostPosted: Fri Jan 06, 2012 8:36 am 
Offline
Site Admin
User avatar

Joined: Tue Nov 08, 2005 3:32 pm
Posts: 9962
Location: Queenstown, New Zealand
If I get the chance to test the D4 and or 1D X, I certainly will be publishing some results!


Top
 Profile  
 
 Post subject:
PostPosted: Fri Jan 06, 2012 9:21 am 
Offline
Moderator
User avatar

Joined: Sun Nov 05, 2006 11:08 pm
Posts: 7923
Location: Germany
Die deutschen Daten liegen hier, die Presse-Mitteilung dort. Aber ohne Preis und Liefereinsatzdatum.

_________________
Thomas (beware: Nikon-fanboy and moderator!) My Lens Reviews, My Pictures, My Photography Blog
D800+assorted lenses


Last edited by Thomas on Fri Jan 06, 2012 10:11 am, edited 2 times in total.

Top
 Profile  
 
 Post subject:
PostPosted: Fri Jan 06, 2012 9:22 am 
Offline
Moderator
User avatar

Joined: Sun Nov 05, 2006 11:08 pm
Posts: 7923
Location: Germany
Interesting thing (because it was speculated this or that way): the body is indeed a bit lighter: 1180g vs. 1240g (w/o battery). Not a huge improvement but at least in the right direction.

_________________
Thomas (beware: Nikon-fanboy and moderator!) My Lens Reviews, My Pictures, My Photography Blog
D800+assorted lenses


Top
 Profile  
 
 Post subject:
PostPosted: Fri Jan 06, 2012 10:02 am 
Offline
Moderator
User avatar

Joined: Sun Nov 05, 2006 11:08 pm
Posts: 7923
Location: Germany
And here's the official D4-page with features explained. And there's a brochure.

_________________
Thomas (beware: Nikon-fanboy and moderator!) My Lens Reviews, My Pictures, My Photography Blog
D800+assorted lenses


Last edited by Thomas on Fri Jan 06, 2012 10:08 am, edited 1 time in total.

Top
 Profile  
 
 Post subject:
PostPosted: Fri Jan 06, 2012 10:04 am 
Offline
User avatar

Joined: Sat Mar 06, 2010 4:28 pm
Posts: 492
Location: Belgium
I agree with you, Gordon. There's very, very little (if any ?) innovation here, despite the plethora of minor improvements Nikon has made. At this level, Nikon should come with something...well...pretty revolutionary.

E.g. getting rid of the reflex technology and using on-sensor phase detection autofocus, à la Nikon 1 series...Now that would have impressed me.

_________________
Sony α77V/VG-C77AM/α350/18-70/70-400 G SSM/NEX-5/18-55 OSS/Lowepro Pro Trekker 600 AW/CompuTrekker AW/Nova 140 AW/Street & Field gear/Toploader Pro 75 AW. And a huge wishlist...

My photos on Flickr...


Top
 Profile  
 
 Post subject:
PostPosted: Fri Jan 06, 2012 10:40 am 
Offline
Moderator
User avatar

Joined: Sun Nov 05, 2006 11:08 pm
Posts: 7923
Location: Germany
Ah, for those EURO owners: A leaked French magazine article mentions 5800 EUR. And another German source says 5930 EUR. And Gordon has it at 5,658 EUR.
So this seems to be open still - although I'd bet that Gordon has it right.
:D

_________________
Thomas (beware: Nikon-fanboy and moderator!) My Lens Reviews, My Pictures, My Photography Blog
D800+assorted lenses


Last edited by Thomas on Fri Jan 06, 2012 11:53 am, edited 2 times in total.

Top
 Profile  
 
 Post subject:
PostPosted: Fri Jan 06, 2012 11:30 am 
Offline
Moderator
User avatar

Joined: Sun Nov 05, 2006 11:08 pm
Posts: 7923
Location: Germany
Some tidbits on the new battery EN EL 18: It's a 10.8V 2000mAh Li-Ion design with 22Wh. Weight seems to be around 150g. Should give you approximately 2,600 images per charge based on CIPA Standard.

_________________
Thomas (beware: Nikon-fanboy and moderator!) My Lens Reviews, My Pictures, My Photography Blog
D800+assorted lenses


Last edited by Thomas on Fri Jan 06, 2012 4:55 pm, edited 1 time in total.

Top
 Profile  
 
 Post subject:
PostPosted: Fri Jan 06, 2012 12:05 pm 
Offline
Moderator
User avatar

Joined: Sun Nov 05, 2006 11:08 pm
Posts: 7923
Location: Germany
As to Gordon's Qs: "Are the D4 and 1D X as refined as traditional DSLRs can be taken? Will the next generation of pro sports DSLRs be mirror-less?"
Nope, I concur with Gordon's dictum of seeing only a "modest degree of innovation and enhancement". Looks to me like the end-of the line for these Dinosaurs, but perhaps Nikon and Canon kept some of the consumer-features for future upgrades: built-in WiFi, GPS, body-based image stab, smaller and lighter bodies, ultra-fast hi-res electronic viewfinders, phase-detection AF on the sensor, electronic aperture actuation, higher resolution.
But I'd expect that to drop the mirror (or use a semitransparent one) and the ovf would be reserved for a new line of (semi)pro-bodies, not as a natural continuation of the D3/D4/D5 line.

_________________
Thomas (beware: Nikon-fanboy and moderator!) My Lens Reviews, My Pictures, My Photography Blog
D800+assorted lenses


Top
 Profile  
 
 Post subject:
PostPosted: Fri Jan 06, 2012 12:19 pm 
Offline
User avatar

Joined: Sun May 25, 2008 12:48 pm
Posts: 8022
Location: UK
It's a big step from being "mature" to being "dead". Mirrorless might be the most over-hyped thing around in photographic equipment at the moment, but it still has a very long way to go before the DSLR is consigned to a museum. Like all things, the replacement will only take place when it has truly beaten the predecessors, and current mirrorless cameras have a very, very long way to go yet.

_________________
Canon DSLRs: 7D, 5D2, 1D, 600D, 450D full spectrum, 300D IR mod
Lenses: EF 35/2, 50/1.8, 85/1.8, 135/2+SF, 28-80 V, 70-300L, 100-400L, TS-E 24/3.5L, MP-E 65, EF-S 15-85 IS
3rd party: Zeiss 2/50 makro, Samyang 8mm fisheye, Sigma 150 macro, 120-300 f/2.8 OS, Celestron 1325/13
Tinies: Sony HX9V.


Top
 Profile  
 
 Post subject:
PostPosted: Fri Jan 06, 2012 1:01 pm 
Offline
Moderator
User avatar

Joined: Sun Nov 05, 2006 11:08 pm
Posts: 7923
Location: Germany
Ah finally: "Auto ISO system that detects the lens’ focal length. When this is activated by setting the minimum shutter speed to 'Auto', the user can then also bias the program towards using slower shutter speeds and lower ISOs, or faster shutter speeds and higher ISOs, in five steps."
(Quote from dpreview)
Great news, really! I almost always shoot Auto-ISO to avoid shake, but had to adjust the lower ISO-limit all the time.
Yay, cool 8)

_________________
Thomas (beware: Nikon-fanboy and moderator!) My Lens Reviews, My Pictures, My Photography Blog
D800+assorted lenses


Top
 Profile  
 
 Post subject:
PostPosted: Fri Jan 06, 2012 1:25 pm 
popo, I don't think DSLRs are dead, not by a long shot, but looking at how quality and performance of mirrorless cameras is evolving, it does seem like DSLRs are, in some aspects at least, reaching the limit of their evolution.

Take burst rates for example, it's been many years since high-end DSLRs are stuck at around 10fps, and that's because there's an obvious physical limitation in the fact that for every shot, the reflex mirror must be opened and closed to focus and measure first, and take the shot afterwards. All this while the most recent mirrorless models (which, BTW, are dirt cheap compared to a pro DSLR) are already at around 10fps, and they do it without breaking a sweat and in almost total silence.

I think Gordon is right, there's not going to be any significant jump in performance unless the mirror is sacrificed. At the same time, it's hard to imagine pro sport shooters composing with screens or EVFs, but we shall see...


Top
  
 
 Post subject:
PostPosted: Fri Jan 06, 2012 1:37 pm 
Offline
User avatar

Joined: Tue Jan 06, 2009 9:22 pm
Posts: 1310
Location: Speyer (Germany)
Gordon Laing wrote:
If I get the chance to test the D4 and or 1D X, I certainly will be publishing some results!
Unexpected - but it would be very nice :D Although there aren't so many buyers, I guess there are a lot of people reading reviews and dreaming about those cameras. :wink:


Personally I really like the idea of translucent mirrors. Maybe some kind of "hybrid" could be nice. Let's see what the future holds.

_________________
Canon EOS 500D + Canon EOS 5D Mark III + Canon EOS 33v
Canon EF 28-80mm 3.5-5.6 USM + EF 24-105mm 4L IS USM + EF 100-400mm 4.5-5.6L IS USM + EF 50mm 1.8 II + EF 100mm 2.8L Macro IS USM + Sigma 12-24mm 4.5-5.6 EX DG HSM + Canon Speedlite 580 EX II + Nissin Speedlite Di 466


Top
 Profile  
 
Display posts from previous:  Sort by  
Post new topic Reply to topic  [ 55 posts ]  Go to page 1, 2, 3, 4  Next

All times are UTC


Who is online

Users browsing this forum: No registered users and 7 guests


You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum

Search for:
Jump to:  
cron

All words, images, videos and layout, copyright 2005-2012 Gordon Laing. May not be used without permission.
/ How we test / Best Cameras / Advertising / Camera reviews / Supporting Camera Labs

Webdesign by Alphabase IT
Powered by phpBB® Forum Software © phpBB Group