http://www.cameralabs.com/ Camera Labs Digital Camera, DSLR and lens reviews / DSLR Tips workshops and advice en-us http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_DX_Micro_85mm_f3-5G_VR/ Nikon's DX 85mm f3.5G VR is a mid-range macro lens for owners of DX-format DSLRs. It delivers a step-up from the entry-level DX 40mm, with built-in Vibration Reduction and a longer focal length allowing you to work at a more comfortable distance while still enjoying 1:1 magnification. With an effective focal length of 128mm on a DX body it also doubles-up as a handy telephoto, and additionally features SWM focusing which works on any Nikon body. Find out how it compares to the DX 40mm and 105mm macro lenses in our Nikon DX 85mm macro lens review! Fri, 27 Jan 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_DX_Micro_85mm_f3-5G_VR/ http://www.cameralabs.com/photography_books/Wildlife_photography/ It's an exciting day at Camera Labs as we publish our first photography eBook! 'The Art of Photographing Wildlife' explains how to approach and photograph different types of animals, birds, insects and marine life while always respecting them and the environment. Author Mike Kiss is an expert wildlife photographer based in Saskatoon Saskatchewan Canada, and in the book shares his techniques along with recommended equipment and considerations on weather, safety and ethics. The eBook has 70 pages, is delivered as a standard PDF file, and costs $9.97. Find out more in our Wildlife photography page! Fri, 20 Jan 2012 00:00:00 GMT http://www.cameralabs.com/photography_books/Wildlife_photography/ http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_DX_Micro_40mm_f2-8G/ Nikon's DX 40mm f2.8G is the most affordable macro lens with 1:1 magnification for owners of DX-format DSLRs. It features a bright f2.8 aperture, SWM focusing which works with any Nikon DSLR, and delivers surprisingly good quality for the money. Certainly if you're interested in getting into macro-photography, but can't commit to one of the pricier models, the DX 40mm f2.8G will let you achieve great results at a low price, while also doubling-up as a short-telephoto for portraits. Find out how it compares to other macro options in our Nikon DX 40mm macro lens review! Tue, 17 Jan 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_DX_Micro_40mm_f2-8G/ http://www.cameralabs.com/reviews/Fujifilm_X-Pro1/ Fujifilm's X-Pro1 is a new mirror-less ILC aimed at a higher-end market than most models to date. It inherits the retro styling of the earlier X100 with its analogue controls and innovative hybrid rangefinder system, but adds a new interchangeable lens mount and a cunning sensor which claims to avoid moiré and match or exceed the quality of full-frame DSLRs. Maintaining its high-end credentials, Fujifilm's launching the X-Pro1 with three very nice looking fast prime lenses. Could this be the ILC demanding pros and enthusiasts have been waiting for? Find out more and see how it compares to rivals in my Fujifilm X-Pro1 preview! Thu, 12 Jan 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Fujifilm_X-Pro1/ http://www.cameralabs.com/reviews/Canon_PowerShot_G1_X/ Today Canon announced its first compact camera with a large sensor. The new PowerShot G1 X takes the classic style of the popular G-series, but squeezes in a considerably larger sensor roughly between Micro Four Thirds and APS-C in size. Like previous G-series models, there's a fixed lens, this time with a 4x stabilised 28-112mm range. There's also a hotshoe, stacks of manual control, an articulated screen, viewfinder and now 1080p video too. Has Canon created one of the most compelling compacts for enthusiasts, or in the torrent of mirror-less ILCs, is it too little too late? Find out all about the camera and how it compares to rivals in my Canon PowerShot G1 X preview! Tue, 10 Jan 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_G1_X/ http://www.cameralabs.com/reviews/Nikon_D4/ The Nikon D4 is the company's new flagship pro sports DSLR. It replaces the D3s with upgrades in resolution, movie capabilities, AF performance, metering and connectivity. The headline specs are a new 16.2 Megapixel full-frame sensor with an expanded sensitivity of 50 to 204,800 ISO, continuous shooting up to 10fps with AF, a 51-point AF system, a sophisticated new metering sensor, a wealth of movie modes, support for XQD memory cards, uncompressed HDMI output and a headphone jack. It's the pinnacle of Nikon's DSLR technology, but could it be the last of its kind? Discover all the new features, see how it compares to the Canon EOS 1D X and join the discussion in my Nikon D4 preview! Fri, 6 Jan 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_D4/ http://www.cameralabs.com/reviews/Olympus_E-PM1/ Happy New Year! Continuing a trend for mirror-less cameras with big sensors, I'm kicking-off 2012 with a review of one of the most affordable models yet! The Olympus E-PM1 is the baby in the current 'PEN' range, but packs the same sensor, 1080i movies, fast autofocus, hotshoe and built-in image stabilisation as the higher-end E-PL3 and E-P3. Nick-named the 'PEN Mini', the E-PM1 is designed to appeal to those who want to step up from a point-and-shoot, and as such it's smaller, lighter, more accessible and crucially cheaper than its more sophisticated siblings. Bargain or budget compromise? Find out if this is the ILC for you in my Olympus E-PM1 review! Tue, 3 Jan 2012 00:00:00 GMT http://www.cameralabs.com/reviews/Olympus_E-PM1/ http://www.cameralabs.com/features/Queenstown_photography_photowalk/ Exactly one week ago I joined 30 photographers for the inaugural Photowalk in Queenstown, New Zealand. Christmas marks the height of Summer down here in New Zealand and the weather didn't disappoint, with great conditions as we circled the bay into the evening, capturing some classic Kiwi views and a lovely sunset. I've made a short film about the walk and to also showcase some of the great photos taken during the evening. So if you were there, wanted to be there, or simply wondered what happens at a photowalk, then check out my Queenstown Photowalk video! Which only leaves me to thank all the readers of Camera Labs for your support during 2011 and to wish you all a very Merry Christmas and Happy New Year! I hope you take some great photos over the holiday season! Sun, 25 Dec 2011 00:00:00 GMT http://www.cameralabs.com/features/Queenstown_photography_photowalk/ http://www.cameralabs.com/reviews/Leica_M9-P/ This is a story of one man's journey to acquire one of the world's most coveted luxury cameras, a Leica M9-P. What makes it special is he's not a wealthy adult, but a University student who's simply made it his mission to work hard and keep saving until his ambitious dream becomes a reality. The man in question is Camera Labs' forum moderator, Bjorn van Sinttruije, who finally collected his camera in person from the Leica HQ in Germany just two days before Christmas. Upon returning home to Holland late that evening, Bjorn, who'd been up since 4am, posted his first images here. Check them out, along with the background behind the story, and stay-tuned for his final report on his trip to the Leica factory and his very own M9-P! Sat, 24 Dec 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Leica_M9-P/ http://www.cameralabs.com/reviews/Nikon_1_V1/ The Nikon V1 is unique in the growing market of mirror-less interchangeable lens cameras (ILCs). Rather than compete on sensor size and resolution, the Nikon 1 system is designed to be the fastest ILC to date, with decent bursts at 10fps with autofocus, or up to 60fps without. Suffice it to say there's also HD movies with tracking focus, but the V1 can also grab high res images at the same time, so you no longer need to choose between photos and video. This makes the Nikon 1 system not just ideal for action sports, but also perfect for parents with active kids. I tested the V1 alongside the cheaper J1 and a selection of rival ILCs over an extended period of six weeks and really got to understand each of their pros and cons. Find out which ILC should be top of your list in my Nikon V1 review! Wed, 21 Dec 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_1_V1/ http://www.cameralabs.com/reviews/Sony_Alpha_NEX_5N/ Sony's NEX-5N is a mirror-less interchangeable lens camera (ILC) which packs a 16 Megapixel DSLR sensor into a small body. Like the original NEX-5, the new model boasts a 3in tilting screen, HD video and a raft of clever modes, but the 5N now makes the screen touch-sensitive, upgrades the movie quality and burst shooting, while offering greater customisation and the chance to fit an optional electronic viewfinder. It's a highly compelling ILC, but how does it compare to the Olympus E-P3 and Panasonic GX1? Find out in my Sony NEX 5N review! Mon, 12 Dec 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Sony_Alpha_NEX_5N/ http://www.cameralabs.com/reviews/Phase_One_IQ180_645DF/ Ever wondered what photos from one of the highest resolution cameras in the world look like? Wonder no more! I recently spent a Sunny afternoon in Queenstown New Zealand with the Phase One IQ180 medium format back, 645DF body and 80mm lens. The IQ180 packs nothing less than 80 Megapixels into a huge CCD sensor which is larger than two full-frame or four APS-C sensors placed side-by-side. This allows it to deliver unbelievably detailed images from a single exposure and in practice it sure doesn't disappoint. In my Phase One IQ180 field report, check out some of the most detailed digital images you've ever seen! Fri, 9 Dec 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Phase_One_IQ180_645DF/ http://www.cameralabs.com/reviews/Canon_PowerShot_ELPH_100_HS_IXUS_115_HS/ The Canon ELPH 100 HS / IXUS 115 HS is the most affordable model in the current ELPH / IXUS line-up, but judging from its feature-set you'd be hard-pushed to tell. It employs the same 12.1 Megapixel CMOS sensor and 1080/24p video mode as most other models in the range. It also packs a great general-purpose 4x 28-112mm zoom and 3in screen into a slim and attractive body. So is there any point in spending more? Find out in our Canon ELPH 100 HS / IXUS 115 HS review where we'll compare it against other models in the Canon range. Wed, 7 Dec 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_ELPH_100_HS_IXUS_115_HS/ http://www.cameralabs.com/reviews/Canon_PowerShot_ELPH_300_HS_IXUS_220_HS/ The ELPH 300 HS / IXUS 220 HS is the best-selling point-and-shoot camera in Canon's 2011 range. It delivers a canny balance of a decent lens range in a slim package at an affordable price. You get a 12 Megapixels, 1080p movies and a 5x optical zoom with flexible 24-120mm coverage packed into a slim and stylish body. It's a great combination, but for a little more you could get the 8x zoom of the ELPH 310 HS / IXUS 230 HS, or for a little less you could get the ELPH 100 HS / IXUS 115 HS with many of the same core features. It's a tough choice, so to help you choose the right point-and-shoot, we've compared all three in our Canon ELPH 300 HS / IXUS 220 HS review! Thu, 1 Dec 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_ELPH_300_HS_IXUS_220_HS/ http://www.cameralabs.com/reviews/Canon_PowerShot_S100/ Canon's PowerShot S100 is the latest version of its pocket-sized compact for enthusiasts. Like previous models, the S100 boasts full manual control, RAW recording and a bright lens with an f2.0 focal ratio when zoomed-out. New to the S100 is a broader 24-120mm equivalent range, 1080p video and a built-in GPS. It's a powerful new compact for those who want something smaller than an ILC without compromising on control, but one of the biggest questions is how the quality compares to the previous S95 with the switch from a 10Mpixel CCD to a 12Mpixel CMOS sensor. Find out how it compares to the S95 and other top-end compacts in my Canon S100 review! Mon, 28 Nov 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_S100/ http://www.cameralabs.com/reviews/GoPro_HD_Hero_2/ The HD Hero 2 is GoPro's latest wearable and gear-mountable camera. The HD Hero 2 builds on the enormously popular HD Hero with ultra-wide 170 degree video at 1080p, higher resolution stills, faster timelapse options, 120fps high-speed video, burst shooting at 10fps, HDMI and mic inputs along with a greatly improved screen. It also shares the same accessories and like its predecessor is supplied with a tough waterproof housing good to depths of 60m. As such it's not just ideal for action photography, but even as a 'B-camera' to complement video filmed with another camera on trips. See how it performs in our GoPro HD Hero 2 review, which includes a two-part video showcasing the best adventure activities in Queenstown, New Zealand! Wed, 23 Nov 2011 00:00:00 GMT http://www.cameralabs.com/reviews/GoPro_HD_Hero_2/ http://www.cameralabs.com/reviews/Canon_PowerShot_ELPH_510_HS_IXUS_1100_HS/ The Canon ELPH 510 HS / IXUS 1100 HS is a slim 12 Megapixel compact with a 12x zoom, 1080p video and a 3.2in touch-screen. Representing the flagship model in the ELPH / IXUS range, the 510 HS / 1100 HS is one of only two cameras in the current line-up endowed with touch screens and the one which pushes the outer limits in terms of zoom range. There are longer zooms out there, but housed in thicker bodies, so if you're looking for a good balance between reach and pocketability, this could be for you. Find out how this top-of-the-range model compares in our Canon ELPH 510 HS / IXUS 1100 HS review! Sun, 20 Nov 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_ELPH_510_HS_IXUS_1100_HS/ http://www.cameralabs.com/reviews/Canon_PowerShot_ELPH_310_HS_IXUS_230_HS/ Canon's PowerShot ELPH 310 HS / IXUS 230 HS is a slim and attractive point-and-shoot camera which packs-in a 12 Megapixel sensor, 1080p video recording and an 8x optical zoom lens. There's also a slow motion movie mode and the chance to create miniature movie effects. It's a highly compelling option, but flanked on either side of the Canon range by the best-selling ELPH 300 HS / IXUS 220 HS and the touch-screen ELPH 510 HS / IXUS 1100 HS. Can't decide which will be best for you? No problem! We compared all three in our Canon ELPH 310 HS / IXUS 230 HS review! Tue, 15 Nov 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_ELPH_310_HS_IXUS_230_HS/ http://www.cameralabs.com/reviews/Canon_PowerShot_SX150_IS/ Canon's PowerShot SX150 IS is a budget superzoom camera with a 12x optical range, 14 Mpixels, 720p HD video and a 3in screen. Intelligent Auto makes it easy for beginners, while those who like greater control will appreciate the mode dial, PASM exposure modes and the chance to manually adjust the focus. The SX150 IS may be lacking the bells and whistles of premium superzooms, such as having built-in GPS or super-fast continuous shooting, but it's a good solid performer for the money. Find out more and see how the quality and features compare to other models in our Canon SX150 IS review! Wed, 9 Nov 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_SX150_IS/ http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_GX1/ The Lumix GX1 is Panasonic's fourth 'pocketable' camera to employ the Micro Four Thirds standard, but rather than replace an existing model, it represents a new category in the Lumix G series, aimed at enthusiasts. Externally the GX1 resembles the original GF1, with its chunky body, flash hotshoe and mode dial, but the body is much tougher, features a touch-screen display, supports UHS-I memory cards and a new electronic viewfinder, films Full HD video, and crucially employs the 16 Megapixel sensor from the Lumix G3. It's a compelling camera for enthusiasts and one I was lucky enough to get my hands on prior to launch. Read my Panasonic GX1 preview for full details and check out my video interview with Panasonic. Mon, 7 Nov 2011 05:00:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_GX1/ http://www.cameralabs.com/reviews/Olympus_E-PL3/ The Olympus E-PL3 is a 12 Megapixel Interchangeable Lens Camera based on the Micro Four Thirds standard. It's the middle model in the current Olympus PEN range, positioned below the flagship E-P3 and above the entry-level E-PM1. It can shoot 1080i video, boasts a fast 35-area AF system, and like all PEN cameras, features built-in stabilisation which works with any lens you attach; it's also the only Olympus PEN with a 16:9 shaped tilting monitor for easy framing at unusual angles. Find out how it compares against key rivals from Sony and Panasonic in our Olympus E-PL3 review! Sat, 5 Nov 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Olympus_E-PL3/ http://www.cameralabs.com/features/Nikon_D3x_review_Vermont_Fall_Photography/ Upgrading your camera is always an exciting process, but deciding on one model from a potential shortlist can often prove difficult. This especially applies if you're investing in a higher-end body where buying the wrong model could prove to be a costly mistake. Photographer Scott Kublin found himself in this position, needing to choose a new pro DSLR for his job, but stuck with a choice of ageing models or rumours of new ones just round the corner. It didn't help that he had an important shoot in Vermont to photograph the Fall Foliage in the pipeline. Should he buy the established but ageing Nikon D3x or wait to see what came out between now and the 2012 Olympics? Or in this time of change, would renting prove the best plan? In this article Scott describes the agony and ecstasy of choosing and testing pro DSLRs, while sharing a selection of photos from his Vermont Fall Foliage adventure. Thu, 3 Nov 2011 00:00:00 GMT http://www.cameralabs.com/features/Nikon_D3x_review_Vermont_Fall_Photography/ http://www.cameralabs.com/reviews/Canon_PowerShot_SX40_HS/ The PowerShot SX40 HS is Canon's latest super-zoom camera, sporting the same enormous 35x optical range as its predecessor, equivalent to 24-840mm. The new SX40 HS also sports the same body, which means it inherits a fully-articulated screen and flash hotshoe. The major change concerns the sensor with a switch from a 14 Megapixel CCD to a 12 Megapixel CMOS. This allows the SX40 HS to support 1080p video and fast continuous shooting, with the added benefit of lower noise too. Canon's enhanced one of the most powerful super-zooms on the market, but Sony and Panasonic haven't stood still. Find out how they compare in my Canon PowerShot SX40 HS review. Sun, 30 Oct 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_SX40_HS/ http://www.cameralabs.com/reviews/Sony_Alpha_NEX_C3/ Sony's Alpha NEX-C3 is the company's latest entry-level ILC, packing a big sensor into a tiny body. Like other NEX cameras, the C3 features nothing less than an APS-C sensor, matching the quality of most DSLRs, but in a much more portable body. It features 16 Megapixels, 720p HD video, a large and detailed tilting monitor, 5.5fps continuous shooting and the usual array of innovative modes we've come to love from Sony including Handheld Twilight and Sweep Panorama. It's a highly compelling option for anyone upgrading from a point and shoot camera, but up against tough rivals from Panasonic and Olympus. Find out how it compares in our Sony NEX-C3 review! Sun, 23 Oct 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Sony_Alpha_NEX_C3/ http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_GF3/ The Lumix GF3 is Panasonic's third 'pocketable' compact to employ the Micro Four Thirds standard. Arriving just seven months after the GF2, it packs a large sensor into a small body with a removable lens mount, and like that model makes further reductions in size and weight; indeed the GF3 becomes the smallest and lightest interchangeable lens camera (ILC) with a built-in flash, while also enjoying a new curvier body shape. Panasonic's clearly aiming the GF3 at anyone upgrading from a point-and-shoot camera, but Sony and Olympus also have compelling alternatives. Find out how they all compare, and which ILC is for you in our Panasonic Lumix GF3 review! Mon, 17 Oct 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_GF3/ http://www.cameralabs.com/reviews/Fujifilm_FinePix_HS20_EXR/ Fujifilm's FinePix HS20 EXR is a 16 Megapixel super-zoom camera with a 30x optical range and 3in articulated screen. These specifications sound comparable to many of its super-zoom rivals, but the HS20 EXR boasts a number of features which make it unique. First, the lens employs a mechanical zoom ring, like a DSLR lens. Secondly it takes AA batteries. Third and arguably most important, the sensor can reconfigure itself to become optimised for resolution, lower noise or higher dynamic range. Throw in 1080p video and RAW capabilities and you have a powerful feature-set which will delight enthusiasts. Find out how it compares - and crucially if the clever sensor really works - in our Fujifilm HS20 EXR review. Sun, 9 Oct 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Fujifilm_FinePix_HS20_EXR/ http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_FZ150/ The Panasonic Lumix FZ150 is one of the most powerful super-zoom cameras around right now. It features a 24x zoom (25-600mm equivalent), 1080p video, a fully articulated 3in screen, flash hotshoe, microphone input, support for RAW recording and much more! Thos familiar with Panasonic's range will note the features are almost identical to last year's Lumix FZ100, but for the new model, Panasonic claims to have improved the image quality with a lower resolution 12 Megapixel sensor. If they've fixed it, this could end up being the best super-zoom for enthusiasts. Find out in my Panasonic FZ150 review, where I've compared it against the cheaper FZ47 / FZ48 and arch rival, the Sony HX100V. Sun, 2 Oct 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_FZ150/ http://www.cameralabs.com/reviews/Olympus_E-P3/ The Olympus E-P3 is a 12 Megapixel Interchangeable Lens Camera, which boasts one of the fastest autofocus systems around. It's the latest flagship in the Olympus PEN series, based on the Micro Four Thirds standard. Like its predecessors, the E-P3 is packed with manual controls which will delight enthusiasts, and alongside these and the super-fast AF system are a high resolution OLED touch-screen and 1080i video recording. For this review, we took the E-P3 to the South of France, to see how it handled as a holiday / street photography camera. Find out how we got on in our Olympus E-P3 review! Sun, 25 Sep 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Olympus_E-P3/ http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_FZ47_FZ48/ The Lumix FZ47 / FZ48 is the latest Panasonic super-zoom, featuring a 24x stabilised range, 1080i video and 12 Megapixels. As before, Panasonic also offers a premium version: the new Lumix FZ150 adds progressive video, RAW, faster shooting, a flash hotshoe and an articulated screen. It's a clever strategy which allows the FZ150 to compete head-on against feature packed rivals from Canon and Sony, while the simpler FZ47 / FZ48 under-cuts them on price without compromising core features. To find out if it's still a compelling option in the face of more sophisticated models, check out my Panasonic Lumix FZ47 / FZ48 review, which concentrates on the new features, in particular the upgrade to 1080i video. Sun, 18 Sep 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_FZ47_FZ48/ http://www.cameralabs.com/reviews/Canon_EF_8-15mm_f4L_Fisheye_USM/ The Canon EF 8-15mm Fisheye zoom is a unique lens which delivers 180 degree fisheye views to any Canon DSLR, be it full-frame, APS-H or APS-C; full-frame owners also enjoy the option of full circular fisheye images. As such the EF 8-15mm effectively works as four lenses in one, making it invaluable for anyone who uses more than one Canon DSLR. It's one of the most exciting lenses in the Canon - or indeed any - catalogue so I've taken a different approach in my full review, featuring many more real-life images from a variety of conditions including one of the first tests showcasing it for snow-sports. I've also included second opinions from other photographers to see what they think of this unique lens. So for an in-depth hands-on report, check out my Canon EF 8-15mm Fisheye review! Mon, 12 Sep 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_EF_8-15mm_f4L_Fisheye_USM/ http://www.cameralabs.com/reviews/Sony_Alpha_SLT_A77/ Sony's Alpha SLT-A77 is one of the most highly-anticipated cameras of 2011. It sports a 24 Megapixel sensor, 1080p video, 12fps shooting, built-in stabilisation, a 19-point AF system, fully-articulated 3in VGA screen, GPS and one of the biggest and most detailed electronic viewfinders to date. Like Sony's earlier SLTs, the A77 employs a fixed semi-reflective mirror which allows continuous autofocusing for movies and live view. There's a lot to take-in, so in this preview I've explained all the new features in detail, looked at the pros and cons of the SLT design, and compared the features against key rivals. Find out more about one of 2011's most exciting cameras in my Sony Alpha SLT-A77 preview! Tue, 30 Aug 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Sony_Alpha_SLT_A77/ http://www.cameralabs.com/reviews/Sony_Alpha_NEX_7/ Today Sony announced two of the most highly anticipated - and highly-leaked - cameras of 2011. The Alpha NEX-7 and SLT-A77 are the new flagship models in the company's mirror-less and translucent-mirror ranges respectively and boast a range of features which will make enthusiasts salivate. Both share a new 24 Megapixel sensor, Full HD 1080p progressive video at up to 60fps, detailed articulated screens and electronic viewfinders with XGA resolution. Both also offer very fast continuous shooting speeds of 10 and 12fps respectively. They're two of the most exciting cameras announced this year and you can find out more in my Alpha NEX 7 preview, to be expanded and followed soon by my Alpha SLT-A77 preview! Thu, 25 Aug 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Sony_Alpha_NEX_7/ http://www.cameralabs.com/reviews/Nikon_COOLPIX_S9100/ The COOLPIX S9100 is Nikon's latest super-zoom camera, beating its rivals to squeeze nothing less than an 18x optical range into a pocketable body. In addition, the COOLPIX S9100 offers 1080p video recording, a large 3in screen and shift stabilisation for its 12 Megapixel sensor. The big lens is the headline feature though, so the question is how its quality measures-up against rivals. To find out we compared the S9100's performance with the Canon SX230 HS, Panasonic TZ20 / ZS10 and Sony HX9V. Find out which pocket super-zoom will be best for you in our Nikon COOLPIX S9100 review! Sun, 21 Aug 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_COOLPIX_S9100/ http://www.cameralabs.com/reviews/Sony_Cyber-shot_DSC_HX100V/ The Cyber-shot HX100V is Sony's latest super-zoom camera, boasting nothing less than a 30x optical zoom range, 16.2 Megapixel CMOS sensor, high resolution tilting 3in screen, Full HD video, 10fps shooting and a built-in GPS to tag your images with location details. It also includes Sony's clever Sweep Panorama and image-stacking noise reduction modes. As such it's essentially the HX9V in a DSLR-styled body but with almost double the zoom range and an articulated screen. So it's up against some big-hitters including Canon's PowerShot SX30 IS and Fujifilm's HS20EXR. Find out if it's the best super-zoom yet in our Sony Cyber-shot HX100V review! Sun, 14 Aug 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Sony_Cyber-shot_DSC_HX100V/ http://www.cameralabs.com/reviews/Sony_Cyber-shot_DSC_HX9/ The Cyber-shot HX9V is Sony's latest pocket super-zoom, sporting a 16x range with impressive 24mm wide-angle coverage, a new 16.2 Megapixel CMOS sensor, a high resolution 3in screen, Full HD video, fast continuous shooting, and a built-in GPS. If that wasn't enough, the HX9V also includes Sony's clever image stacking modes to reduce noise, blur or create panoramas in-camera, along with a new defocus option to simulate shallow depth-of-field effects. It's an impressive specification, so the big question is how it compares to its big rivals from Canon, Nikon and Panasonic. Find out in our Sony Cyber-shot DSC-HX9V review! Mon, 1 Aug 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Sony_Cyber-shot_DSC_HX9/ http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_50mm_f1-8G/ The Nikkor AF-S 50mm f/1.8G is an affordable prime lens for Nikon DSLRs. On FX bodies it delivers standard coverage, while on DX bodies it becomes equivalent to 75mm, ideal for flattering portraits. The f1.8 aperture gathers plenty of light, making it useful in dim conditions or for minimizing the depth of field, and it also enjoys the crucial advantage over the ageing 50mm f1.8D of autofocusing with any Nikon DSLR including the most affordable bodies. So the big question is how it compares against the pricier 50mm f1.4G version and whether it's worth spending the extra or saving some cash on this new more affordable model. Find out in our Nikon 50mm f1.8G lens review! Sun, 24 Jul 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_50mm_f1-8G/ http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_FX77_FX78/ Panasonic's Lumix FX77 / FX78 is a slim 12 Megapixel compact with a 5x stabilised zoom and large 3.5in touch-screen display. The lens coverage starts at a wider than average 24mm equivalent and there's also Full HD video recording along with the chance to generate 3D images with a clever panning mode. It's a strong specification, but as always there's tough competition in the form of Sony's Cyber-shot TX10 and Canon's PowerShot 500 HS / IXUS 310 HS. We've compared the quality and performance of all three, so to find out which touch-screen compact will be best for you, check out our Panasonic Lumix FX77 / FX78 review! Sun, 17 Jul 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_FX77_FX78/ http://www.cameralabs.com/reviews/Canon_PowerShot_SX230_HS/ The PowerShot SX230 HS is Canon's flagship pocket super-zoom camera. It sports a 14x optical zoom, Full HD 1080p movie recording, a widescreen display, and built-in GPS receiver to tag your photos with your exact position. Perhaps most interestingly of all though is the resolution which Canon has kept at a sensible 12 Megapixels when its rivals are pushing 14 and 16 Megapixels. Does this give the competition an advantage in detail or Canon an edge on noise levels? Find out in our Canon PowerShot SX230 HS review, where we'll compare its performance and features against the Panasonic Lumix TZ20 / ZS10 and Sony Cyber-shot HX9V. Sun, 10 Jul 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_SX230_HS/ http://www.cameralabs.com/reviews/Canon_EOS_Rebel_T3_1100D/ The EOS Rebel T3 / 1100D is Canon's latest entry-level DSLR. It features a solid specification, packing 12 Megapixel resolution, 720p HD movies, Live View and a 9-point AF system into an affordable body. The sensor may have come from an older model, but coupled with Canon's latest metering and image processing delivers respectable results. The question then is how it compares against rivals like Nikon's D3100? Both companies have adopted quite different strategies for their entry-level DSLRs so in my review I've compared their features, handling and quality. Discover which will be your ideal budget DSLR in my Canon EOS Rebel T3 / 1100D review! Sun, 3 Jul 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_EOS_Rebel_T3_1100D/ http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_G3/ Panasonic's Lumix G3 is a compact interchangeable lens camera with a 16 Megapixel DSLR-sized sensor and HD video capabilities. Successor to the Lumix G2, it's the first of Panasonic's third generation of 'EVIL' cameras, and like its predecessors, based on the Micro Four Thirds standard. It features a fully-articulated touch-sensitive screen which will focus on any subject you tap, even while filming videos. It's also got a clever Auto mode, one of the fastest contrast-based AF systems and very respectable image quality which should all have you rethinking whether a traditional DSLR really is for you. See my Panasonic Lumix G3 review! Sun, 26 Jun 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_G3/ http://www.cameralabs.com/reviews/Sony_Cyber-shot_DSC_TX10/ The Cyber-shot TX10 is Sony's latest touch-screen compact. Like previous TX-series models, the lens is entirely housed within the body, allowing the camera to be very slim and powered-on and off with a tactile sliding cover. Along with a large 3in screen, the TX10 sports a 16.2 Megapixel sensor, 4x stabilised zoom and Full HD video recording, not to mention Sony's clever 3D and Sweep Panorama modes. And there's more: the TX10 is waterproof down to 5m, shockproof to 1.5m and freeze-proof to -10C! Find out how it compares against Canon's and Panasonic's touch-screen rivals in our Sony Cyber-shot TX10 review! Sun, 19 Jun 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Sony_Cyber-shot_DSC_TX10/ http://www.cameralabs.com/reviews/Canon_PowerShot_ELPH_500_HS_IXUS_310_HS/ Canon's PowerShot ELPH 500 HS or IXUS 310 HS is the company's latest touch-screen compact. It sports a 12.1 Megapixel CMOS sensor, a 4.4x stabilised zoom with wide coverage equivalent to 24mm, Full HD 1080p video recording and a large touch-sensitive screen which occupies almost the entire rear surface. The HS label stands for High Sensitivity, which the camera achieves with its sensible resolution and unusually bright aperture of f2.0 when zoomed-out; this gives it a real edge over most rivals in low light. It sounds like an ideal compact - find out if it lives up to expectations in our Canon ELPH 500 HS / IXUS 310 HS review! Sun, 12 Jun 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_ELPH_500_HS_IXUS_310_HS/ http://www.cameralabs.com/reviews/Canon_EOS_Rebel_T3i_600D_vs_Nikon_D5100_comparison/ The Canon EOS Rebel T3i / 600D and Nikon D5100 are two of the most popular DSLRs right now. Both deliver a step-up over entry-level models, sporting a number of key improvements without breaking the bank. The big question then is which one is best-suited to you personally? On the surface they seem to share a lot in common, but scratch below the surface and a number of important differences become apparent. So to help you make the right choice, I've made a 20 minute HD video detailing ten of the most important differences between the two models and demonstrating them in practice. So check out my Canon T3i / 600D vs Nikon D5100 comparison! Wed, 8 Jun 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_EOS_Rebel_T3i_600D_vs_Nikon_D5100_comparison/ http://www.cameralabs.com/reviews/Nikon_D5100/ The D5100 is Nikon's latest 'upper-entry-level' DSLR aimed at beginners or those wanting a step-up from a basic budget model. Successor to the popular D5000, the new model features a number of improvements including the D7000's excellent sensor, a larger, more detailed and better-articulated screen, a selection of fun effects and a raft of movie enhancements including 1080p video, continuous AF and a mic input. It all adds up to a decent upgrade and a compelling camera for new buyers, but how does Canon's similarly-priced EOS 600D / T3i compare? Find out in my in-depth Nikon D5100 review! Mon, 30 May 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_D5100/ http://www.cameralabs.com/reviews/Think_Tank_Airport_Acceleration_v2_bag/ The Think Tank Airport Acceleration v2 is a camera backpack designed to accommodate two pro DSLRs, several lenses including one as large as a 500mm f4, and a 15in laptop, while looking discreet and complying with airline carry-on restrictions. I needed a serious camera bag for a trip to Florida to photograph a Space Shuttle launch which had to meet several key requirements: it had to carry several bodies and lenses with comfort while satisfying airline and NASA security and not screaming 'camera bag'! The Airport Acceleration fitted the bill and proved to be ideal for frequent flyers who need to lug around a lot of equipment with discretion. Find out more in my Think Tank Airport Acceleration v2 review! Wed, 25 May 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Think_Tank_Airport_Acceleration_v2_bag/ http://www.cameralabs.com/reviews/Sony_Cyber-shot_DSC_W510/ The Cyber-shot W510 is the cheapest of four point-and-shoot cameras launched by Sony earlier this year, but doesn't skimp on features. The 12 Megapixels, 4x optical zoom and 2.7in screen sound average enough, but dig a little deeper and you'll discover the lens zooms-out wider than most to 26mm equivalent, and for even bigger views, there's Sony's excellent Sweep Panorama mode which stitches multiple shots into a single image. Impressively the W510 is also slimmer than most entry-level cameras. Find out how it compares against key rivals from Canon and Nikon in our Sony Cyber-shot DSC-W510 review! Sun, 22 May 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Sony_Cyber-shot_DSC_W510/ http://www.cameralabs.com/reviews/Canon_EF_500mm_f4L_IS_USM/ Canon's EF 500mm f4L IS USM is a super-telephoto lens adored by wildlife and sports photographers alike. The focal length, equivalent to 800mm on a cropped-frame body, delivers decent-sized images of distant subjects, while the f4 maximum aperture allows you to isolate them with a very shallow depth-of-field. It's a superb lens but don't let the huge price tag put you off - for less than you think, you could rent one for a special event, which is exactly what I did for a recent trip to Florida to view a Space Shuttle launch. Find out why it ended up being my favourite lens in my Canon 500mm review, which includes a brand new video showing it in action. Thu, 19 May 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_EF_500mm_f4L_IS_USM/ http://www.cameralabs.com/reviews/Nikon_COOLPIX_L24/ The COOLPIX L24 is one of Nikon's most affordable point-and-shoot digital cameras, yet sports a higher resolution sensor and bigger screen than most rivals at this price point. For little more than 100 USD, it gives you a 14 Megapixels with a 3in screen and 3.6x zoom, and while there's unsurprisingly no HD video image stabilisation, you are getting foolproof operation. The big question then is how the picture quality compares to rival models? To find out we compared it against two Canon PowerShots, one slightly cheaper and one a little more expensive. Discover which will be the best budget compact for you in our Nikon COOLPIX L24 review! Sun, 15 May 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_COOLPIX_L24/ http://www.cameralabs.com/reviews/Canon_PowerShot_A1200/ Canon's PowerShot A1200 is a 12.1 Megapixel budget camera with a 4x zoom. It's the second cheapest model in Canon's current line-up, but offers a surprising feature-set for its price point. Unlike most entry-level cameras, the zoom offers true wide-angle coverage, the video recording is in 720p HD, and there's even a small optical viewfinder which is handy when the screen becomes hard to view in direct sunlight, or if the battery is running low on charge. Is it worth spending the extra over the cheapest A800, or considering Nikon's rival COOLPIX L24? We've compared all three in our Canon PowerShot A1200 review! Mon, 9 May 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_A1200/ http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_FS18_FH5/ Panasonic's Lumix FS18 / FH5 is a slim but affordable compact, boasting 16 Megapixels, a 4x stabilised zoom with wide-angle coverage, and 720p HD video recording. It's an impressive build and specification for a price that's only slightly higher than many entry-level models. If you're happy with 14 Megapixels, there's also the otherwise identical Lumix FS16 / FH2 to consider at a slightly lower price. In our full review we'll compare them both, along with seeing how Canon's PowerShot A3300 IS measures-up. If you're looking for a step-up from an entry-level compact without breaking the bank, you've come to the right place! See our Panasonic Lumix DMC-FS18 / FH5 review. Sun, 1 May 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_FS18_FH5/ http://www.cameralabs.com/reviews/Canon_PowerShot_A800/ The PowerShot A800 is the cheapest point-and-shoot camera in Canon's 2011 line-up. It replaces the earlier A490 / A495 and sports 10 Megapixels, a 3.3x optical zoom and a 2.5in screen. It's a basic specification, but crucially hits a price-point lower than any Canon compact before it. The question then is whether it's any good, and we'll reveal all in our full review which compares it against the most affordable point-and-shooter from Nikon, along with the next model up in Canon's range to see if it's worth spending a bit extra. Prepare to be surprised at the quality of this cheap but cheerful camera in our Canon PowerShot A800 review Sun, 24 Apr 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_A800/ http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_TZ18_ZS8/ Panasonic's Lumix DMC-TZ18 / ZS8, is the simpler and more affordable version of the Lumix DMC-TZ20 / ZS10 pocket super-zoom. It shares the same 16x optical zoom, the same 14.1 Megapixel resolution and the same degree of auto and manual control, all packed into much the same body. So while the TZ18 / ZS8 may be lacking the bells and whistles of the TZ20 / ZS10, it delivers the same core functionality at a lower price; some might even prefer the quality from its CCD sensor. Does this make it the preferred pocket super-zoom for budget buyers? Find out in our Panasonic Lumix DMC-TZ18 / ZS8 review where we'll compare its quality and features directly against the TZ20 / ZS10. Sun, 17 Apr 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_TZ18_ZS8/ http://www.cameralabs.com/reviews/Canon_PowerShot_A3200_IS_A3300_IS/ Canon's PowerShot A3300 IS is a 16 Megapixel point-and-shoot compact with a 5x optical zoom and 3in screen. It's the new top model in the affordable PowerShot A-series, and also features wide-angle coverage, a 720p HD movie mode, and a very confident auto mode, along with a new LIVE control which guides you through making various adjustments. Find out how it compares against a key rival from Panasonic, along with Canon's slightly cheaper A3200 IS in our Canon PowerShot A3300 IS review! Sun, 10 Apr 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_A3200_IS_A3300_IS/ http://www.cameralabs.com/reviews/Canon_EOS_600D_Rebel_T3i/ The EOS 600D / Rebel T3i is Canon's latest mid-range DSLR, which slots between the EOS 550D / T2i and EOS 60D. It features the same 18 Megapixel sensor as both these models, and shares the same core HD movie modes too. The new model inherits the articulated screen of the 60D, along with manual adjustment over audio levels and simplified wireless flash control. It also sports Creative Filters in playback, multiple aspect ratios in Live View, an enhanced Auto+ mode with scene detection, and two neat new movie modes which can greatly magnify your image or assemble a series of short clips. In our full review we'll help you decide which Canon DSLR will be best for your needs or whether you should consider rivals like Sony. Find out in our Canon EOS 600D / Rebel T3i review! Sun, 3 Apr 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_EOS_600D_Rebel_T3i/ http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_85mm_f1-4G/ The Nikkor AF-S 85mm f/1.4G is a high quality short telephoto prime lens designed for use on DX or FX format bodies. Joining the recent 24mm, 35mm and 50mm models, it completes a set of four updated Nikkor primes featuring f1.4 focal ratios. The 85mm focal length is one of the most desirable for portraits, delivering a flattering perspective, while the f1.4 focal ratio ensures desirable shallow depth-of-field effects. It's certainly a highly desirable lens for portrait shooters, but is it worth the high asking price, and are there any downsides to be aware of? In our Nikkor 85mm f1.4G review diary we'll take a close look at Nikon's latest prime lens, and see if it lives up to expectations. Sun, 27 Mar 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_85mm_f1-4G/ http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_TZ20_ZS10/ The Lumix DMC-TZ20 / ZS10 is the latest model in Panasonic's enormously popular travel zoom series. It may physically resemble last year's TZ10 / ZS7, but now features a broader 16x optical zoom, a touch-screen display, Full HD 1080i video, 3D photo capture, and enhanced GPS capabilities. Under the hood is a new CMOS sensor which avoids vertical streaking in movies, while also supporting fast continuous shooting. In our full review we'll examine the performance of the new sensor and lens, and take a close look at the GPS, 3D, Handheld Night Shot and HD movie capabilities. Find out if Panasonic remains the King of the compact super-zooms in our Panasonic Lumix DMC-TZ20 / ZS10 review! Mon, 21 Mar 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Panasonic_Lumix_DMC_TZ20_ZS10/ http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_35mm_f1-4G/ The Nikkor AF-S 35mm f/1.4G is a high quality wide angle prime lens designed for use on DX or FX format bodies. Joining the recent 24mm, 50mm and 85mm models, it completes a set of four updated Nikkor primes featuring f1.4 focal ratios. The 35mm focal length is one of the most useful on both DX and FX format bodies: on the former it delivers standard coverage, while on the latter it offers mild wide-angle without the distortion of shorter focal lengths. In our Nikkor 35mm f1.4G review diary we'll take a close look at Nikon's most expensive 35mm prime, and see if it lives up to expectations. Wed, 16 Mar 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_Nikkor_AF-S_35mm_f1-4G/ http://www.cameralabs.com/reviews/Canon_PowerShot_SD4500_IS_IXUS_1000_HS/ Canon's IXUS 1000 HS (or PowerShot SD4500 IS as it's known in North America) claimed the title of the World's slimmest super-zoom camera when launched. It packs a 10x optical zoom, 3in widescreen display and 10 Megapixel CMOS sensor into a body measuring just 22mm thick. The CMOS sensor allows Full HD 1080p video recording and fairly quick continuous shooting, while the sensible resolution and clever burst composite mode attempt to keep noise levels under control. See how it measures-up in our Canon IXUS 1000 HS / SD4500 IS review! Sun, 13 Mar 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Canon_PowerShot_SD4500_IS_IXUS_1000_HS/ http://www.cameralabs.com/reviews/Nikon_Nikkor_35mm_lens_comparison/Nikkor_35mm_f1-4G_vs_35mm_f2D_vs_DX_35mm_f1-8G_compared.shtml Nikon currently offers three 35mm prime lenses: the ageing AF 35mm f2.0D, the low-cost DX 35mm f1.8G and the latest high-end AF-S 35mm f1.4G. But how does their quality compare on both cropped and full-frame bodies? Camera Labs' forum moderator Thomas has conducted in-depth tests of all three for upcoming reviews, but right now we wanted to give you a sneak-preview of their sharpness side-by side. Prepare to be surprised by the affordable DX 35mm on a full-frame body and look out for unexpected differences in light transmission. We reveal all in our Nikkor 35mm prime lens comparison! PS - Thomas has also written a version for German readers! Fri, 4 Mar 2011 00:00:00 GMT http://www.cameralabs.com/reviews/Nikon_Nikkor_35mm_lens_comparison/Nikkor_35mm_f1-4G_vs_35mm_f2D_vs_DX_35mm_f1-8G_compared.shtml