http://www.cameralabs.com/ Camera Labs Digital Camera, DSLR and lens reviews / DSLR Tips workshops and advice en-us http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_18-35mm_f3-5-4-5G_ED/ The AF-S Nikkor 18-35mm f/3.5-4.5G ED is an 'affordable' wide angle zoom lens that's compatible with Nikon's full-frame FX format DSLRs. It's aimed at those who've bought lower-priced full-frame DSLRs like the D600, but equally works on cropped-frame DX format models, where it becomes equivalent to 27-53mm. Officially it's the successor to the older AF 18-35mm 3.5-4.5D ED, although that model remains on sale.The new AF-S 18-35mm sports a completely updated optical formula and naturally has been updated to feature SWM focusing. You can see how it performs on a D800 in my Nikon AF-S 18-35mm review, and later I'll add comparisons with the pricier 16-35mm f4 and 14-24mm f2.8! Fri, 10 May 2013 17:30:00 GMT http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_18-35mm_f3-5-4-5G_ED/ http://www.cameralabs.com/reviews/Canon_EOS_Rebel_SL1_100D/ The Canon EOS Rebel SL1, or 100D as it's known outside North America, is the company's latest entry-level DSLR and the smallest and lightest model with an APS-C sensor to date. It's around 1cm smaller in every dimension than Canon's next smallest DSLR yet manages not to compromise on control, composition or connectivity. It may sport the same 18 Megapixels as earlier DSLRs but features an improved hybrid AF system with phase detect points spread over 80% of the sensor. Does a tiny DSLR with an optical viewfinder and native access to the full EF catalogue render mirror-less cameras redundant? I've been hard at work testing the new tiny DSLR and can now share my complete review, including comparisons with mirror-less cameras, real-life detail and noise for JPEG and RAW files, along with an extended sample images gallery and an in-depth look at the new movie capabilities! Check out my Canon EOS SL1 / 100D review! Tue, 7 May 2013 9:26:00 GMT http://www.cameralabs.com/reviews/Canon_EOS_Rebel_SL1_100D/ http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_80-400mm_f4-5-5-6G_ED_VR/ The Nikkor AF-S 80-400mm f4.5-5.6G ED VR is a high-end telephoto zoom that's corrected for Nikon's full-frame FX-format DSLRs. It's the long-awaited update to the AF 80-400mm launched 12 years ago, and the dozen years between them has allowed Nikon to significantly improve the VR and AF - the latter now employing SWM to become an AF-S model - along with implementing an entirely new optical design. We've now completed our in-depth testing on what's proving to be one of the most exciting telephoto zooms to date. So check out our Nikon 80-400mm review! Thu, 2 May 2013 10:30:00 GMT http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_80-400mm_f4-5-5-6G_ED_VR/ http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_TZ40_ZS30/ The D7100 is Nikon's latest upper mid-range DSLR aimed at enthusiasts. Slotting between the D7000 and D600, Nikon describes the D7100 as being the best that the DX-format can offer. It inherits the 100% viewfinder, 6fps shooting and twin SD card slots of the D7000, but increases the resolution to 24.1 Megapixels, boosts the AF system from 39 to 51-points, offers 1080p at 24, 25 and 30fps, boasts full weather-sealing and introduces a new 1.3x crop mode resulting in an overall field-reduction of two times at a resolution of 15.4 Megapixels and boosted speed of 7fps. It also becomes the company's second DSLR after the D800e to dispense with the low pass filter for sharper images. So is the quality better than the D5200 and is it a worthy upgrade for the D7000? We compared it with both to find out in our Nikon D7100 review! Mon, 22 Apr 2013 19:40:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_TZ40_ZS30/ http://www.cameralabs.com/reviews/Nikon_D7100/ The D7100 is Nikon's latest upper mid-range DSLR aimed at enthusiasts. Slotting between the D7000 and D600, Nikon describes the D7100 as being the best that the DX-format can offer. It inherits the 100% viewfinder, 6fps shooting and twin SD card slots of the D7000, but increases the resolution to 24.1 Megapixels, boosts the AF system from 39 to 51-points, offers 1080p at 24, 25 and 30fps, boasts full weather-sealing and introduces a new 1.3x crop mode resulting in an overall field-reduction of two times at a resolution of 15.4 Megapixels and boosted speed of 7fps. It also becomes the company's second DSLR after the D800e to dispense with the low pass filter for sharper images. So is the quality better than the D5200 and is it a worthy upgrade for the D7000? We compared it with both to find out in our Nikon D7100 review! Tue, 16 Apr 2013 18:57:00 GMT http://www.cameralabs.com/reviews/Nikon_D7100/ http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_80-400mm_f4-5-5-6G_ED_VR/ The Nikkor AF-S 80-400mm f4.5-5.6G ED VR is a high-end telephoto zoom that's corrected for Nikon's full-frame FX-format DSLRs. It's the long-awaited update to the AF 80-400mm launched 12 years ago, and the dozen years between them has allowed Nikon to significantly improve the VR and AF - the latter now employing SWM to become an AF-S model - along with implementing an entirely new optical design. We've almost completed our in-depth review but wanted to share our optical results sooner rather than later! So check out our Nikon 80-400mm review-in-progress which links to our quality results and sample images pages all taken with a D800! Sun, 7 Apr 2013 15:20:00 GMT http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_80-400mm_f4-5-5-6G_ED_VR/ http://www.cameralabs.com/lenses/lens_buyers_guide/Micro_Four_Thirds_lenses/Recommended_MFT_lenses.shtml Micro Four Thirds is the most established of the mirror-less camera systems. Jointly developed by Panasonic and Olympus, it brought mirror-less bodies and native lenses to the market at least one year before its first rival and now boasts over 40 native lenses from Panasonic and Olympus along with third parties including Sigma, Tamron, Samyang, Voigtlander. So while many rival mirror-less formats are struggling to offer even one lens in every category, Micro Four Thirds typically has two or more options available. But with such a variety where does the new or even long-term Micro Four Thirds owner begin to make their choice on a new lens? That's where my latest buyer's guide comes in, where I'll reveal the best Micro Four Thirds lenses! Fri, 5 Apr 2013 19:46:00 GMT http://www.cameralabs.com/lenses/lens_buyers_guide/Micro_Four_Thirds_lenses/Recommended_MFT_lenses.shtml http://www.cameralabs.com/reviews/Fujifilm_X-E1/ Fujifilm's X-E1 is a mirrorless compact system camera that employs the same 16 Megapixel X-Trans CMOS sensor and X-mount introduced with the X-Pro1, allowing it to exploit the same lenses and deliver the same quality as this popular model. The X-E1 also shares retro styling and analogue controls, but dispenses with the hybrid viewfinder for a smaller and more affordable body. In its place though is a very capable electronic viewfinder in addition to a screen for composition, and while it lacks the X-Pro1's PC Sync port, it does feature a popup flash and a microphone input. There's also a new stabilized 18-55mm kit lens with a brighter than average f2.8-4 aperture. It all adds up to a highly compelling camera as you'll discover in our Fujifilm X-E1 review! Tue, 26 Mar 2013 21:00:00 GMT http://www.cameralabs.com/reviews/Fujifilm_X-E1/ http://www.cameralabs.com/reviews/Canon_EOS_Rebel_T5i_700D/ Canon's EOS Rebel T5i, or EOS 700D as it's known outside North America, is an upper entry-level DSLR which replaces the recent EOS T4i / 650D. With only nine months between them, it's not surprising to find the 'new' model is identical to its predecessor other than a mode dial which can now freely rotate through 360 degrees, previews of Creative Filters in Live View, and a new external coating inherited from mid-range models like the 60D to provide a more durable finish. Oh, and the option of the new EF-S 18-55mm STM kit lens with its quicker and quieter focusing during movies. Perplexed by this modest refresh? Find out more in my Canon EOS T5i 700D preview. Fri, 22 Mar 2013 20:17:00 GMT http://www.cameralabs.com/reviews/Canon_EOS_Rebel_T5i_700D/ http://www.cameralabs.com/reviews/Canon_EOS_Rebel_SL1_100D/ The Canon EOS Rebel SL1, or 100D as it's known outside North America, is the company's latest entry-level DSLR and the smallest and lightest model with an APS-C sensor to date. It's around 1cm smaller in every dimension than Canon's next smallest DSLR yet manages not to compromise on control, composition or connectivity. It may sport the same 18 Megapixels as earlier DSLRs but features an improved hybrid AF system with phase detect points spread over 80% of the sensor. Does a tiny DSLR with an optical viewfinder and native access to the full EF catalogue render mirror-less cameras redundant? Find out in my Canon EOS SL1 / 100D preview which includes my analysis of the launch. Thu, 21 Mar 2013 21:00:00 GMT http://www.cameralabs.com/reviews/Canon_EOS_Rebel_SL1_100D/ http://www.cameralabs.com/reviews/Canon_EOS_6D/ Canon's EOS 6D is the company's 'affordable' full-frame DSLR aimed at those upgrading from a mid-range camera, or looking for a backup for a pricier model. It features a new 20.2 Megapixel sensor, 4.5fps shooting and much the same movie modes as the 5D Mark III packed into the smallest and lightest full-frame DSLR from Canon to date. Most uniquely it also becomes the first Canon DSLR to boast both GPS and Wifi built into the body. The core specs may fall below its arch rival the Nikon D600, but as we discovered, the 6D offers better features and performance than you might think. We'll reveal all in our Canon EOS 6D review which includes in-depth comparisons with the Nikon D600. Tue, 19 Mar 2013 19:14:00 GMT http://www.cameralabs.com/reviews/Canon_EOS_6D/ http://www.cameralabs.com/reviews/Nikon_D5200/ The Nikon D5200 is the company's latest 'upper entry-level' DSLR. It's positioned between the entry-level D3200 and the mid-range D7100, and goes head-to-head against Canon's EOS T4i / 650D. The D5200 features 24 Megapixels, 1080p video, 5fps shooting, a 3in fully articulated screen and the same 39-point AF and metering systems as the D7000. It also supports an optional Wifi module for wireless remote control with a compatible smartphone. Find out all about it in my Nikon D5200 review where you'll see how the features and the quality compare to the Canon T4i / 650D! Tue, 12 Mar 2013 19:30:00 GMT http://www.cameralabs.com/reviews/Nikon_D5200/ http://www.cameralabs.com/reviews/Panasonic_Leica_DG_Summilux_25mm_f1-4_H-X025/ The Panasonic Leica Summilux DG 25mm f1.4 is a standard lens for Micro Four Thirds cameras, including Panasonic Lumix G, Olympus PEN and Olympus OMD models. Mounted on a Micro Four Thirds body it delivers an effective focal length of 50mm, making it a classic standard lens, while the fast f1.4 focal ratio is ideal for use in low light or for achieving a shallow depth of field. It delivers excellent quality results, but is up against at least three other primes which are arguably more suitable for general-purpose use. In particular there's Panasonic's own 20mm f1.7 and the big question is how this compares to the 25mm. Find out which will be the best for you in my Panasonic Leica 25mm f1.4 review. Wed, 6 Mar 2013 20:52:00 GMT http://www.cameralabs.com/reviews/Panasonic_Leica_DG_Summilux_25mm_f1-4_H-X025/ http://www.cameralabs.com/reviews/Nikon_D7100/ The D7100 is Nikon's latest upper mid-range DSLR aimed at enthusiasts. Slotting between the D7000 and D600, Nikon describes the D7100 as being the best that the DX-format can offer. It inherits the 100% viewfinder, 6fps shooting and twin SD card slots of the D7000, but increases the resolution to 24.1 Megapixels, boosts the AF system from 39 to 51-points, offers 1080p at 24, 25 and 30fps, boasts full weather-sealing and introduces a new 1.3x crop mode resulting in an overall field-reduction of two times at a resolution of 15.4 Megapixels and boosted speed of 7fps. It also becomes the company's second DSLR after the D800e to dispense with the low pass filter for sharper images. Find out more in my Nikon D7100 preview which includes an eight minute video highlighting the new features! Thu, 21 Feb 2013 22:27:00 GMT http://www.cameralabs.com/reviews/Nikon_D7100/ http://www.cameralabs.com/reviews/Sigma_35mm_f1-4_DG_HSM/ Sigma's 35mm f1.4 DG HSM is the company's first 35mm prime with a large aperture. Available in Canon, Nikon, Sony, Pentax and Sigma mounts, it goes head-to-head with the premium professional primes from the big camera companies but at a comfortably lower price. So the big question is how it compares against models like the Nikkor 35mm f1.4 and Canon 35mm f1.4? To really put it through its paces we got hold of the Nikon version, allowing us to test it on the most demanding full-frame DSLR to date, the 36 Megapixel D800; it also let us directly compare the Sigma against the Nikkor 35mm f1.4. Pro performance at an affordable price? Find out in our Sigma 35mm f1.4 review. Mon, 18 Feb 2013 20:59:00 GMT http://www.cameralabs.com/reviews/Sigma_35mm_f1-4_DG_HSM/ http://www.cameralabs.com/reviews/Panasonic_Lumix_G_7-14mm_f4_H_F007014E/ Panasonic's Lumix 7-14mm f4 is an ultra-wide angle zoom lens for Micro Four Thirds cameras, including Panasonic Lumix G, Olympus PEN and Olympus OMD models. It delivers an effective focal length of 14-28mm, covering popular wide-angle focal lengths from mild to extreme, while the f4 aperture remains constant. The Panasonic 7-14mm may have been one of the first Micro Four Third lenses but remains one of the best, not to mention a compelling reason to invest in this mirror-less format - indeed it was a major factor in my selection of Micro Four Thirds for my recent world trip. So if, like me, you love the idea of a small and light but superb quality ultra wide zoom, check out my Panasonic Lumix 7-14mm review! Mon, 11 Feb 2013 23:25:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_G_7-14mm_f4_H_F007014E/ http://www.cameralabs.com/reviews/Canon_PowerShot_S110/ Canon's PowerShot S110 is a pocket-sized camera aimed at enthusiasts. Like previous S-series models, it packs a bright zoom lens, support for RAW and high degree of manual control into a very small body. The big new features are a touch-sensitive screen and built-in Wifi, the latter replacing rather than complementing the GPS on the older S100. The clever bit is the S110 can exploit the GPS in a compatible smartphone via Wifi. As before though the S110 is up against tough competition from other compacts aimed at enthusiasts including Panasonic's LX7, Sony's RX100 and the Olympus XZ-2. We'll help you choose the right one in our Canon S110 review! Mon, 4 Feb 2013 20:20:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_S110/ http://www.cameralabs.com/reviews/Olympus_M_Zuiko_Digital_45mm_f1-8/ The Olympus 45mm f1.8 is a short telephoto lens for Micro Four Thirds mirrorless cameras, including models by Panasonic and Olympus. With an effective focal length of 90mm and a bright aperture, it's primarily aimed at portrait shooters, but also surprisingly versatile in other situations. Close it to f4 and it'll deliver pin sharp images right into the corners, making it ideal for detailed buildings and landscapes. See how the resolution, depth-of-field and close-up capabilities compare against the Panasonic Leica 45mm f2.8 in my in-depth Olympus 45mm f1.8 review! Wed, 30 Jan 2013 21:15:00 GMT http://www.cameralabs.com/reviews/Olympus_M_Zuiko_Digital_45mm_f1-8/ http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_70-200mm_f2-8G_ED_VR_II/ Nikon's AF-S 70-200mm f/2.8G VR II is the latest version of its professional telephoto zoom lens. Featuring a fast f2.8 focal ratio, optical stabilization and tough build, it remains a popular choice for professional portrait and sports photographers. Compared to its predecessor, Nikon claims to have improved the optical design and stabilization, so to find out how it performs in practice we tested it with Nikon's most demanding full-frame body to date, the 36 Megapixel D800. Find out how it measures-up and whether it justifies the high asking price in our in-depth Nikon 70-200mm f2.8 VR II review! Mon, 28 Jan 2013 16:35:00 GMT http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_70-200mm_f2-8G_ED_VR_II/ http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_G5/ Panasonic's Lumix G5 is the latest in its growing range of mirrorless compact system cameras, or as it now likes to call them, DSLMs. Headline upgrades over the earlier G3 include a new 16 Megapixel sensor, 1080p video, 6fps shooting, three-frame HDR, a selection of art effects, a silent shutter option, a new lever for power zoom lenses and the ability to touch-focus with the screen while composing with the viewfinder. Like its predecessor, the G5 also includes a high resolution viewfinder, fully articulated touch-screen and of course a Micro Four Thirds mount, giving it the access to the broadest range of native lenses of any mirrorless system. Find out how it compares to the Wifi-equipped Sony NEX-6 in our Panasonic Lumix G5 review! Mon, 21 Jan 2013 18:55:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_G5/ http://www.cameralabs.com/reviews/Sigma_70-200mm_f2-8_EX_DG_OS_HSM/ Sigma's 70-200mm f2.8 OS is the company's latest 70-200mm and its first to sport optical stabilization. Available for Canon, Nikon, Sony, Pentax, and Sigma's own mounts, it offers a more affordable alternative to the 70-200mm f2.8 options from the big camera manufacturers. So the big question then is how it compares? In his in-depth review, Cameralabs' lens tester Thomas put it through its paces on a 36 Megapixel Nikon D800 to really see if it could compete with pricier rivals. Find out whether it's the bright telephoto zoom for you in our Sigma 70-200mm f2.8 OS review! Tue, 15 Jan 2013 20:50:00 GMT http://www.cameralabs.com/reviews/Sigma_70-200mm_f2-8_EX_DG_OS_HSM/ http://www.cameralabs.com/reviews/Sony_Alpha_NEX_6/ Sony's NEX 6 is an upper mid-range mirrorless system camera, which slots between the NEX 5R and the top-end NEX 7. In many respects it's a cross between them, sharing the body shape, tilting screen, OLED viewfinder and popup flash of the NEX 7, and the 16 Megapixel sensor, phase-detect AF assistance and built-in Wifi and downloadable apps of the NEX 5R. Unique to the NEX 6 though are its standard flash hotshoe and exposure model dial. In my in-depth review I've taken a close look at the performance of the camera and in particular its built-in Wifi, downloadable apps and the new 16-50mm power zoom lens. Find out if this is the mirrorless camera for you in my Sony NEX 6 review! Fri, 11 Jan 2013 10:20:00 GMT http://www.cameralabs.com/reviews/Sony_Alpha_NEX_6/ http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_FZ200/ Panasonic's Lumix FZ200 is the company's flagship super-zoom camera. Successor to the best-selling FZ150, it shares the same 24x (25-600mm equivalent) range but where its predecessor had a variable aperture of f2.8-5.2, the new model boasts a constant aperture of f2.8 throughout the entire focal range. Yep, that's right, f2.8 all the way to 600mm. In addition the FZ200 now sports an electronic viewfinder with six times the resolution of the FZ150. Considering it still has full manual control, a flash hotshoe, articulated screen and mic input, it's one of the best-featured super-zooms on the market. Find out how it compares to Canon's SX50 HS in my Panasonic FZ200 review! Thu, 10 Jan 2013 11:20:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_FZ200/ http://www.cameralabs.com/reviews/Canon_PowerShot_SX50_HS/ The Canon PowerShot SX50 HS is a 12 Megapixel super-zoom camera with a massive 50x optical range, equivalent to 24-1200mm - that's the world's longest super-zoom at the time of writing. Round the back, Canon has kept the articulated screen of its predecessor, but upgraded the panel to 2.8in / 460k. The hotshoe also remains, as does the manual control, but in a welcome new feature, in response no doubt to sales lost to Panasonic, the SX50 HS now offers RAW recording, although there's still no microphone input. Find out if the extended zoom range is a step too far or if it's the new King of the super-zooms in my in-depth Canon SX50 HS review! Wed, 26 Dec 2012 21:15:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_SX50_HS/ http://www.cameralabs.com/merchandise/ I'm pleased to announce the official Camera Labs strap is back on sale, and for the first time you have the choice of two versions! There's the original Utility Strap, designed for heavier DSLRs and larger cameras, and now also a thinner version, designed for budget DSLRs, mirrorless system cameras and super-zooms. Both straps proudly feature the Cameralabs logo printed in white on black material and unlike previous Cameralabs straps are sling-style, designed for over-the-shoulder operation. The price? $30 USD for either version delivered anywhere in the world! But be quick as there's only 100 and they're already selling fast! See the Cameralabs strap page for full details. Thu, 13 Dec 2012 13:30:00 GMT http://www.cameralabs.com/merchandise/ http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_70-200mm_f4G_ED_VR/ The Nikon 70-200mm f4G is an exciting addition to the Nikkor lens catalogue, delivering the popular telephoto zoom range, but in a cheaper and much lighter package than the premium f2.8 version. But how do they compare in practice? Cameralabs' Nikon lens tester Thomas has been hard at work with a final production sample and has virtually finished his full review. But he just couldn't wait to share some initial results showing how sharp the new lens is for both DX and FX bodies, along with a brief comparison with the f2.8 version. See his Nikon 70-200mm f4 review in progress and check back soon for the final report! Tue, 11 Dec 2012 20:32:00 GMT http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_70-200mm_f4G_ED_VR/ http://www.cameralabs.com/reviews/Sony_10-18mm_SEL-1018/sample_images.shtml Sony's 10-18mm SEL-1018 is a very important new lens for the NEX system, as it finally brings ultra wide angle coverage to Sony's mirrorless format. Mount the SEL-1018 to a NEX body and you'll enjoy coverage equivalent to 15-27mm, and better still, the lens is optically-stabilised, making it one of the very few stabilized ultra-wide options in any system. The lens also boasts a constant f4 focal ratio, and usefully, a standard front filter thread. I've begun my tests and it's looking like a decent performer, but ahead of my final report, I wanted to share a selection of full resolution Sony 10-18mm sample images! Mon, 10 Dec 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Sony_10-18mm_SEL-1018/sample_images.shtml http://www.cameralabs.com/reviews/Sony_Alpha_NEX_6/sample_images.shtml Sony's NEX 6 is an upper mid-range mirrorless system camera, which slots between the NEX 5R and the top-end NEX 7. In many respects it's a cross between them, sharing the body shape, tilting screen, OLED viewfinder and popup flash of the NEX 7, and the 16 Megapixel sensor, phase-detect AF assistance and built-in Wifi of the NEX 5R. Unique to the NEX 6 though are its standard flash hotshoe and exposure model dial. So while it may not boast the 24 Megapixels, construction and mic input of the NEX 7, many will find it more desirable. Ahead of my full review, I've been shooting with a NEX 6 and its new 16-50mm Power Zoom kit lens, so I've put together a selection of Sony NEX 6 sample images for you! I'll add to this preview soon with my first impressions and some movie samples. Sat, 8 Dec 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Sony_Alpha_NEX_6/sample_images.shtml http://www.cameralabs.com/buyers_guide/mirrorless/best_mirrorless_camera.shtml Mirrorless cameras have given the photography world a much needed boost in innovation and excitement - they let you enjoy DSLR quality, control and handling in a more portable form factor, along with delivering potentially faster shooting and better movie capabilities. But with all major manufacturers now offering mirrorless models, some with interchangeable lenses and some without, which should you buy? To help you make the right choice I've created a new buyer's guide dedicated to this new breed! So without further ado, find out which are the best mirrorless cameras! Wed, 5 Dec 2012 00:00:00 GMT http://www.cameralabs.com/buyers_guide/mirrorless/best_mirrorless_camera.shtml http://www.cameralabs.com/reviews/Nikon_COOLPIX_P7700/ The Nikon COOLPIX P7700 is the company's flagship compact aimed at enthusiasts. Successor to the popular P7100, it shares the same 7.1x 28-200mm optical range, but brightens the aperture by one stop throughout to f2-4. The optical rangefinder has gone, but the 3in / 921k screen is now fully articulated. The sensor remains slightly larger than most point-and-shoots at 1/1.7in, but the type has changed from a 10 Megapixel CCD to a 12 Megapixel CMOS, and with it the video upgraded from 720p to 1080p. Suffice it to say there's still loads of manual control and support for RAW, making the P7700 a popular choice for demanding enthusiasts and a key rival for Canon's G15. Find out how they compare in our Nikon P7700 review! Tue, 4 Dec 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_COOLPIX_P7700/ http://www.cameralabs.com/reviews/Olympus_PEN_E-PL5/ The PEN E-PL5 is the latest mid-range mirror-less compact system camera from Olympus. It inherits the superb 16 Megapixel sensor from the semi-pro OM-D E-M5, along with its 1080p movies, and while continuous shooting is a tad slower, it's still very quick at 8fps. There's a hotshoe which can accommodate an optional viewfinder, and a tilting 3in screen that's now touch-sensitive and can swivel round to face subjects. Crucially like all Olympus CSCs, it also boasts built-in stabilization which works with any lens you mount. Find out why the latest PEN is one of the best CSCs around in my Olympus E-PL5 review! Tue, 27 Nov 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Olympus_PEN_E-PL5/ http://www.cameralabs.com/buyers_guide/best_digital_cameras.shtml I've updated all of our Camera Buyer's Guides for the holiday season! So whether you're shopping for a new camera at any price point, deciding on a new lens or looking for some great accessories, I've got the recommendations for you! Happy Holidays everyone! Fri, 23 Nov 2012 00:00:00 GMT http://www.cameralabs.com/buyers_guide/best_digital_cameras.shtml http://www.cameralabs.com/reviews/Canon_EOS_M/ The EOS M is Canon's long-awaited entry into the mirror-less CSC market. It employs an 18 Megapixel APS-C sensor and a new EF-M lens mount with a 1.6x crop factor. Canon's launched the EOS-M with two native M-mount lenses, while the entire Canon EF and EF-S lens catalogue is supported with the optional EF-EOS M adapter. To see how the EOS M measures-up, I tested it with both the native EF-M lenses and a selection of EF models with the adapter, along with comparing its performance against rival compact system cameras. Find out if it's for you in my Canon EOS M review! Thu, 22 Nov 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_EOS_M/ http://www.cameralabs.com/reviews/Canon_PowerShot_SX50_HS/sample_images.shtml The Canon PowerShot SX50 HS is a 12 Megapixel super-zoom camera with a massive 50x optical range, equivalent to 24-1200mm. Round the back, Canon has kept the articulated screen of its predecessor, but upgraded the panel to 2.8in / 460k. The hotshoe also remains, as does the manual control, but in a very welcome new feature, in response no doubt to sales lost to Panasonic, the SX50 HS now offers RAW recording, although there's still no microphone input. I've begun my tests with a final production PowerShot SX50 HS and am pleased to share a broad selection of Canon SX50 HS sample images! Check back soon for more results and my full review!! Wed, 21 Nov 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_SX50_HS/sample_images.shtml http://www.cameralabs.com/reviews/Nikon_COOLPIX_P7700/sample_images.shtml The Nikon COOLPIX P7700 is the company's flagship compact aimed at enthusiasts. Successor to the popular P7100, it shares the same 7.1x 28-200mm optical range, but brightens the aperture by one stop throughout to f2-4. The optical rangefinder has gone, but the 3in / 921k screen is now fully articulated. The sensor remains slightly larger than most point-and-shoots at 1/1.7in, but the type has changed from a 10 Megapixel CCD to a 12 Megapixel CMOS, and with it the video upgraded from 720p to 1080p. Suffice it to say there's still loads of manual control and support for RAW, making the P7700 a popular choice for demanding enthusiasts and a key rival for Canon's G15. Ahead of our full review, check out our Nikon P7700 sample images! Sat, 17 Nov 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_COOLPIX_P7700/sample_images.shtml http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_TS20_FT20/ The Panasonic Lumix TS20 / FT20 is a water-proof, dust-proof and shock-proof camera with 16 Megapixels and a 4x zoom. You can submerge it to a depth of five meters, which may not be as deep as the more expensive Lumix FT3 and FT4 models nor the Canon D20, but it's sufficient for serious snorkeling, or simply playing about in the pool. To test the Lumix TS20 / FT20, we took it into the Atlantic surf off the coast of Cornwall in the South West of the UK along with the Canon PowerShot D20. Find out which underwater model will be best for you in our Panasonic TS20 / FT20 waterproof camera review! Thu, 15 Nov 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_TS20_FT20/ http://www.cameralabs.com/reviews/Canon_PowerShot_G15/ Canon's PowerShot G15 is the latest model in the company's flagship G-series, replacing the G12 and positioned roughly between the S110 and G1 X. The G15 shares the same 28-140mm 5x range as its predecessor, but now boasts a focal ratio of f1.8-2.8, making the lens more than twice as bright. The sensor remains 1/1.7in, but Canon's switched from CCD to CMOS and bumped the resolution up to 12 Megapixels. It'll also now shoot 1080p video and the screen's bigger and more detailed. Is it still a relevant option for enthusiasts though? Find out in my Canon G15 review! Mon, 12 Nov 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_G15/ http://www.cameralabs.com/reviews/Nikon_D5200/ The Nikon D5200 is the company's latest 'upper entry-level' DSLR. It's positioned between the entry-level D3200 and the mid-range D7000, and goes head-to-head against Canon's EOS T4i / 650D. The D5200 features 24 Megapixels, 1080p video, 5fps shooting, a 3in fully articulated screen and the same 39-point AF and metering systems as the D7000. It also supports an optional Wifi module for wireless remote control with a compatible smartphone. Find out more in my Nikon D5200 preview and see how the features (and most likely the quality) compare to the Canon T4i / 650D! Tue, 6 Nov 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_D5200/ http://www.cameralabs.com/reviews/Nikon_D600/ The D600 is Nikon's most affordable full-frame DSLR to date and is aimed at those upgrading from a mid-range body or pros looking for a backup camera. As such it slots roughly between the D7000 and D800 and combines many aspects of both. Along with a new 24 Megapixel FX sensor, you get the 100% viewfinder and 3.2in screen of the D800 in addition to most of its movie features, along with the build and twin SD card slots of the D7000. Coupled with a 39-point AF system and 5.5fps shooting, it adds up to one of the most exciting DSLRs around. Find out if it's right for you in my in-depth Nikon D600 review which includes seven pages of comparisons with DX and full-frame bodies! Mon, 5 Nov 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_D600/ http://www.cameralabs.com/reviews/Canon_EOS_M/high_ISO_noise.shtml The EOS M is Canon's long-awaited entry into the mirror-less CSC market. It employs an 18 Megapixel APS-C sensor and a new EF-M lens mount with a 1.6x crop factor. Canon's launched the EOS-M with two native M-mount lenses, while the entire Canon EF and EF-S lens catalogue is supported with the optional EF-EOS M adapter. I've started testing a final production sample, so ahead of my full review, here's my Canon EOS M noise results!They join my Canon EOS M sample images plus a couple of sample movies demonstrating low light and focus tracking! Wed, 31 Oct 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_EOS_M/high_ISO_noise.shtml http://www.cameralabs.com/reviews/Nikon_COOLPIX_L810/ Looking for an affordable big brand super-zoom? Nikon's COOLPIX L810 could be a good bet, sporting a 26x stabilised range, 16.1 Megapixel CCD and a 3in screen with 921k resolution. Essentially, it's a point and shoot super-zoom, with ease of use, compactness, and affordability being its major selling points. It's a combination which has seen it spend much of the year near the top of the sales charts, but how good is it really? Find out how it compares to Canon's SX500 IS in my Nikon L810 review! Mon, 22 Oct 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_COOLPIX_L810/ http://www.cameralabs.com/reviews/Canon_PowerShot_D20/ The Canon PowerShot D20 is a rugged waterproof camera designed for use outdoors in the kind of conditions you'd hesitate to take a conventional camera. It's waterproof to 10 Meters, dustproof, shockproof and can be used in temperatures from -10 to 40 degrees Celsius. It's Canon's second waterproof model and arrives three years after the original D10. Canon's swapped the sensor, broadened the zoom, added Full HD video and completely restyled the body. But how does it perform in practice compared to rivals? Find out in my Canon D20 review! Wed, 17 Oct 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_D20/ http://www.cameralabs.com/reviews/Nikon_vs_Tamron_24-70mm_comparison/ One of the most popular lenses in any catalogue is the 24-70mm f2.8. These offer a useful general-purpose range on full-frame (and cropped) bodies, while their bright f2.8 aperture is ideal for low-light and shallow depth-of-field portraits. Thing is, they don't come cheap, so the big question is how a third-party option compares to the big brands. In my 24-70mm comparison you'll see how the premium Nikon 24-70mm f2.8 compares against the cheaper, not to mention stabilized Tamron version, and for fun I've also included the Nikon 24-85mm as a budget wildcard. Tue, 16 Oct 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_vs_Tamron_24-70mm_comparison/ http://www.cameralabs.com/reviews/Sony_Cyber-shot_DSC_RX100/ Sony's Cyber-shot RX100 packs a large 20 Megapixel sensor, bright 3.6x zoom, 1080p video and 10fps burst shooting into a pocket-sized metal body. It's Sony's answer for enthusiasts who want a compact camera without compromising on quality and control, and unlike most efforts to date, it really looks like we've got what we want this time. Find out why this could be the perfect pocket camera for you in my Sony RX100 review! Thu, 11 Oct 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Sony_Cyber-shot_DSC_RX100/ http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_LX7/ The Panasonic Lumix LX7 is a high-end compact aimed at enthusiasts. It replaces the classic LX5 and while it shares the same 24-90mm equivalent range the focal ratio is now brightened from f2-3.3 to f1.4-2.3. This makes it the brightest overall compact, just pipping the Samsung EX2F at the tele end. Other upgrades include 1080p video, 11fps shooting and a 920k dot screen. In a world of system cameras and large sensor compacts the LX7 fights back by going bright. Find out why it remains a highly compelling option for enthusiasts my Panasonic LX7 review! Sat, 6 Oct 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_LX7/ http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_24-70mm_f2-8G_ED/ The Nikon 24-70mm f2.8 is a top-end zoom aimed at portrait and wedding photographers. It's also ideal for anyone who desires a bright general-purpose zoom for a full-frame body. Like other 24-70mm f2.8 zooms, it's not exactly cheap, so prospective buyers need to know if it's worth the money. Find out how it performs on a demanding D800 in our Nikon 24-70mm f2.8 review, and don't forget to also check out our earlier Tamron 24-70mm f2.8 review as an alternative option. Fri, 5 Oct 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_24-70mm_f2-8G_ED/ http://www.cameralabs.com/reviews/Canon_PowerShot_SX500_IS/ Canon's PowerShot SX500 IS is a compact super-zoom with a 30x optical range, 16 Megapixels, 3in screen, full manual control and 720p video. Canon describes it as the World's smallest camera with a 30x zoom and it certainly occupies a unique position in the market - after all, it zooms comfortably longer than pocket models like the best-selling Panasonic TZ30 / ZS20, yet is considerably smaller and lighter than the big guns like Canon's own SX50 HS. So does the SX500 offer an unbeatable combination of portability and reach? Find out in my Canon SX500 IS review! Tue, 25 Sep 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_SX500_IS/ http://www.cameralabs.com/reviews/Nikon_D600/D600_vs_D800_noise_JPEG.shtml Yep, you read that right, I've tested the brand spanking new Nikon D600 against the flagship D800 to see how their noise levels compare! I've compared them at their maximum resolutions and then again with the D800 down-sampled to 24 Megapixels. This first comparison is with in-camera JPEGs but as soon as the D600's NEF files are supported by ACR I'll add a RAW comparison. More tests and of course the full review will follow, but in the meantime check out my Nikon D600 noise results! Mon, 24 Sep 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_D600/D600_vs_D800_noise_JPEG.shtml http://www.cameralabs.com/reviews/Canon_EOS_6D/ NEW video preview of the EOS 6D where I interview Canon about their latest camera! The Canon EOS 6D is a 20.2 Megapixel model with 11-point AF, 4.5fps continuous shooting and much the same movie modes as the EOS 5D Mark III. From those specs it falls below the Nikon D600 at the same price, but the 6D fights back with built-in Wifi and GPS! Find out all about this new full-frame DSLR in my Canon EOS 6D preview, now updated with a video interview with Canon! Fri, 20 Sep 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_EOS_6D/ http://www.cameralabs.com/reviews/Sony_Cyber-shot_DSC_HX200V/ Sony's HX200V is a 30x super-zoom camera with 18 Megapixels, 1080p video, a 3in tilting screen and built-in GPS for tagging your images with their location. As you'd expect from Sony it's not short on gadgets either sporting two intelligent auto modes, 3D shooting, Sweep Panorama and 3D panorama in addition to a range of stacking modes designed to get good results in low light. It sounds good on paper, but how does the successor to the popular HX100V compare to rivals in practice? Find out in my Sony HX200V review! Wed, 5 Sep 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Sony_Cyber-shot_DSC_HX200V/ http://www.cameralabs.com/reviews/Tamron_SP_24-70mm_f2-8_Di_VC_USD/ Tamron's SP 24-70mm f/2.8 Di VC USD is the first 24-70mm f2.8 zoom with built-in stabilization, and it's available for Canon, Nikon and Sony mounts. Until now, all 24-70mm f2.8 lenses for full-frame DSLRs have been bereft of stabilization, including Canon and Nikon's options, not to mention Sigma's alternative. Tamron cleverly spotted the opportunity to create something different, but is it any good? To find out we took the Nikon version and mounted it on a demanding D800. Find out how it measures-up in our Tamron 24-70mm f2.8 review! Mon, 3 Sep 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Tamron_SP_24-70mm_f2-8_Di_VC_USD/ http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_FZ60_FZ62/ Panasonic's Lumix FZ60 / FZ62 is a super-zoom camera with 16 Megapixels and a 24x optical range. It's the simpler of two new FZ models, but while it lacks the enthusiast feature-set of the pricier FZ200, it shares the same 25-600mm zoom range at a much lower price point. So if you want the zoom without the bells and whistles, it could be for you. Find out how it compares to rival super-zooms and how its new MOS sensor performs in my Panasonic FZ60 / FZ62 review! Wed, 29 Aug 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_FZ60_FZ62/ http://www.cameralabs.com/reviews/Canon_PowerShot_ELPH_520_HS_IXUS_500_HS/ The Canon ELPH 520 HS / IXUS 500 HS is a super-slim super-zoom camera, packing 10 Megapixels and a 12x optical zoom into a surprisingly compact body. The 520 HS / 500 HS also sports 1080p video and a large 3in screen. It's this compelling array of features which places it near the top of the current ELPH / IXUS range, but is it the right point-and-shoot camera for you? Find out in my Canon ELPH 520 / IXUS 500 review! Tue, 21 Aug 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_ELPH_520_HS_IXUS_500_HS/ http://www.cameralabs.com/reviews/Canon_PowerShot_ELPH_110_HS_IXUS_125_HS/ Canon's ELPH 110 HS / IXUS 125 HS is a point-and-shoot camera sporting 16 Megapixels, a 3in screen and a 5x optical zoom. It's the successor to one of Canon's most popular models, boosting the resolution, extending the zoom range and increasing the screen detail. Indeed it's already becoming another best-seller, so here I've put it through its paces, comparing it against the ELPH 520 HS / IXUS 500 HS with its longer 12x zoom. See my Canon ELPH 110 / IXUS 125 review to see which will be best for you! Sat, 18 Aug 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_ELPH_110_HS_IXUS_125_HS/ http://www.cameralabs.com/reviews/Nikon_D800/ At long last I've finished my Nikon D800 review! Travelling commitments coupled with delayed third-party RAW converters has meant it's taken me a lot longer to complete my review than intended, but it's ready to go and a biggie! With over 15,000 words of in-depth analysis, seven pages of results, and numerous comparisons in JPEG, RAW and both full and down-sampled resolutions, you'll discover exactly how Nikon's remarkable 36 Megapixel DSLR measures-up against its arch rival, the Canon EOS 5D Mark III, not to mention medium format digital. Is this the ultimate DSLR, a specialist's dream or both? Find out in my Nikon D800 review! Tue, 14 Aug 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_D800/ http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_24-120mm_f4G_ED_VR/ Nikon's AF-S 24-120mm f4G is a general-purpose zoom that's corrected for full-frame bodies and compatible with the entire range of Nikon DSLRs. The 5x range goes from decent wide-angle to useful telephoto on a full-frame body, while also sporting a constant f4 aperture and Vibration Reduction. It's also a good option for DX bodies when complemented with an ultra wide zoom like the DX 10-24mm. Find out how it performs under the scrutiny of a D800 in my Nikon 24-120mm review! Fri, 10 Aug 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_24-120mm_f4G_ED_VR/ http://www.cameralabs.com/reviews/Canon_EOS_Rebel_T4i_650D/ Canon's EOS T4i / 650D is the company's latest upper entry-level DSLR, sporting 18 Megapixels and 1080p HD video and becoming the first with a fully-articulated touch-screen display. The T4i / 650D also becomes the first EOS DSLR to offer continuous autofocusing during video and live view thanks to a new hybrid AF system which combines phase-detect and contrast-based technologies. So while it looks similar to the T3i / 600D from the outside, a raft of new technologies under the hood promise much improved handling. But how well does it all comes together in practice? Find out in my Canon T4i / 650D review! Mon, 6 Aug 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_EOS_Rebel_T4i_650D/ http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_24-85mm_f3-5-4-5G_ED_VR/ Nikon's AF-S 24-85mm f3.5-4.5G ED VR is a new general-purpose zoom lens that works on the complete range of Nikon DSLRs and is fully corrected for full-frame, FX-format models. It features quick and quiet SWM focusing, Vibration Reduction to counteract camera shake, and weather-sealing on the lens mount. It's an affordable option for full-frame owners and one that's generating a lot of interest, so let's test it on the demanding D800 and see how it performs in my Nikon 24-85mm review! Thu, 2 Aug 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_24-85mm_f3-5-4-5G_ED_VR/ http://www.cameralabs.com/reviews/Canon_PowerShot_A3400_IS/ The Canon PowerShot A3400 IS is a 16 Megapixel point-and-shoot with a 5x stabilised zoom and 3in touch screen. It's the first PowerShot with a touch screen, a feature normally reserved for the more expensive ELPH / IXUS models, and it also features 720p HD video with a choice of creative effects. I've compared it here with the cheaper PowerShot A2300 which shares much the same body, controls and quality, but lacks the touch-screen and optical stabilization. Is it worth spending the extra? Find out in my Canon A3400 IS review! Sun, 29 Jul 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_A3400_IS/ http://www.cameralabs.com/reviews/Nikon_D800/Nikon_D800_vs_Phase_One_medium_format_quality.shtml With 36 Megapixels, the Nikon D800 comes closer to medium format territory than any DSLR before it, and at a much more affordable price too. Which of course begs the question how the D800 actually compares to a medium format camera in practice. I borrowed a 60 Megapixel Phase One IQ160 system to find out, pitching it side-by-side against the D800. And if that sounds unfair, I did it one more time with two D800 images stitched into a 72 Megapixel monster! Who'll win Gold in the Megapixel Olympics? Find out in my Nikon D800 vs medium format article and look out for my final D800 review coming soon! Sat, 28 Jul 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_D800/Nikon_D800_vs_Phase_One_medium_format_quality.shtml http://www.cameralabs.com/reviews/Canon_EOS_Rebel_T4i_650D/sample_images.shtml Canon's EOS T4i / 650D is the company's latest upper entry-level DSLR, sporting 18 Megapixels, 1080p HD video and a fully-articulated touch-screen display. The T4i / 650D also becomes the first EOS DLSR to attempt continuous autofocusing during video and live view thanks to a new hybrid AF system which combines the benefits of phase-detect and contrast-based technologies. Ahead of my full review, here's a selection of Canon T4i / 650D sample images for your perusal, all taken with the new EF-S18-135mm STM lens! Fri, 27 Jul 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_EOS_Rebel_T4i_650D/sample_images.shtml http://www.cameralabs.com/reviews/Canon_EOS_M/ The EOS M is Canon's long-awaited entry into the mirror-less CSC market. It employs an 18 Megapixel APS-C sensor and a new EF-M lens mount with a 1.6x crop factor. Canon's launched the EOS-M with two native M-mount lenses, a 22mm f2 pancake prime (35mm equivalent) and an 18-55mm f3.5-5.6 stabilized zoom (29-88mm equivalent), both of which feature STM stepper motors for quick and quiet movie AF. Meanwhile, the entire Canon EF and EF-S lens catalogue is supported with autofocus and auto exposure using the optional EF-EOS M adapter. Find out more in my Canon EOS M preview complete with my detailed analysis! Wed, 25 Jul 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_EOS_M/ http://www.cameralabs.com/reviews/Nikon_Nikkor_85mm_telephoto_lens_comparison/ Nikon currently offers three 85mm prime lenses: the ageing AF 85mm f1.8D, the new AF-S 85mm f1.8G, and the largest aperture AF-S 85mm f1.4G, but if you're in the market for a fast short telephoto lens, which one will end up being best for you? To find out we compared all three Nikkors using a Nikon D800 and threw in the Sigma 85mm f1.4 for good measure. The result is an in-depth group test all Nikon DSLR owners should read, and there is one clear winner in the pack! Discover the pros and cons of all four models in our Nikon 85mm comparison! Sat, 21 Jul 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_Nikkor_85mm_telephoto_lens_comparison/ http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_G5/ Panasonic's Lumix G5 is the latest in its growing range of mirrorless compact system cameras, or as it now likes to call them, DSLMs. Headline upgrades over the earlier G3 include a new 16 Megapixel sensor, 1080p video, 6fps shooting, three-frame HDR, a selection of art effects, a silent shutter option, a new lever for power zoom lenses and the ability to touch-focus with the screen while composing with the viewfinder. I got to try out the G5 and interview the manager of the Lumix division at the European press event. Find out more in my Panasonic G5 preview! Sat, 21 Jul 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_G5/ http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_24-85mm_f3-5-4-5G_ED_VR/sample_images.shtml Nikon's AF-S 24-85mm f3.5-4.5G ED VR is a new general-purpose zoom lens that works on the complete range of Nikon DSLRs and is fully corrected for full-frame, FX-format models. It features quick and quiet SWM focusing, Vibration Reduction to counteract camera shake, and weather-sealing on the lens mount. It's an affordable option for full-frame owners and one that's generating a lot of interest, so ahead of our full review I'd like to share a selection of sample images taken with a Nikon D800 to really put it through its paces! See our Nikon 24-85mm sample images. Mon, 16 Jul 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_24-85mm_f3-5-4-5G_ED_VR/sample_images.shtml http://www.cameralabs.com/features/Morocco_travel_and_photography_tips/ Morocco has always been high on my list of places to visit and in 2012 I finally made it a reality with a 12 day vacation around the country. Prior to leaving there were two classic images I wanted to capture: the winding streets of old Marrakech and the sand dunes of the Sahara Desert. After hitting the road though I quickly realized Morocco has so much more to offer the traveller and photographer. It's safe, friendly, easy to get around and boasts a surprisingly diverse range of spectacular views. So in my Morocco travel tips article, I'd like to share my route, photos and advice to help you plan an equally enjoyable journey! Even if you're not going though, you may still enjoy my story! Sun, 15 Jul 2012 00:00:00 GMT http://www.cameralabs.com/features/Morocco_travel_and_photography_tips/ http://www.cameralabs.com/reviews/Sigma_85mm_f1-4_EX_DG_HSM/ The Sigma AF 85mm f/1.4 EX DG HSM is a short telephoto lens with a bright f1.4 focal ratio. Available for Canon, Nikon, Sony, Pentax and Sigma mounts, it's also the cheapest 85mm f1.4 lens around with autofocusing capabilities, which makes it a tempting option for those who can't stretch to the high prices of the Nikon 85mm f1.4G or Canon EF 85mm f1.2. We tested the F-mount version on a Nikon D800 to really put it through its paces. Find out how it performs in our Sigma 85mm f1.4 review and look out for a group test coming soon! Wed, 11 Jul 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Sigma_85mm_f1-4_EX_DG_HSM/ http://www.cameralabs.com/features/Working_holiday/Portable_audio_best_earphones.shtml When you're away from home for any length of time you'll inevitably miss your creature comforts. It's different for everyone, but if you're anything like me, you'll pine for your Hifi system. But salvation is at hand for audiophiles on the road: during my working holiday I've discovered how to enjoy top quality audio from a laptop without compromising portability. In my video I'll reveal four key components, each of which can dramatically improve music on the move. Throughout the video I'll also share a selection of my latest photos taken around the UK's Southwest and London. So if you're a laptop user who loves music, check out my Hifi on the move video! Fri, 6 Jul 2012 00:00:00 GMT http://www.cameralabs.com/features/Working_holiday/Portable_audio_best_earphones.shtml http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_ZS15_TZ25/ Panasonic's Lumix ZS15, or TZ25 as it's known outside North America, is a 16x super-zoom camera. It's the more affordable version of the flagship ZS20 / TZ30 super-zoom, and while it lacks its 20x zoom, GPS and touchscreen, it still features a strong core of features including 1080i HD video, full manual control and a stabilized 16x zoom range. Crucially, by employing a slightly lower resolution 14 Megapixel sensor, some may actually prefer the photo quality of this cheaper model. To help you choose the best super-zoom, I compared the ZS15 / TZ25 against the top-end ZS20 / TZ30 and Canon's SX240HS in my Panasonic ZS15 / TZ25 review! Sat, 30 Jun 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_ZS15_TZ25/ http://www.cameralabs.com/reviews/Olympus_OM-D_E-M5/ The E-M5 is the first mirrorless compact system camera from Olympus with a built-in EVF and weatherproof construction. It's styled like the hugely popular OM series of 35mm SLRs in the Seventies, but inside is a thoroughly modern camera based on the Micro Four Thirds standard. It features 16 Mpixels, 9fps shooting, 1080p video, a vertically-tilting 3in OLED touch-screen, built-in 5-axis stabilisation which works with any lens and what Olympus claims is the World's fastest AF. Is this the ultimate all-round mirrorless camera? To find out we put it up against the Sony NEX-7, Panasonic G3 / GX1 and more in our in-depth Olympus E-M5 review! Wed, 20 Jun 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Olympus_OM-D_E-M5/ http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_85mm_f1-4G/ The Nikkor AF-S 85mm f1.4G is Nikon's top of the range short telephoto lens. Cameralabs' lens tester Thomas was impressed when he tested it with a D300 and D700 last year, but the big question now is how well it handles the increased demands of the 36 Megapixel D800? To find out, Thomas has completely retested the 85mm f1.4G on the D800 and delivered a brand new page of updated results to complement his existing review! See his Nikon 85mm f1.4G review for the full run-down! Sun, 17 Jun 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_85mm_f1-4G/ http://www.cameralabs.com/reviews/Sigma_150-500mm_f5-6-3_DG_OS_HSM/ If you're into wildlife photography or distant sports action you'll want the biggest lens you can afford, but they rarely come cheap. This is where Sigma really comes into its own, offering three affordable stabilized super-telephoto zooms: the 120-400mm, 150-500mm and 50-500mm. The 150-500mm is arguably the most compelling of the three as it delivers a long 500mm reach at a comfortably lower price than the 50-500mm. Cameralabs' lens tester Thomas pushed it to the limits on a Nikon D800. See how it faired in his Sigma 150-500mm review! Thu, 14 Jun 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Sigma_150-500mm_f5-6-3_DG_OS_HSM/ http://www.cameralabs.com/features/Working_holiday/ Here’s part four of my travel video blog, filmed from a holiday camp in Salou, Spain. As promised I’ve dedicated this video to describing the settings, techniques and equipment behind some of my favourite photos from my earlier trip around Morocco. I’ll start with a quick update on my working holiday so far, but if you want to skip straight to the photography tutorials, head to 4:30 on the timeline! My next video will be from the UK! Tue, 12 Jun 2012 00:00:00 GMT http://www.cameralabs.com/features/Working_holiday/ http://www.cameralabs.com/reviews/Sony_Cyber-shot_DSC_RX100/ Sony's Cyber-shot RX100 packs a large 20 Megapixel sensor, bright 3.6x zoom, 1080p video and 10fps burst shooting into a pocket-sized metal body. It's Sony's answer for enthusiasts who want a compact camera without compromising on quality and control, and unlike most efforts to date, it really looks like we've got what we want this time. Find out why this could be the perfect pocket camera for you in my Sony RX100 preview! Thu, 7 Jun 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Sony_Cyber-shot_DSC_RX100/ http://www.cameralabs.com/reviews/Nikon_D3200/ The Nikon D3200 is the company's latest entry-level DSLR. It replaces the best-selling D3100 and boosts the resolution from 14 to 24 Megapixels using what I believe is the same sensor as the Sony NEX-7 and SLT A65 / A77. The 1080p movie mode now includes 25 and 30fps options along with an external mic input, the continuous shooting accelerated from 3 to 4fps and the screen detail increased from 230k to 920k; there's also an optional Wifi adapter for remote-controlling the camera with Android and later iOS devices. Is this the ultimate entry-level DSLR? Find out in my Nikon D3200 review! Mon, 4 Jun 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_D3200/ http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_28mm_f1-8G/ The Nikkor AF-S 28mm f/1.8G is a new wide angle lens for Nikon's range of DX and full-frame FX-format DSLRs. Cameralabs' moderator and chief Nikon lens tester Thomas has been hard at work putting this lens through its paces with a D800 to see what it's capable of. The result is another in-depth review which reveals the good - and the not so good - news about this prime lens. Find out if it'll make your shortlist in his Nikon AF-S 28mm f1.8G review - which also happens to be one of the first you'll find anywhere online! Fri, 1 Jun 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_28mm_f1-8G/ http://www.cameralabs.com/reviews/Olympus_OM-D_E-M5/Olympus_EM5_vs_Panasonic_GX1_G3_noise_RAW.shtml The OM-D E-M5 is the first mirrorless CSC from Olympus with a built-in EVF and weatherproof construction. It's styled like the hugely popular OM series of 35mm SLRs in the Seventies, but inside is a thoroughly modern camera based on the Micro Four Thirds standard. It features 16 Mpixels, 9fps shooting, 1080i video, a tilting 3in OLED touch-screen, built-in stabilisation which works with any lens and what Olympus claims to be the World's fastest AF (again). But the big question is how the image quality measures-up, especially compared to its Micro Four Thirds rival, the Panasonic GX1. Ahead of my full review I compared their noise levels in RAW without any noise reduction to reveal their performance, warts and all! Thu, 31 May 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Olympus_OM-D_E-M5/Olympus_EM5_vs_Panasonic_GX1_G3_noise_RAW.shtml http://www.cameralabs.com/reviews/Fujifilm_X-Pro1/ Fujifilm's X-Pro1 is a mirror-less CSC aimed at a higher-end market than most models to date. It inherits the retro styling of the earlier X100 with its analogue controls and innovative hybrid rangefinder system, but adds a new interchangeable lens mount and a cunning sensor which claims to avoid moiré and match or exceed the quality of full-frame DSLRs. Maintaining its high-end credentials, Fujifilm's launching the X-Pro1 with three very nice looking fast prime lenses. Could this be the CSC demanding pros and enthusiasts have been waiting for? Find out in my Fujifilm X-Pro1 review! Sun, 27 May 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Fujifilm_X-Pro1/ http://www.cameralabs.com/reviews/Nikon_D3200/sample_images.shtml The Nikon D3200 is the company's latest entry-level DSLR. It replaces the best-selling D3100 and boosts the resolution from 14 to 24 Megapixels using what I believe is the same sensor as the Sony NEX-7 and SLT A65 / A77. The 1080p movie mode now includes a 30fps option along with an external mic input, the continuous shooting accelerated from 3 to 4fps and the screen detail increased from 230k to 920k; there's also an optional Wifi adapter for remote-controlling the camera with Android and later iOS devices. Ahead of our full review, check out our Nikon D3200 sample images to see how a 24 Megapixel entry-level DSLR really performs in practice! Sat, 26 May 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_D3200/sample_images.shtml http://www.cameralabs.com/features/Working_holiday/ I've just uploaded the third part of my video travel blog, filmed outside the Fundacio Joan Miro in Barcelona! In this video I'll show you some of my favourite things to see and do around Barcelona before going into detail about how it's been trying to get some serious work done while you're away from home or the office. During the video I'll also show you a selection of my favourite photos from my week in Barcelona along with the settings used. Thu, 24 May 2012 00:00:00 GMT http://www.cameralabs.com/features/Working_holiday/ http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_85mm_f1-8G/ The Nikkor AF-S 85mm f/1.8G is a new short telephoto lens for Nikon DSLRs. It replaces the ageing AF 85mm f/1.8D from 1994 and provides a much more affordable alternative to the premium AF-S 85mm f/1.4G. The big question is whether the new 85mm f/1.8G can match the impressive performance of Nikon's other recent f/1.8G primes; it does after-all cost less than a third of the f/1.4G version. See how it measures-up on the unforgiving Nikon D800 in our Nikkor AF-S 85mm f/1.8G review! Wed, 23 May 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_85mm_f1-8G/ http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_28mm_f1-8G/sample_images.shtml The Nikkor AF-S 28mm f/1.8G is a new wide angle lens for Nikon's DSLRs. Cameralabs' moderator and cheif Nikon lens tester Thomas has been hard at work and put together a nice gallery of sample images for you to examine at your leisure! And the best part? They're all taken with the Nikon D800, so you can really see what this lens is capable of! See our Nikkor AF-S 28mm f/1.8G sample images! Mon, 21 May 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_28mm_f1-8G/sample_images.shtml http://www.cameralabs.com/reviews/Canon_PowerShot_A2300/ Canon's PowerShot A2300 is a budget point-and-shoot camera that represents a step-up from the cheapest models on the market. It sports 16 Megapixels and a 5x optical zoom with a 28mm wide-angle. Interestingly Canon's strategy for 2012 is to equip most of its PowerShot A series with the same lens and sensor, but gradually add more features on the higher-end models. So here we've pitched the A2300 against the A3400 IS to see whether it's worth spending a bit more or simply sticking with the entry-level model. See my Canon A2300 review for the answer! Sun, 20 May 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_A2300/ http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_Micro_105mm_f2-8G_VR/ The AF-S Micro-Nikkor 105mm is Nikons flagship macro lens. It sports an f2.8 aperture, vibration reduction and is corrected for full-frame FX-format bodies, including the latest D800. The 105mm focal length allows you to enjoy 1:1 reproduction at a distance of 15cm with good isolation and it doubles-up as a respectable portrait or short telephoto lens. Find out how it compares to the DX 85mm and DX 40mm lenses in our Nikon 105mm macro review, and check back soon for FX-format updates made with a D800! Thu, 17 May 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_Micro_105mm_f2-8G_VR/ http://www.cameralabs.com/reviews/Canon_PowerShot_SX240_HS_SX260_HS/ Canon's PowerShot SX240 HS and SX260 HS are the company's pair of 2012 pocket super-zooms. They both sport 20x optical zooms equivalent to 25-500mm, 12 Megapixel sensors, 1080p video, and 3in screens. The only aspect where the two models differ are GPS capabilities: the SX260 HS has a built-in GPS, whereas the SX240 HS does not. Otherwise these models are identical and up against Panasonic and Sony's latest pocket super-zooms which also share 20x ranges. Which is best for you? Find out in my Canon PowerShot SX240 HS / SX260 HS review! Sun, 13 May 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_SX240_HS_SX260_HS/ http://www.cameralabs.com/reviews/Samsung_NX200/ Samsung's NX200 is another option in a growing market of small cameras with big sensors and removeable lenses. This mirrorless compact system camera sports 20.3 Megapixels on a large APS-C sensor, 1080p video recording, a detailed 3in OLED screen and 7fps continuous shooting. It builds upon the earlier NX models and Samsung is making a serious bid to compete against Sony, Panasonic, Olympus and Nikon in this market, but can it succeed? Find out in my Samsung NX200 review where I'll pitch it directly against the Sony NEX-5N! Wed, 2 May 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Samsung_NX200/ http://www.cameralabs.com/reviews/Sony_Alpha_SLT_A77/ Sony's Alpha SLT-A77 sports one of the most impressive feature-sets of any camera around right now, with 24 Megapixels, 1080p video at 50 / 60fps, 12fps shooting, built-in stabilization, a 19-point AF system, fully-articulated 3in VGA screen, built-in GPS and one of the biggest and most detailed electronic viewfinders to date. Thanks to the innovative fixed-mirror design, it also allows continuous autofocusing while filming video, and if you needed any further icing on the cake, Sony will optionally bundle it with a classy 16-50mm f2.8 kit lens. Supply issues have prevented us from reviewing the A77 until now, but it’s such an important and exciting camera that I wanted to ensure it still got the Cameralabs treatment. So better late than never, here’s our Sony A77 review! Sat, 21 Apr 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Sony_Alpha_SLT_A77/ http://www.cameralabs.com/reviews/Canon_EOS_5D_Mark_III/ Canon's EOS 5D Mark III is the long-awaited successor to the best-selling 5D Mark II, and builds on the success of this full-frame DSLR with superior build, a more accurate viewfinder, a larger and more detailed screen, considerably more sophisticated 61-point AF system, faster 6fps continuous shooting and a raft of enhancements to the movie capabilities; there's even seven-frame bracketing. And while the sensor resolution is only slightly higher, it boasts lower noise for stills and video. It's one of the most highly anticipated DSLRs for years but arrives at the same time as Nikon's 36 Megapixel D800. I tested both models side-by-side in my Canon 5D3 review where you'll discover how each performs. This is Clash of the Titans part 1 and in part 2 I'll delve into their RAW capabilities just as soon as the software converters are performing satisfactorily. Tue, 10 Apr 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_EOS_5D_Mark_III/ http://www.cameralabs.com/reviews/Canon_EOS_5D_Mark_III/Canon_5D3_vs_Nikon_D800_noise.shtml It's Clash of the Titans! I've been thoroughly testing the Canon EOS 5D Mark III against the Nikon D800 and ahead of my full reviews of both models I can now share my image quality results! The link here takes you to my noise comparison page, but make sure you also take a look at my 5D3 vs D800 quality page which compares them for a bright outdoor scene at 100 ISO. As you'd expect, the D800 wins on detail at low ISOs, while the Mark III wins on noise at high ISOs. But by how much and at what point? Find out in my full set of Canon 5D3 quality results, which also include comparisons against the 5D Mark II, the D800 at 20 Megapixels, and for good measure, the Sony NEX-7! (Note I will add RAW results once the converters are all bug-fixed and final) Thu, 5 Apr 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_EOS_5D_Mark_III/Canon_5D3_vs_Nikon_D800_noise.shtml http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_ZS20_TZ30/ The Lumix ZS20 / TZ30 is the 2012 version of Panasonic's enormously popular travel-zoom camera. This new model extends the optical zoom from 16x to 20x, delivering an equivalent range of 24-480mm, making it the longest lens in a pocketable body. And it is more pocketable too at over 5mm thinner, while still featuring built-in GPS and a touch-screen. Other upgrades include 1080p video, a raft of special effects, the option to load street-level maps for major regions from a supplied DVD, and a new sensor which Panasonic claims improves noise levels over its predecessor. I've now completed my in-depth tests, so take a look at my Panasonic ZS20 / TZ30 review to see if it's the ideal pocket super-zoom for you! Tue, 3 Apr 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_ZS20_TZ30/ http://www.cameralabs.com/reviews/Nikon_D800/sample_images.shtml Now it's the turn of the Nikon D800! I've started testing a final production sample of the D800, the highest resolution DSLR to date, and ahead of my full review, I've completed my sample images gallery. This includes my standard collection of images taken around Queenstown, New Zealand with a variety of lighting conditions and ISO sensitivities. Following my EOS 5D Mark III sample images, I've also included a complete sequence of images taken in low light at 50-25600 ISO, allowing you to download and compare full resolution images for yourself - and crucially see how they measure-up against the 5D Mark III. I hope you find my Nikon D800 sample images useful, and check back soon for more quality comparisons and sample movies! Sat, 31 Mar 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_D800/sample_images.shtml http://www.cameralabs.com/reviews/Canon_EOS_5D_Mark_III/sample_images.shtml As part of my on-going Canon EOS 5D Mark III review, I can now share my complete sample images gallery. This includes my standard collection of images taken around Queenstown, New Zealand with a variety of lighting conditions and ISO sensitivities. For the first time I've also included a complete sequence of images taken in low light at 100-102400 ISO, allowing you to download and compare full resolution images for yourself. This gallery joins my existing 5D3 vs 5D2 noise, 5D3 vs 5D2 movies and 5D3 preview. I hope you find my Canon 5D3 sample images useful! Wed, 28 Mar 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_EOS_5D_Mark_III/sample_images.shtml http://www.cameralabs.com/reviews/Canon_EOS_5D_Mark_III/high_ISO_noise.shtml The Canon EOS 5D Mark III is the successor to the enormously popular EOS 5D Mark II, and builds on the success of this full-frame DSLR. The sensor resolution has been boosted a little, but Canon is claiming lower noise levels. To find out, I shot the same scene with the 5D Mark III and 5D Mark II moments apart using the same lens. Find out how they compare in my 5D3 vs 5D2 noise results, and check back soon for RAW comparisons! This results join the movie comparisons I posted yesterday as part of my ongoing review-in-progress! See my main Canon 5D Mark III preview for full details! Fri, 23 Mar 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_EOS_5D_Mark_III/high_ISO_noise.shtml http://www.cameralabs.com/reviews/Canon_EOS_5D_Mark_III/ The Canon EOS 5D Mark III is the successor to the enormously popular EOS 5D Mark II, and builds on the success of this full-frame DSLR. The previous 5D Mark II was the first DSLR to offer 1080p HD video and quickly became the go-to camera for independent film makers on a budget, not to mention bigger productions wanting 'affordable' B-cameras. Canon claims to have made a raft of improvements on the Mark III's movie mode, so I'm going to kick-off my tests with a video comparison against the Mark II in low light. You'll see how they directly compare at 3200, 6400 and 12800 ISO in the Movie samples section of my Canon EOS 5D Mark III preview. Check back soon for some stills... Thu, 22 Mar 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_EOS_5D_Mark_III/ http://www.cameralabs.com/reviews/Canon_PowerShot_G1_X/ Canon's PowerShot G1 X takes the classic style of the popular G-series, but squeezes in a considerably larger sensor roughly between Micro Four Thirds and APS-C in size. Like previous G-series models, there's a fixed lens, this time with a 4x stabilised 28-112mm range. There's also a hotshoe, stacks of manual control, an articulated screen, viewfinder and now 1080p video too. Has Canon created one of the most compelling compacts for enthusiasts, or in the torrent of mirror-less CSCs, is it too little too late? Find out in my Canon PowerShot G1 X review! Thu, 15 Mar 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_G1_X/ http://www.cameralabs.com/reviews/Sony_Alpha_NEX_7/ The NEX-7 is Sony's flagship Compact System Camera, CSC, and arguably the first of the mirrorless cameras to really target demanding enthusiasts. It boasts a 24 Megapixel APS-C sensor, Full HD 1080p video, an ultra high resolution built-in electronic viewfinder, tilting screen, 10fps continuous shooting, microphone input and both a popup flash and a hotshoe. Throw-in an innovative three dial control system and you've got a camera that justifiably has enthusiasts very excited. But with delays in shipping it's given us time to evaluate whether the NEX-7 really delivers on the hype. In our Sony NEX-7 review, find out how this powerful CSC measures-up against a mid-range DSLR and the considerably cheaper NEX-5N. Thu, 1 Mar 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Sony_Alpha_NEX_7/ http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_GX1/ The Lumix GX1 is Panasonic's fourth 'pocketable' camera to employ the Micro Four Thirds standard, but rather than replace an existing model, it represents a new category in the Lumix G series, aimed at enthusiasts. Externally the GX1 resembles the original GF1, with its chunky body, flash hotshoe and mode dial, but the body is much tougher, features a touch-screen display, supports UHS-I memory cards and a new electronic viewfinder, films Full HD video, and crucially employs the 16 Megapixel sensor from the Lumix G3. It's a compelling camera for enthusiasts and one I've spent the last two and a half months testing. Find out how it measures-up in my in-depth Panasonic GX1 review! Sat, 18 Feb 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_GX1/ http://www.cameralabs.com/photography_books/Landscape_photography/ Discover the techniques behind great landscape photography in this 86 page eBook guide by award-winning photographers Mike Langford and Jackie Ranken. In Creative Landscape Photography, Mike and Jackie use the stunning surroundings of Queenstown, New Zealand, to demonstrate both classic and contemporary approaches to capturing natural landscape images. This eBook is for anyone who wants to take their landscape photography to the next level! It costs $9.97 USD, has 86 pages and is sold as a downloadable 33MB PDF which can be viewed on almost any computer, laptop or tablet, including the iPad. Tue, 14 Feb 2012 00:00:00 GMT http://www.cameralabs.com/photography_books/Landscape_photography/ http://www.cameralabs.com/reviews/Nikon_D800/ The Nikon D800 is one of the most anticipated DSLRs of recent times. The impressive feature set is built around a new 36 Megapixel full-frame sensor with a 51-point AF system, Full HD 1080p video, and continuous shooting at 4fps, boostable to 6fps in cropped DX mode with the optional battery grip. There's also a D800E version which has a modified filter to eliminate the anti-aliasing effect, allowing you to manage any moire and potentially unlock even greater detail. I've spent the past few days since its announcement fully digesting the details, and am now pleased to bring you my in-depth analysis in my Nikon D800 preview! Fri, 10 Feb 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_D800/ http://www.cameralabs.com/reviews/Olympus_OM-D_E-M5/ Olympus has announced the E-M5, the company's first mirrorless CSC with a built-in EVF and weatherproof construction. It's styled like the hugely popular OM series of 35mm SLRs in the Seventies, but inside is a thoroughly modern camera based on the Micro Four Thirds standard. It features 16 Mpixels, 9fps shooting (with fixed AF), 1080i video, a vertically-tilting 3in OLED touch-screen, built-in stabilisation which works with any lens and what Olympus claims to be the World's fastest AF (again). Check back soon for my full preview, but in the meantime, find out the specs and features in my Olympus E-M5 preview! Wed, 8 Feb 2012 04:00:00 GMT http://www.cameralabs.com/reviews/Olympus_OM-D_E-M5/ http://www.cameralabs.com/reviews/Leica_M9-P/ This is the continuing story of one man's journey to acquire one of the world's most coveted luxury cameras, a Leica M9-P. What makes it special is he's not a wealthy adult, but a University student who's simply made it his mission to work hard and keep saving until his ambitious dream becomes a reality. The man in question is Camera Labs' forum moderator, Bjorn van Sinttruije, who finally collected his camera in person from the Leica HQ in Germany just two days before Christmas. In this latest installment, read all about Bjorn's magical day at the 'red-dot' factory and see a selection of his first street photos taken with the World's only mirrorless ILC with a full-frame sensor: the Leica M9-P! Fri, 3 Feb 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Leica_M9-P/ http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_DX_Micro_85mm_f3-5G_VR/ Nikon's DX 85mm f3.5G VR is a mid-range macro lens for owners of DX-format DSLRs. It delivers a step-up from the entry-level DX 40mm, with built-in Vibration Reduction and a longer focal length allowing you to work at a more comfortable distance while still enjoying 1:1 magnification. With an effective focal length of 128mm on a DX body it also doubles-up as a handy telephoto, and additionally features SWM focusing which works on any Nikon body. Find out how it compares to the DX 40mm and 105mm macro lenses in our Nikon DX 85mm macro lens review! Fri, 27 Jan 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_DX_Micro_85mm_f3-5G_VR/ http://www.cameralabs.com/photography_books/Wildlife_photography/ It's an exciting day at Camera Labs as we publish our first photography eBook! 'The Art of Photographing Wildlife' explains how to approach and photograph different types of animals, birds, insects and marine life while always respecting them and the environment. Author Mike Kiss is an expert wildlife photographer based in Saskatoon Saskatchewan Canada, and in the book shares his techniques along with recommended equipment and considerations on weather, safety and ethics. The eBook has 70 pages, is delivered as a standard PDF file, and costs $9.97. Find out more in our Wildlife photography page! Fri, 20 Jan 2012 00:00:00 GMT http://www.cameralabs.com/photography_books/Wildlife_photography/ http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_DX_Micro_40mm_f2-8G/ Nikon's DX 40mm f2.8G is the most affordable macro lens with 1:1 magnification for owners of DX-format DSLRs. It features a bright f2.8 aperture, SWM focusing which works with any Nikon DSLR, and delivers surprisingly good quality for the money. Certainly if you're interested in getting into macro-photography, but can't commit to one of the pricier models, the DX 40mm f2.8G will let you achieve great results at a low price, while also doubling-up as a short-telephoto for portraits. Find out how it compares to other macro options in our Nikon DX 40mm macro lens review! Tue, 17 Jan 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_DX_Micro_40mm_f2-8G/ http://www.cameralabs.com/reviews/Fujifilm_X-Pro1/ Fujifilm's X-Pro1 is a new mirror-less ILC aimed at a higher-end market than most models to date. It inherits the retro styling of the earlier X100 with its analogue controls and innovative hybrid rangefinder system, but adds a new interchangeable lens mount and a cunning sensor which claims to avoid moiré and match or exceed the quality of full-frame DSLRs. Maintaining its high-end credentials, Fujifilm's launching the X-Pro1 with three very nice looking fast prime lenses. Could this be the ILC demanding pros and enthusiasts have been waiting for? Find out more and see how it compares to rivals in my Fujifilm X-Pro1 preview! Thu, 12 Jan 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Fujifilm_X-Pro1/ http://www.cameralabs.com/reviews/Nikon_D4/ The Nikon D4 is the company's new flagship pro sports DSLR. It replaces the D3s with upgrades in resolution, movie capabilities, AF performance, metering and connectivity. The headline specs are a new 16.2 Megapixel full-frame sensor with an expanded sensitivity of 50 to 204,800 ISO, continuous shooting up to 10fps with AF, a 51-point AF system, a sophisticated new metering sensor, a wealth of movie modes, support for XQD memory cards, uncompressed HDMI output and a headphone jack. It's the pinnacle of Nikon's DSLR technology, but could it be the last of its kind? Discover all the new features, see how it compares to the Canon EOS 1D X and join the discussion in my Nikon D4 preview! Fri, 6 Jan 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_D4/ http://www.cameralabs.com/reviews/Olympus_E-PM1/ Happy New Year! Continuing a trend for mirror-less cameras with big sensors, I'm kicking-off 2012 with a review of one of the most affordable models yet! The Olympus E-PM1 is the baby in the current 'PEN' range, but packs the same sensor, 1080i movies, fast autofocus, hotshoe and built-in image stabilisation as the higher-end E-PL3 and E-P3. Nick-named the 'PEN Mini', the E-PM1 is designed to appeal to those who want to step up from a point-and-shoot, and as such it's smaller, lighter, more accessible and crucially cheaper than its more sophisticated siblings. Bargain or budget compromise? Find out if this is the ILC for you in my Olympus E-PM1 review! Tue, 3 Jan 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Olympus_E-PM1/ http://www.cameralabs.com/features/Queenstown_photography_photowalk/ Exactly one week ago I joined 30 photographers for the inaugural Photowalk in Queenstown, New Zealand. Christmas marks the height of Summer down here in New Zealand and the weather didn't disappoint, with great conditions as we circled the bay into the evening, capturing some classic Kiwi views and a lovely sunset. I've made a short film about the walk and to also showcase some of the great photos taken during the evening. So if you were there, wanted to be there, or simply wondered what happens at a photowalk, then check out my Queenstown Photowalk video! Which only leaves me to thank all the readers of Camera Labs for your support during 2011 and to wish you all a very Merry Christmas and Happy New Year! I hope you take some great photos over the holiday season! Sun, 25 Dec 2011 00:00:00 GMT http://www.cameralabs.com/features/Queenstown_photography_photowalk/ http://www.cameralabs.com/reviews/Nikon_1_V1/ The Nikon V1 is unique in the growing market of mirror-less interchangeable lens cameras (ILCs). Rather than compete on sensor size and resolution, the Nikon 1 system is designed to be the fastest ILC to date, with decent bursts at 10fps with autofocus, or up to 60fps without. Suffice it to say there's also HD movies with tracking focus, but the V1 can also grab high res images at the same time, so you no longer need to choose between photos and video. This makes the Nikon 1 system not just ideal for action sports, but also perfect for parents with active kids. I tested the V1 alongside the cheaper J1 and a selection of rival ILCs over an extended period of six weeks and really got to understand each of their pros and cons. Find out which ILC should be top of your list in my Nikon V1 review! Wed, 21 Dec 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_1_V1/ http://www.cameralabs.com/reviews/Sony_Alpha_NEX_5N/ Sony's NEX-5N is a mirror-less interchangeable lens camera (ILC) which packs a 16 Megapixel DSLR sensor into a small body. Like the original NEX-5, the new model boasts a 3in tilting screen, HD video and a raft of clever modes, but the 5N now makes the screen touch-sensitive, upgrades the movie quality and burst shooting, while offering greater customisation and the chance to fit an optional electronic viewfinder. It's a highly compelling ILC, but how does it compare to the Olympus E-P3 and Panasonic GX1? Find out in my Sony NEX 5N review! Mon, 12 Dec 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Sony_Alpha_NEX_5N/ http://www.cameralabs.com/reviews/Phase_One_IQ180_645DF/ Ever wondered what photos from one of the highest resolution cameras in the world look like? Wonder no more! I recently spent a Sunny afternoon in Queenstown New Zealand with the Phase One IQ180 medium format back, 645DF body and 80mm lens. The IQ180 packs nothing less than 80 Megapixels into a huge CCD sensor which is larger than two full-frame or four APS-C sensors placed side-by-side. This allows it to deliver unbelievably detailed images from a single exposure and in practice it sure doesn't disappoint. In my Phase One IQ180 field report, check out some of the most detailed digital images you've ever seen! Fri, 9 Dec 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Phase_One_IQ180_645DF/ http://www.cameralabs.com/reviews/Canon_PowerShot_ELPH_100_HS_IXUS_115_HS/ The Canon ELPH 100 HS / IXUS 115 HS is the most affordable model in the current ELPH / IXUS line-up, but judging from its feature-set you'd be hard-pushed to tell. It employs the same 12.1 Megapixel CMOS sensor and 1080/24p video mode as most other models in the range. It also packs a great general-purpose 4x 28-112mm zoom and 3in screen into a slim and attractive body. So is there any point in spending more? Find out in our Canon ELPH 100 HS / IXUS 115 HS review where we'll compare it against other models in the Canon range. Wed, 7 Dec 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_ELPH_100_HS_IXUS_115_HS/ http://www.cameralabs.com/reviews/Canon_PowerShot_ELPH_300_HS_IXUS_220_HS/ The ELPH 300 HS / IXUS 220 HS is the best-selling point-and-shoot camera in Canon's 2011 range. It delivers a canny balance of a decent lens range in a slim package at an affordable price. You get a 12 Megapixels, 1080p movies and a 5x optical zoom with flexible 24-120mm coverage packed into a slim and stylish body. It's a great combination, but for a little more you could get the 8x zoom of the ELPH 310 HS / IXUS 230 HS, or for a little less you could get the ELPH 100 HS / IXUS 115 HS with many of the same core features. It's a tough choice, so to help you choose the right point-and-shoot, we've compared all three in our Canon ELPH 300 HS / IXUS 220 HS review! Thu, 1 Dec 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_ELPH_300_HS_IXUS_220_HS/ http://www.cameralabs.com/reviews/Canon_PowerShot_S100/ Canon's PowerShot S100 is the latest version of its pocket-sized compact for enthusiasts. Like previous models, the S100 boasts full manual control, RAW recording and a bright lens with an f2.0 focal ratio when zoomed-out. New to the S100 is a broader 24-120mm equivalent range, 1080p video and a built-in GPS. It's a powerful new compact for those who want something smaller than an ILC without compromising on control, but one of the biggest questions is how the quality compares to the previous S95 with the switch from a 10Mpixel CCD to a 12Mpixel CMOS sensor. Find out how it compares to the S95 and other top-end compacts in my Canon S100 review! Mon, 28 Nov 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_S100/ http://www.cameralabs.com/reviews/GoPro_HD_Hero_2/ The HD Hero 2 is GoPro's latest wearable and gear-mountable camera. The HD Hero 2 builds on the enormously popular HD Hero with ultra-wide 170 degree video at 1080p, higher resolution stills, faster timelapse options, 120fps high-speed video, burst shooting at 10fps, HDMI and mic inputs along with a greatly improved screen. It also shares the same accessories and like its predecessor is supplied with a tough waterproof housing good to depths of 60m. As such it's not just ideal for action photography, but even as a 'B-camera' to complement video filmed with another camera on trips. See how it performs in our GoPro HD Hero 2 review, which includes a two-part video showcasing the best adventure activities in Queenstown, New Zealand! Wed, 23 Nov 2011 00:00:00 GMT http://www.cameralabs.com/reviews/GoPro_HD_Hero_2/ http://www.cameralabs.com/reviews/Canon_PowerShot_ELPH_510_HS_IXUS_1100_HS/ The Canon ELPH 510 HS / IXUS 1100 HS is a slim 12 Megapixel compact with a 12x zoom, 1080p video and a 3.2in touch-screen. Representing the flagship model in the ELPH / IXUS range, the 510 HS / 1100 HS is one of only two cameras in the current line-up endowed with touch screens and the one which pushes the outer limits in terms of zoom range. There are longer zooms out there, but housed in thicker bodies, so if you're looking for a good balance between reach and pocketability, this could be for you. Find out how this top-of-the-range model compares in our Canon ELPH 510 HS / IXUS 1100 HS review! Sun, 20 Nov 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_ELPH_510_HS_IXUS_1100_HS/ http://www.cameralabs.com/reviews/Canon_PowerShot_ELPH_310_HS_IXUS_230_HS/ Canon's PowerShot ELPH 310 HS / IXUS 230 HS is a slim and attractive point-and-shoot camera which packs-in a 12 Megapixel sensor, 1080p video recording and an 8x optical zoom lens. There's also a slow motion movie mode and the chance to create miniature movie effects. It's a highly compelling option, but flanked on either side of the Canon range by the best-selling ELPH 300 HS / IXUS 220 HS and the touch-screen ELPH 510 HS / IXUS 1100 HS. Can't decide which will be best for you? No problem! We compared all three in our Canon ELPH 310 HS / IXUS 230 HS review! Tue, 15 Nov 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_ELPH_310_HS_IXUS_230_HS/ http://www.cameralabs.com/reviews/Canon_PowerShot_SX150_IS/ Canon's PowerShot SX150 IS is a budget superzoom camera with a 12x optical range, 14 Mpixels, 720p HD video and a 3in screen. Intelligent Auto makes it easy for beginners, while those who like greater control will appreciate the mode dial, PASM exposure modes and the chance to manually adjust the focus. The SX150 IS may be lacking the bells and whistles of premium superzooms, such as having built-in GPS or super-fast continuous shooting, but it's a good solid performer for the money. Find out more and see how the quality and features compare to other models in our Canon SX150 IS review! Wed, 9 Nov 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_SX150_IS/ http://www.cameralabs.com/reviews/Olympus_E-PL3/ The Olympus E-PL3 is a 12 Megapixel Interchangeable Lens Camera based on the Micro Four Thirds standard. It's the middle model in the current Olympus PEN range, positioned below the flagship E-P3 and above the entry-level E-PM1. It can shoot 1080i video, boasts a fast 35-area AF system, and like all PEN cameras, features built-in stabilisation which works with any lens you attach; it's also the only Olympus PEN with a 16:9 shaped tilting monitor for easy framing at unusual angles. Find out how it compares against key rivals from Sony and Panasonic in our Olympus E-PL3 review! Sat, 5 Nov 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Olympus_E-PL3/ http://www.cameralabs.com/features/Nikon_D3x_review_Vermont_Fall_Photography/ Upgrading your camera is always an exciting process, but deciding on one model from a potential shortlist can often prove difficult. This especially applies if you're investing in a higher-end body where buying the wrong model could prove to be a costly mistake. Photographer Scott Kublin found himself in this position, needing to choose a new pro DSLR for his job, but stuck with a choice of ageing models or rumours of new ones just round the corner. It didn't help that he had an important shoot in Vermont to photograph the Fall Foliage in the pipeline. Should he buy the established but ageing Nikon D3x or wait to see what came out between now and the 2012 Olympics? Or in this time of change, would renting prove the best plan? In this article Scott describes the agony and ecstasy of choosing and testing pro DSLRs, while sharing a selection of photos from his Vermont Fall Foliage adventure. Thu, 3 Nov 2011 00:00:00 GMT http://www.cameralabs.com/features/Nikon_D3x_review_Vermont_Fall_Photography/ http://www.cameralabs.com/reviews/Canon_PowerShot_SX40_HS/ The PowerShot SX40 HS is Canon's latest super-zoom camera, sporting the same enormous 35x optical range as its predecessor, equivalent to 24-840mm. The new SX40 HS also sports the same body, which means it inherits a fully-articulated screen and flash hotshoe. The major change concerns the sensor with a switch from a 14 Megapixel CCD to a 12 Megapixel CMOS. This allows the SX40 HS to support 1080p video and fast continuous shooting, with the added benefit of lower noise too. Canon's enhanced one of the most powerful super-zooms on the market, but Sony and Panasonic haven't stood still. Find out how they compare in my Canon PowerShot SX40 HS review. Sun, 30 Oct 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_SX40_HS/ http://www.cameralabs.com/reviews/Sony_Alpha_NEX_C3/ Sony's Alpha NEX-C3 is the company's latest entry-level ILC, packing a big sensor into a tiny body. Like other NEX cameras, the C3 features nothing less than an APS-C sensor, matching the quality of most DSLRs, but in a much more portable body. It features 16 Megapixels, 720p HD video, a large and detailed tilting monitor, 5.5fps continuous shooting and the usual array of innovative modes we've come to love from Sony including Handheld Twilight and Sweep Panorama. It's a highly compelling option for anyone upgrading from a point and shoot camera, but up against tough rivals from Panasonic and Olympus. Find out how it compares in our Sony NEX-C3 review! Sun, 23 Oct 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Sony_Alpha_NEX_C3/ http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_GF3/ The Lumix GF3 is Panasonic's third 'pocketable' compact to employ the Micro Four Thirds standard. Arriving just seven months after the GF2, it packs a large sensor into a small body with a removable lens mount, and like that model makes further reductions in size and weight; indeed the GF3 becomes the smallest and lightest interchangeable lens camera (ILC) with a built-in flash, while also enjoying a new curvier body shape. Panasonic's clearly aiming the GF3 at anyone upgrading from a point-and-shoot camera, but Sony and Olympus also have compelling alternatives. Find out how they all compare, and which ILC is for you in our Panasonic Lumix GF3 review! Mon, 17 Oct 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_GF3/ http://www.cameralabs.com/reviews/Fujifilm_FinePix_HS20_EXR/ Fujifilm's FinePix HS20 EXR is a 16 Megapixel super-zoom camera with a 30x optical range and 3in articulated screen. These specifications sound comparable to many of its super-zoom rivals, but the HS20 EXR boasts a number of features which make it unique. First, the lens employs a mechanical zoom ring, like a DSLR lens. Secondly it takes AA batteries. Third and arguably most important, the sensor can reconfigure itself to become optimised for resolution, lower noise or higher dynamic range. Throw in 1080p video and RAW capabilities and you have a powerful feature-set which will delight enthusiasts. Find out how it compares - and crucially if the clever sensor really works - in our Fujifilm HS20 EXR review. Sun, 9 Oct 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Fujifilm_FinePix_HS20_EXR/ http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_FZ150/ The Panasonic Lumix FZ150 is one of the most powerful super-zoom cameras around right now. It features a 24x zoom (25-600mm equivalent), 1080p video, a fully articulated 3in screen, flash hotshoe, microphone input, support for RAW recording and much more! Thos familiar with Panasonic's range will note the features are almost identical to last year's Lumix FZ100, but for the new model, Panasonic claims to have improved the image quality with a lower resolution 12 Megapixel sensor. If they've fixed it, this could end up being the best super-zoom for enthusiasts. Find out in my Panasonic FZ150 review, where I've compared it against the cheaper FZ47 / FZ48 and arch rival, the Sony HX100V. Sun, 2 Oct 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_FZ150/ http://www.cameralabs.com/reviews/Olympus_E-P3/ The Olympus E-P3 is a 12 Megapixel Interchangeable Lens Camera, which boasts one of the fastest autofocus systems around. It's the latest flagship in the Olympus PEN series, based on the Micro Four Thirds standard. Like its predecessors, the E-P3 is packed with manual controls which will delight enthusiasts, and alongside these and the super-fast AF system are a high resolution OLED touch-screen and 1080i video recording. For this review, we took the E-P3 to the South of France, to see how it handled as a holiday / street photography camera. Find out how we got on in our Olympus E-P3 review! Sun, 25 Sep 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Olympus_E-P3/ http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_FZ47_FZ48/ The Lumix FZ47 / FZ48 is the latest Panasonic super-zoom, featuring a 24x stabilised range, 1080i video and 12 Megapixels. As before, Panasonic also offers a premium version: the new Lumix FZ150 adds progressive video, RAW, faster shooting, a flash hotshoe and an articulated screen. It's a clever strategy which allows the FZ150 to compete head-on against feature packed rivals from Canon and Sony, while the simpler FZ47 / FZ48 under-cuts them on price without compromising core features. To find out if it's still a compelling option in the face of more sophisticated models, check out my Panasonic Lumix FZ47 / FZ48 review, which concentrates on the new features, in particular the upgrade to 1080i video. Sun, 18 Sep 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_FZ47_FZ48/ http://www.cameralabs.com/reviews/Canon_EF_8-15mm_f4L_Fisheye_USM/ The Canon EF 8-15mm Fisheye zoom is a unique lens which delivers 180 degree fisheye views to any Canon DSLR, be it full-frame, APS-H or APS-C; full-frame owners also enjoy the option of full circular fisheye images. As such the EF 8-15mm effectively works as four lenses in one, making it invaluable for anyone who uses more than one Canon DSLR. It's one of the most exciting lenses in the Canon - or indeed any - catalogue so I've taken a different approach in my full review, featuring many more real-life images from a variety of conditions including one of the first tests showcasing it for snow-sports. I've also included second opinions from other photographers to see what they think of this unique lens. So for an in-depth hands-on report, check out my Canon EF 8-15mm Fisheye review! Mon, 12 Sep 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_EF_8-15mm_f4L_Fisheye_USM/ http://www.cameralabs.com/reviews/Sony_Alpha_SLT_A77/ Sony's Alpha SLT-A77 is one of the most highly-anticipated cameras of 2011. It sports a 24 Megapixel sensor, 1080p video, 12fps shooting, built-in stabilisation, a 19-point AF system, fully-articulated 3in VGA screen, GPS and one of the biggest and most detailed electronic viewfinders to date. Like Sony's earlier SLTs, the A77 employs a fixed semi-reflective mirror which allows continuous autofocusing for movies and live view. There's a lot to take-in, so in this preview I've explained all the new features in detail, looked at the pros and cons of the SLT design, and compared the features against key rivals. Find out more about one of 2011's most exciting cameras in my Sony Alpha SLT-A77 preview! Tue, 30 Aug 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Sony_Alpha_SLT_A77/ http://www.cameralabs.com/reviews/Nikon_COOLPIX_S9100/ The COOLPIX S9100 is Nikon's latest super-zoom camera, beating its rivals to squeeze nothing less than an 18x optical range into a pocketable body. In addition, the COOLPIX S9100 offers 1080p video recording, a large 3in screen and shift stabilisation for its 12 Megapixel sensor. The big lens is the headline feature though, so the question is how its quality measures-up against rivals. To find out we compared the S9100's performance with the Canon SX230 HS, Panasonic TZ20 / ZS10 and Sony HX9V. Find out which pocket super-zoom will be best for you in our Nikon COOLPIX S9100 review! Sun, 21 Aug 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_COOLPIX_S9100/ http://www.cameralabs.com/reviews/Sony_Cyber-shot_DSC_HX100V/ The Cyber-shot HX100V is Sony's latest super-zoom camera, boasting nothing less than a 30x optical zoom range, 16.2 Megapixel CMOS sensor, high resolution tilting 3in screen, Full HD video, 10fps shooting and a built-in GPS to tag your images with location details. It also includes Sony's clever Sweep Panorama and image-stacking noise reduction modes. As such it's essentially the HX9V in a DSLR-styled body but with almost double the zoom range and an articulated screen. So it's up against some big-hitters including Canon's PowerShot SX30 IS and Fujifilm's HS20EXR. Find out if it's the best super-zoom yet in our Sony Cyber-shot HX100V review! Sun, 14 Aug 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Sony_Cyber-shot_DSC_HX100V/ http://www.cameralabs.com/reviews/Sony_Cyber-shot_DSC_HX9/ The Cyber-shot HX9V is Sony's latest pocket super-zoom, sporting a 16x range with impressive 24mm wide-angle coverage, a new 16.2 Megapixel CMOS sensor, a high resolution 3in screen, Full HD video, fast continuous shooting, and a built-in GPS. If that wasn't enough, the HX9V also includes Sony's clever image stacking modes to reduce noise, blur or create panoramas in-camera, along with a new defocus option to simulate shallow depth-of-field effects. It's an impressive specification, so the big question is how it compares to its big rivals from Canon, Nikon and Panasonic. Find out in our Sony Cyber-shot DSC-HX9V review! Mon, 1 Aug 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Sony_Cyber-shot_DSC_HX9/ http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_50mm_f1-8G/ The Nikkor AF-S 50mm f/1.8G is an affordable prime lens for Nikon DSLRs. On FX bodies it delivers standard coverage, while on DX bodies it becomes equivalent to 75mm, ideal for flattering portraits. The f1.8 aperture gathers plenty of light, making it useful in dim conditions or for minimizing the depth of field, and it also enjoys the crucial advantage over the ageing 50mm f1.8D of autofocusing with any Nikon DSLR including the most affordable bodies. So the big question is how it compares against the pricier 50mm f1.4G version and whether it's worth spending the extra or saving some cash on this new more affordable model. Find out in our Nikon 50mm f1.8G lens review! Sun, 24 Jul 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_50mm_f1-8G/ http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_FX77_FX78/ Panasonic's Lumix FX77 / FX78 is a slim 12 Megapixel compact with a 5x stabilised zoom and large 3.5in touch-screen display. The lens coverage starts at a wider than average 24mm equivalent and there's also Full HD video recording along with the chance to generate 3D images with a clever panning mode. It's a strong specification, but as always there's tough competition in the form of Sony's Cyber-shot TX10 and Canon's PowerShot 500 HS / IXUS 310 HS. We've compared the quality and performance of all three, so to find out which touch-screen compact will be best for you, check out our Panasonic Lumix FX77 / FX78 review! Sun, 17 Jul 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_FX77_FX78/ http://www.cameralabs.com/reviews/Canon_PowerShot_SX230_HS/ The PowerShot SX230 HS is Canon's flagship pocket super-zoom camera. It sports a 14x optical zoom, Full HD 1080p movie recording, a widescreen display, and built-in GPS receiver to tag your photos with your exact position. Perhaps most interestingly of all though is the resolution which Canon has kept at a sensible 12 Megapixels when its rivals are pushing 14 and 16 Megapixels. Does this give the competition an advantage in detail or Canon an edge on noise levels? Find out in our Canon PowerShot SX230 HS review, where we'll compare its performance and features against the Panasonic Lumix TZ20 / ZS10 and Sony Cyber-shot HX9V. Sun, 10 Jul 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_SX230_HS/ http://www.cameralabs.com/reviews/Canon_EOS_Rebel_T3_1100D/ The EOS Rebel T3 / 1100D is Canon's latest entry-level DSLR. It features a solid specification, packing 12 Megapixel resolution, 720p HD movies, Live View and a 9-point AF system into an affordable body. The sensor may have come from an older model, but coupled with Canon's latest metering and image processing delivers respectable results. The question then is how it compares against rivals like Nikon's D3100? Both companies have adopted quite different strategies for their entry-level DSLRs so in my review I've compared their features, handling and quality. Discover which will be your ideal budget DSLR in my Canon EOS Rebel T3 / 1100D review! Sun, 3 Jul 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_EOS_Rebel_T3_1100D/ http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_G3/ Panasonic's Lumix G3 is a compact interchangeable lens camera with a 16 Megapixel DSLR-sized sensor and HD video capabilities. Successor to the Lumix G2, it's the first of Panasonic's third generation of 'EVIL' cameras, and like its predecessors, based on the Micro Four Thirds standard. It features a fully-articulated touch-sensitive screen which will focus on any subject you tap, even while filming videos. It's also got a clever Auto mode, one of the fastest contrast-based AF systems and very respectable image quality which should all have you rethinking whether a traditional DSLR really is for you. See my Panasonic Lumix G3 review! Sun, 26 Jun 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_G3/ http://www.cameralabs.com/reviews/Sony_Cyber-shot_DSC_TX10/ The Cyber-shot TX10 is Sony's latest touch-screen compact. Like previous TX-series models, the lens is entirely housed within the body, allowing the camera to be very slim and powered-on and off with a tactile sliding cover. Along with a large 3in screen, the TX10 sports a 16.2 Megapixel sensor, 4x stabilised zoom and Full HD video recording, not to mention Sony's clever 3D and Sweep Panorama modes. And there's more: the TX10 is waterproof down to 5m, shockproof to 1.5m and freeze-proof to -10C! Find out how it compares against Canon's and Panasonic's touch-screen rivals in our Sony Cyber-shot TX10 review! Sun, 19 Jun 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Sony_Cyber-shot_DSC_TX10/ http://www.cameralabs.com/reviews/Canon_PowerShot_ELPH_500_HS_IXUS_310_HS/ Canon's PowerShot ELPH 500 HS or IXUS 310 HS is the company's latest touch-screen compact. It sports a 12.1 Megapixel CMOS sensor, a 4.4x stabilised zoom with wide coverage equivalent to 24mm, Full HD 1080p video recording and a large touch-sensitive screen which occupies almost the entire rear surface. The HS label stands for High Sensitivity, which the camera achieves with its sensible resolution and unusually bright aperture of f2.0 when zoomed-out; this gives it a real edge over most rivals in low light. It sounds like an ideal compact - find out if it lives up to expectations in our Canon ELPH 500 HS / IXUS 310 HS review! Sun, 12 Jun 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_ELPH_500_HS_IXUS_310_HS/ http://www.cameralabs.com/reviews/Canon_EOS_Rebel_T3i_600D_vs_Nikon_D5100_comparison/ The Canon EOS Rebel T3i / 600D and Nikon D5100 are two of the most popular DSLRs right now. Both deliver a step-up over entry-level models, sporting a number of key improvements without breaking the bank. The big question then is which one is best-suited to you personally? On the surface they seem to share a lot in common, but scratch below the surface and a number of important differences become apparent. So to help you make the right choice, I've made a 20 minute HD video detailing ten of the most important differences between the two models and demonstrating them in practice. So check out my Canon T3i / 600D vs Nikon D5100 comparison! Wed, 8 Jun 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_EOS_Rebel_T3i_600D_vs_Nikon_D5100_comparison/ http://www.cameralabs.com/reviews/Nikon_D5100/ The D5100 is Nikon's latest 'upper-entry-level' DSLR aimed at beginners or those wanting a step-up from a basic budget model. Successor to the popular D5000, the new model features a number of improvements including the D7000's excellent sensor, a larger, more detailed and better-articulated screen, a selection of fun effects and a raft of movie enhancements including 1080p video, continuous AF and a mic input. It all adds up to a decent upgrade and a compelling camera for new buyers, but how does Canon's similarly-priced EOS 600D / T3i compare? Find out in my in-depth Nikon D5100 review! Mon, 30 May 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_D5100/ http://www.cameralabs.com/reviews/Think_Tank_Airport_Acceleration_v2_bag/ The Think Tank Airport Acceleration v2 is a camera backpack designed to accommodate two pro DSLRs, several lenses including one as large as a 500mm f4, and a 15in laptop, while looking discreet and complying with airline carry-on restrictions. I needed a serious camera bag for a trip to Florida to photograph a Space Shuttle launch which had to meet several key requirements: it had to carry several bodies and lenses with comfort while satisfying airline and NASA security and not screaming 'camera bag'! The Airport Acceleration fitted the bill and proved to be ideal for frequent flyers who need to lug around a lot of equipment with discretion. Find out more in my Think Tank Airport Acceleration v2 review! Wed, 25 May 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Think_Tank_Airport_Acceleration_v2_bag/ http://www.cameralabs.com/reviews/Sony_Cyber-shot_DSC_W510/ The Cyber-shot W510 is the cheapest of four point-and-shoot cameras launched by Sony earlier this year, but doesn't skimp on features. The 12 Megapixels, 4x optical zoom and 2.7in screen sound average enough, but dig a little deeper and you'll discover the lens zooms-out wider than most to 26mm equivalent, and for even bigger views, there's Sony's excellent Sweep Panorama mode which stitches multiple shots into a single image. Impressively the W510 is also slimmer than most entry-level cameras. Find out how it compares against key rivals from Canon and Nikon in our Sony Cyber-shot DSC-W510 review! Sun, 22 May 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Sony_Cyber-shot_DSC_W510/ http://www.cameralabs.com/reviews/Canon_EF_500mm_f4L_IS_USM/ Canon's EF 500mm f4L IS USM is a super-telephoto lens adored by wildlife and sports photographers alike. The focal length, equivalent to 800mm on a cropped-frame body, delivers decent-sized images of distant subjects, while the f4 maximum aperture allows you to isolate them with a very shallow depth-of-field. It's a superb lens but don't let the huge price tag put you off - for less than you think, you could rent one for a special event, which is exactly what I did for a recent trip to Florida to view a Space Shuttle launch. Find out why it ended up being my favourite lens in my Canon 500mm review, which includes a brand new video showing it in action. Thu, 19 May 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_EF_500mm_f4L_IS_USM/ http://www.cameralabs.com/reviews/Nikon_COOLPIX_L24/ The COOLPIX L24 is one of Nikon's most affordable point-and-shoot digital cameras, yet sports a higher resolution sensor and bigger screen than most rivals at this price point. For little more than 100 USD, it gives you a 14 Megapixels with a 3in screen and 3.6x zoom, and while there's unsurprisingly no HD video image stabilisation, you are getting foolproof operation. The big question then is how the picture quality compares to rival models? To find out we compared it against two Canon PowerShots, one slightly cheaper and one a little more expensive. Discover which will be the best budget compact for you in our Nikon COOLPIX L24 review! Sun, 15 May 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_COOLPIX_L24/ http://www.cameralabs.com/reviews/Canon_PowerShot_A1200/ Canon's PowerShot A1200 is a 12.1 Megapixel budget camera with a 4x zoom. It's the second cheapest model in Canon's current line-up, but offers a surprising feature-set for its price point. Unlike most entry-level cameras, the zoom offers true wide-angle coverage, the video recording is in 720p HD, and there's even a small optical viewfinder which is handy when the screen becomes hard to view in direct sunlight, or if the battery is running low on charge. Is it worth spending the extra over the cheapest A800, or considering Nikon's rival COOLPIX L24? We've compared all three in our Canon PowerShot A1200 review! Mon, 9 May 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_A1200/ http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_FS18_FH5/ Panasonic's Lumix FS18 / FH5 is a slim but affordable compact, boasting 16 Megapixels, a 4x stabilised zoom with wide-angle coverage, and 720p HD video recording. It's an impressive build and specification for a price that's only slightly higher than many entry-level models. If you're happy with 14 Megapixels, there's also the otherwise identical Lumix FS16 / FH2 to consider at a slightly lower price. In our full review we'll compare them both, along with seeing how Canon's PowerShot A3300 IS measures-up. If you're looking for a step-up from an entry-level compact without breaking the bank, you've come to the right place! See our Panasonic Lumix DMC-FS18 / FH5 review. Sun, 1 May 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_FS18_FH5/ http://www.cameralabs.com/reviews/Canon_PowerShot_A800/ The PowerShot A800 is the cheapest point-and-shoot camera in Canon's 2011 line-up. It replaces the earlier A490 / A495 and sports 10 Megapixels, a 3.3x optical zoom and a 2.5in screen. It's a basic specification, but crucially hits a price-point lower than any Canon compact before it. The question then is whether it's any good, and we'll reveal all in our full review which compares it against the most affordable point-and-shooter from Nikon, along with the next model up in Canon's range to see if it's worth spending a bit extra. Prepare to be surprised at the quality of this cheap but cheerful camera in our Canon PowerShot A800 review Sun, 24 Apr 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_A800/ http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_TZ18_ZS8/ Panasonic's Lumix DMC-TZ18 / ZS8, is the simpler and more affordable version of the Lumix DMC-TZ20 / ZS10 pocket super-zoom. It shares the same 16x optical zoom, the same 14.1 Megapixel resolution and the same degree of auto and manual control, all packed into much the same body. So while the TZ18 / ZS8 may be lacking the bells and whistles of the TZ20 / ZS10, it delivers the same core functionality at a lower price; some might even prefer the quality from its CCD sensor. Does this make it the preferred pocket super-zoom for budget buyers? Find out in our Panasonic Lumix DMC-TZ18 / ZS8 review where we'll compare its quality and features directly against the TZ20 / ZS10. Sun, 17 Apr 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_TZ18_ZS8/ http://www.cameralabs.com/reviews/Canon_PowerShot_A3200_IS_A3300_IS/ Canon's PowerShot A3300 IS is a 16 Megapixel point-and-shoot compact with a 5x optical zoom and 3in screen. It's the new top model in the affordable PowerShot A-series, and also features wide-angle coverage, a 720p HD movie mode, and a very confident auto mode, along with a new LIVE control which guides you through making various adjustments. Find out how it compares against a key rival from Panasonic, along with Canon's slightly cheaper A3200 IS in our Canon PowerShot A3300 IS review! Sun, 10 Apr 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_A3200_IS_A3300_IS/ http://www.cameralabs.com/reviews/Canon_EOS_600D_Rebel_T3i/ The EOS 600D / Rebel T3i is Canon's latest mid-range DSLR, which slots between the EOS 550D / T2i and EOS 60D. It features the same 18 Megapixel sensor as both these models, and shares the same core HD movie modes too. The new model inherits the articulated screen of the 60D, along with manual adjustment over audio levels and simplified wireless flash control. It also sports Creative Filters in playback, multiple aspect ratios in Live View, an enhanced Auto+ mode with scene detection, and two neat new movie modes which can greatly magnify your image or assemble a series of short clips. In our full review we'll help you decide which Canon DSLR will be best for your needs or whether you should consider rivals like Sony. Find out in our Canon EOS 600D / Rebel T3i review! Sun, 3 Apr 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_EOS_600D_Rebel_T3i/ http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_85mm_f1-4G/ The Nikkor AF-S 85mm f/1.4G is a high quality short telephoto prime lens designed for use on DX or FX format bodies. Joining the recent 24mm, 35mm and 50mm models, it completes a set of four updated Nikkor primes featuring f1.4 focal ratios. The 85mm focal length is one of the most desirable for portraits, delivering a flattering perspective, while the f1.4 focal ratio ensures desirable shallow depth-of-field effects. It's certainly a highly desirable lens for portrait shooters, but is it worth the high asking price, and are there any downsides to be aware of? In our Nikkor 85mm f1.4G review diary we'll take a close look at Nikon's latest prime lens, and see if it lives up to expectations. Sun, 27 Mar 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_85mm_f1-4G/ http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_TZ20_ZS10/ The Lumix DMC-TZ20 / ZS10 is the latest model in Panasonic's enormously popular travel zoom series. It may physically resemble last year's TZ10 / ZS7, but now features a broader 16x optical zoom, a touch-screen display, Full HD 1080i video, 3D photo capture, and enhanced GPS capabilities. Under the hood is a new CMOS sensor which avoids vertical streaking in movies, while also supporting fast continuous shooting. In our full review we'll examine the performance of the new sensor and lens, and take a close look at the GPS, 3D, Handheld Night Shot and HD movie capabilities. Find out if Panasonic remains the King of the compact super-zooms in our Panasonic Lumix DMC-TZ20 / ZS10 review! Mon, 21 Mar 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_TZ20_ZS10/ http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_35mm_f1-4G/ The Nikkor AF-S 35mm f/1.4G is a high quality wide angle prime lens designed for use on DX or FX format bodies. Joining the recent 24mm, 50mm and 85mm models, it completes a set of four updated Nikkor primes featuring f1.4 focal ratios. The 35mm focal length is one of the most useful on both DX and FX format bodies: on the former it delivers standard coverage, while on the latter it offers mild wide-angle without the distortion of shorter focal lengths. In our Nikkor 35mm f1.4G review diary we'll take a close look at Nikon's most expensive 35mm prime, and see if it lives up to expectations. Wed, 16 Mar 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_35mm_f1-4G/ http://www.cameralabs.com/reviews/Canon_PowerShot_SD4500_IS_IXUS_1000_HS/ Canon's IXUS 1000 HS (or PowerShot SD4500 IS as it's known in North America) claimed the title of the World's slimmest super-zoom camera when launched. It packs a 10x optical zoom, 3in widescreen display and 10 Megapixel CMOS sensor into a body measuring just 22mm thick. The CMOS sensor allows Full HD 1080p video recording and fairly quick continuous shooting, while the sensible resolution and clever burst composite mode attempt to keep noise levels under control. See how it measures-up in our Canon IXUS 1000 HS / SD4500 IS review! Sun, 13 Mar 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_SD4500_IS_IXUS_1000_HS/ http://www.cameralabs.com/reviews/Nikon_Nikkor_35mm_lens_comparison/Nikkor_35mm_f1-4G_vs_35mm_f2D_vs_DX_35mm_f1-8G_compared.shtml Nikon currently offers three 35mm prime lenses: the ageing AF 35mm f2.0D, the low-cost DX 35mm f1.8G and the latest high-end AF-S 35mm f1.4G. But how does their quality compare on both cropped and full-frame bodies? Camera Labs' forum moderator Thomas has conducted in-depth tests of all three for upcoming reviews, but right now we wanted to give you a sneak-preview of their sharpness side-by side. Prepare to be surprised by the affordable DX 35mm on a full-frame body and look out for unexpected differences in light transmission. We reveal all in our Nikkor 35mm prime lens comparison! PS - Thomas has also written a version for German readers! Fri, 4 Mar 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_Nikkor_35mm_lens_comparison/Nikkor_35mm_f1-4G_vs_35mm_f2D_vs_DX_35mm_f1-8G_compared.shtml